The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.
After thirteen and half years in prison for kidnapping and murdering the boy Park Won-mo, Geum-ja Lee is released and tries to fix her life. She finds a job in a bakery; she orders the ... See full summary »
Restaurant owner Ken Gor, twin brother of Mark Gor, teams up with police detective Kit and his struggling ex-con brother Ho to avenge his old friend's daughter's death by a Triad gang. Written by
L. Lim <firstname.lastname@example.org>
This film was notorious for stunt mishaps. Yun-Fat Chow was almost blown up when the explosion outside the mansion door being more powerful than expected. Some of his hair was singed, and he was blasted forward. The shot in the film is his real reaction. Director Ronny Yu was the stunt double in the warehouse scene. He wrenched his back after slipping on water puddle while carrying Dean Shek. Also the stuntman for Leslie Cheung who performed the speedboat jump landed incorrectly and broke his foot. See more »
During one of the action scenes at Ken's house you can clearly see that the sparks that are supposed to show the effects of bullets hitting a wall, are actually coming out of a pipe attached to the wall. See more »
A Better Tomorrow has yet to arrive. Will it ever come?
A Better Tomorrow II (1987) was rushed into production after the success of the first film. Armed with a bigger budget, Cinema City forged ahead with this sequel. Following after the events of part one. Lung Ti is about to be released from prison when he's offered a job as an undercover agent. His mission is to find some criminal evidence to topple his former boss (Cinema City board member Dean Shek). A first he dismisses the gig until he realizes they're going to his eager younger brother (Leslie Cheung). Once Lung is out, he notices that everything is not quite as it seems.
An interesting film. This time Tsui Hark had more of a hand in the production. He included his friend Dean Shek into the movie and he employed his best action director (Ching Siu-Tung) to direct the over-the-top action scenes. John Woo wasn't pleased with this and he voiced his displeasure. The final rift came during the editing of the film. Tsui Hark wanted the movie to be under two hours so it could have more showings, John Woo wanted it to be an epic. Guess who one out? Say what you will about this film, the action scenes are pure Ching Siu-Tung. His wild action scenes made this movie. Mr. Tsui must have liked him a lot because he went on to choreograph the action scenes in The Killer (although he was credited with stunt coordinator the action scenes have all of his visual trademarks).
The budget was huge on this one. It was filmed in Hong Kong and in the United States. Tsui Hark had another one of his friends (Peter Wang) co-star in the movie as well (he plays the inner city priest Dean Shek meets in N.Y.C.). Despite the friction caused by the behind the scenes squabbling, A Better Tomorrow II is a magnificent exercise in the ultra-violence. Awesome!
The last film in the trilogy is the epic A Better Tomorrow III: Love and death in Saigon.
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