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Walk Like a Man (1987)

PG  |   |  Comedy  |  17 April 1987 (USA)
4.5
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Ratings: 4.5/10 from 1,046 users  
Reviews: 19 user | 2 critic

Boy raised by wolves is reunited as an adult with his real family.

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Cast

Cast overview, first billed only:
...
...
Reggie Shand / Henry Shand
...
Margaret Shand
...
Rhonda Shand
Amy Steel ...
Penny
Stephen Elliott ...
Walter Welmont
...
Bob (Bub) Downs
John McLiam ...
H.P. Truman
...
Jack Mollins
Howard Platt ...
Fred Land
Millie Slavin ...
Essie Welmont
William Bogert ...
A.J. (Al) Brown
Isabel Cooley ...
Judge / Bystander
Asa Lorre ...
Bobby Shand
Jeremy Gosch ...
Young Reggie
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Storyline

As a baby, Bobo gets separated from his family during a camping trip. After being raised by wild dogs for twenty years, Bobo is discovered by animal researcher Penny, who brings him back to his family and attempts to teach Bobo how to readjust to life with humans. While his mother is overjoyed to see him again, Bobo's older brother Henry is more worried about losing his share of the inheritance. As Bobo progresses with Penny's lessons, Henry plots to have him eliminated. Written by Jean-Marc Rocher <rocher@fiberbit.net>

Plot Summary | Add Synopsis

Genres:

Comedy

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

17 April 1987 (USA)  »

Also Known As:

Bobo  »

Box Office

Gross:

$460,608 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Metrocolor)
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Did You Know?

Trivia

At the DragonCon convention in 2011, Christopher Lloyd claimed this movie was the one he was most embarrassed by. See more »

Goofs

During the dressing room scene (BoBo and the Customer), some of the audio does not match the actors lips. See more »

Quotes

Rhonda Shand: You're the only man whoever bet on a horse that started from a kneeling position.
See more »

Connections

Referenced in ER: Walk Like a Man (2002) See more »

Soundtracks

Sidewalk Talk
Performed and Produced by Jellybean
Courtesy of EMI America Records
See more »

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User Reviews

 
Sentimental Contrived Schlock Fails On All Levels, Though It Has Heart
13 June 2007 | by (.: Fiendish Writings in the Dark :.) – See all my reviews

Most movie goers who have bothered to rate this, express their chronic dislike of this work due to Howie Mandell's presence herein; however, I must say that he is no more a harbinger of death to this film than anyone else.

The performances found within this film are all adequate, with some better than others, but none were lacking such as to lessen the worth of this production. The dialog delivery was also adequate, but the dialog itself was trite, contrived, and slapstick in its execution. Mandell suffers more from poor direction than a lack of talent. Yes, he was an annoying element of his hey day, but he never outright bombed until this work. Christopher Lloyd is better than adequate, but his usual curmudgeonly charm is lost here. Cloris Leachman's performance is the only contributing factor which elevates this work, but she could not save it, alone.

The story had a good basis which could have netted a great film, but the National Lampoonesque take on the whole premise is the leading contributing factor to this film's demise. The story was watered down and sentimentalized to the point of generating schlock instead of entertainment. There isn't one aspect herein which isn't contrived to suit the story line, including the domestication of the lead character and the time line wherein said domestication takes place.

A young boy is abandoned by his bratling brother and left alone in the wilderness to be raised by wolves. After his rescue, his brother (still a brat) decides Bobo must learn to read and write...immediately! Intrigue ensues.

Had this been treated with more care and a bit more seriously in the right places, this could have been a great comedy, but as is, this one fails on all levels: It does not teach, it does not ponder, and it does not entertain. As it stands, this work does show some serious moments, but they are in the wrong places; the timing is all wrong, and even those with no sense of cinematic timing can feel that the pace is out of step.

All in all? This is nothing but sentimental, contrived schlock, which fails on all levels...though it DOES have heart.

It rates a 3.8/10 from...

the Fiend :.


2 of 3 people found this review helpful.  Was this review helpful to you?

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