| Complete credited cast: | |||
|
|
Issiaka Kane | ... |
Niankoro, le fils
|
|
|
Aoua Sangare | ... |
Attou, la jeune femme Peul
|
|
|
Niamanto Sanogo | ... |
Soma le pere /
Djigui the twin
|
|
|
Balla Moussa Keita | ... |
Rouma Boll, le roi Peul
|
|
|
Soumba Traore | ... |
Mah, la mere
|
|
|
Ismaila Sarr | ... |
Bofing, l'oncle
|
|
|
Youssouf Tenin Cissé | ... |
Le petit garcon d'Attou
|
|
|
Koke Sangare | ... |
Le chef de Komo
|
| Rest of cast listed alphabetically: | |||
|
|
Youssouf Coulibaly |
|
|
|
|
Manzon Coumare |
|
|
|
|
Souleymane Coumare |
|
|
|
|
Sidi Diallo |
|
|
|
|
Nadje Doumbla |
|
|
|
|
Zan Doumbla |
|
|
|
|
Bremira Dumbla |
|
|
A young man with magical powers journeys to his uncle to request help in fighting his sorcerer father.
Souleymane Cisse's groundbreaking feature makes no concessions to Western attitudes or tastes, but why should it? It's a truly African experience, made from a totally native perspective and set in a timeless, pre-colonial landscape, where sorcery and enchantment are merely extensions of natural law. The story unfolds in the epic tradition of true mythology, with the young son of a despotic tribal magician embarking on a fabulous quest for wisdom and enlightenment, which in the end will not only bring him face to face with his powerful father but usher him into manhood as well. There's a genuine sense of discovery to the film, both for its visionary depiction of Bambara tribal folklore, and also in the thrill of witnessing a local African production break into the international arena. Unlike other examples of Third World cinema this is no simple, primitive anthropology lesson, but a handsome, sophisticated motion picture every bit as luminous as the title suggests.