A story of love and obsession. A young radio personality who, after her mother dies, discovers she had been having a love affair for 15 years. Now she finds herself recreating her mother's ... See full summary »
Amy Holden Jones
Jamie Lee Curtis,
When childhood friends Al, Dennis and Eliot get together for Ray's wedding, which may or may not happen, they end up on a roller-coaster ride through reality. During one tumultuous, crazy ... See full summary »
Reporter Judith Wilkes leaves her husband and two sons in Sydney and goes to Malaysia to cover the story of the Vietnamese boat people. She becomes romantically involved with Kanan, and ... See full summary »
Jude Madigan abandons her husband Robert and her three sons without any explanation. Three years later Jude inexplicably returns to reunite her family. However Robert and his new lover ... See full summary »
Jamie Lee Curtis,
Dominick and Eugene are twins, but Dominick is a little bit slow due do an accident in his youth. They live together, with Dominick working as garbage man to put Eugene through medical ... See full summary »
An American film-star and an unknown British actress meet on set in Rome. She is angry when he refuses to speak to her journalist father, but later they have a passionate relationship. Written by
Michael Crew <firstname.lastname@example.org>
Personally, I find movies about abusive, jealous, mistrusting, vindictive married people to fall under "horror". Every generation has them: Gaslight (1944), Who's Afraid of Virginia Woolf (1966), and of course Possession (1981), all horror flicks, as far as i'm concerned.
There is only one reason to see this film. If you're schooled in Hollywood political history, you'll like the casting of blacklisted director John Berry, as the father of the love-target of the actor playing an Italian communist writer. Nice touch.
OK, make it two. Self-reflexive Hollywood. I found the theme and look to recall Two Weeks in Another Town, Vincente Minelli's 1962 self-reflexive Hollywood followup to his Bad and the Beautiful (1952). My jaw dropped to the ground when I heard the line "bad and beautiful" uttered by Coyote, in response to his giving Affair Girl the new dress. I guess I must really know my classic movies...don't be surprised, either, to find that the entire movie is actually a script by one of the actors in the movie within a movie. Sigh.
Alright, three. This is one of those movies that screams for a widescreen presentation. So if you like getting dizzy, watching between pan-and-scan and subtitles, this is your flick.
Otherwise, be prepared for two hours of angry, embittered, unsympathetic married people thriving on crisis, having affairs, and snapping indignantly at each other. There were a few joke's-on-the-viewer moments, where it's at first unclear whether the affair is "real" or "on-screen". Unfortunately, it's revealed that it's all too "real". Like the unadvised inclusion of that tedious, cardboard "lesbian fantasy", of course as dictated by the impatient voyeur male lover, during some sex scene. Groan.
Blah to all of the above, except John Berry. 2/10.
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