| Photos (See all 21 | slideshow) | Videos (see all 3) |
| Richard E. Grant | ... | Withnail | |
| Paul McGann | ... | & I / Marwood | |
| Richard Griffiths | ... | Monty | |
| Ralph Brown | ... | Danny | |
| Michael Elphick | ... | Jake | |
| Daragh O'Malley | ... | Irishman | |
| Michael Wardle | ... | Isaac Parkin | |
| Una Brandon-Jones | ... | Mrs. Parkin | |
| Noel Johnson | ... | General | |
| Irene Sutcliffe | ... | Waitress | |
| Llewellyn Rees | ... | Tea Shop Proprietor | |
| Robert Oates | ... | Policeman One | |
| Anthony Wise | ... | Policeman Two | |
| Eddie Tagoe | ... | Presuming Ed | |
| rest of cast listed alphabetically: | |||
| Bruce Robinson | ... | Double for various actors in distant shots (uncredited) | |
Directed by | |||
| Bruce Robinson | |||
Writing credits(in alphabetical order) | ||
| Bruce Robinson | ||
Produced by | |||
| George Harrison | .... | executive producer | |
| Paul M. Heller | .... | producer (as Paul Heller) | |
| Lawrence Kirstein | .... | associate producer | |
| Denis O'Brien | .... | executive producer | |
| David Wimbury | .... | co-producer | |
Original Music by | |||
| David Dundas | |||
| Rick Wentworth | |||
Cinematography by | |||
| Peter Hannan | (photographed by) | ||
Film Editing by | |||
| Alan Strachan | |||
Casting by | |||
| Mary Selway | |||
Production Design by | |||
| Michael Pickwoad | |||
Art Direction by | |||
| Henry Harris | |||
Costume Design by | |||
| Andrea Galer | |||
Makeup Department | |||
| Peter Frampton | .... | makeup artist | |
| Sue Love | .... | hairdresser | |
Production Management | |||
| Matthew Binns | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Peter Kohn | .... | first assistant director | |
| Kathy Sykes | .... | second assistant director | |
Art Department | |||
| Les Allett | .... | props | |
| Leith Boler | .... | property buyer | |
| Peter Browne | .... | stagehand | |
| Alan Chesters | .... | supervising carpenter | |
| Bert Gadsden | .... | property master | |
| Steve Payne | .... | props stand-by | |
| Wesley Peppiatt | .... | props | |
| John Roberts | .... | painter | |
Sound Department | |||
| Peter Best | .... | dialogue editor | |
| Allan Brereton | .... | sound maintenance | |
| Peter Holt | .... | footsteps editor | |
| Alan Paley | .... | sound editor | |
| Trevor Rutherford | .... | boom operator | |
| Hugh Strain | .... | dubbing mixer | |
| Clive Winter | .... | sound mixer | |
Special Effects by | |||
| Paul Corbould | .... | special effects | |
| Martin Gutteridge | .... | special effects supervisor | |
| Dominic Tuohy | .... | special effects assistant | |
Stunts | |||
| Paul Heasman | .... | stunt double: Paul McGann | |
Camera and Electrical Department | |||
| Murray Close | .... | still photographer | |
| Colin Davidson | .... | focus | |
| Perry Evans | .... | electrician | |
| Ian Foster | .... | clapper loader | |
| Michael Heller | .... | additional still photographer | |
| Brian Martin | .... | best boy | |
| Don Maton | .... | electrician | |
| Don McLellan | .... | rigger | |
| Reg Parsons | .... | gaffer | |
| Bob Smith | .... | camera operator | |
| Brian Sullivan | .... | electrician | |
Costume and Wardrobe Department | |||
| Shaun Wyldeck-Estrada | .... | wardrobe mistress | |
Editorial Department | |||
| Bob Mullen | .... | assistant editor | |
| Anne Sopel | .... | assistant editor | |
| Jeremy Strachan | .... | assistant editor | |
| Tony Tromp | .... | assistant editor | |
Transportation Department | |||
| Mike Beaven | .... | transportation | |
| Steve Miller | .... | transportation | |
Other crew | |||
| Joanna Campling | .... | unit publicist | |
| David Carrigan | .... | production runner | |
| Valerie Craig | .... | production coordinator | |
| Gordon Davis | .... | assistant accountant | |
| Jacky Holding | .... | accounts secretary | |
| Sally Jones | .... | script supervisor | |
| Paula Merwin | .... | assistant to producer | |
| Ringo Starr | .... | special production consultant (as Richard Starkey) | |
Thanks | |||
| Inger Best | .... | additional thanks | |
| Dennis Carrigan | .... | additional thanks | |
| Ray Cooper | .... | thanks | |
| Bob Crowdy | .... | additional thanks | |
| John Geary | .... | additional thanks | |
| Martin Gutteridge | .... | additional thanks | |
| Debbie London | .... | additional thanks | |
| John Mackswith | .... | additional thanks | |
| Paul Oliver | .... | additional thanks | |
| Ronnie Pearce | .... | additional thanks | |
| Nicole Rothman | .... | additional thanks | |
| Mody Schreiber | .... | thanks | |
| Bella Serrell | .... | additional thanks | |
| John Stanborough | .... | thanks | |
| Ralph Steadman | .... | special thanks | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
The first time I watched 'Withnail and I' in the late 80s I thought it was pretty good, but that's about it. Over the years, and a few more viewings, it really started to grow on me, and recently rewatching it on DVD for the first time I was struck at how brilliant and unique it is. It's a very subtle film really, and most comedy is admittedly a matter of taste, but if this movie clicks with you you'll most likely end up putting it in amongst your all time favourites. To me it's one of the greatest comedies ever. It's intelligent and sad and genuinely laugh out loud FUNNY, something you rarely see these days. The movie is episodic and seems to ramble on, but it's much more than a shaggy dog story, there's an underlying depth and melancholy to it that makes it something special. Richard E. Grant has never been better than this. Playing Withnail and writing his wonderful autobiography cement his place in film history as far as I'm concerned. Paul McGann is also excellent, and there are lovely performances from Richard Griffiths, Michael Elphick and Ralph Brown. EVERYONE is good in 'Withnail' but it's still Grant's movie all the way. He is just utterly brilliant! 'Withnail and I' is one of THE great British movies, and comes with my highest recommendation.