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A Man in Love (1987)
"Un homme amoureux" (original title)

R  |   |  Drama, Romance  |  September 1987 (USA)
5.8
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Ratings: 5.8/10 from 380 users  
Reviews: 8 user | 7 critic

An American film-star and an unknown British actress meet on set in Rome. She is angry when he refuses to speak to her journalist father, but later they have a passionate relationship.

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(script adaptation), (script adaptation)
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Cast

Cast overview, first billed only:
...
Steve Elliott
...
Jane Steiner
...
Susan Elliott
...
Julia Steiner
...
Michael Pozner
John Berry ...
Harry Steiner
...
Bruno Schlosser
Jean Pigozzi ...
Dante Pizani
Elia Katz ...
Sam
Constantin Alexandrov ...
De Vitta
Jean-Claude de Goros ...
Sandro
Michele Melega ...
Paolo
Jole Silvani ...
Olga
Jean-Marc Bihour ...
La Veillee Actor
Jérôme Deschamps ...
La Veillee Actor
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Storyline

An American film-star and an unknown British actress meet on set in Rome. She is angry when he refuses to speak to her journalist father, but later they have a passionate relationship. Written by Michael Crew <m.crew@bbcnc.org.uk>

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

| |

Release Date:

September 1987 (USA)  »

Also Known As:

A Man in Love  »

Filming Locations:


Box Office

Gross:

$949,451 (USA)
 »

Company Credits

Production Co:

, ,  »
Show detailed on  »

Technical Specs

Runtime:

| (cinema release)

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Opening film at the 1987 Cannes Film Festival. See more »

Connections

Features Key Largo (1948) See more »

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User Reviews

 
Unwatchable, in every possible way
28 November 2005 | by (United States) – See all my reviews

Personally, I find movies about abusive, jealous, mistrusting, vindictive married people to fall under "horror". Every generation has them: Gaslight (1944), Who's Afraid of Virginia Woolf (1966), and of course Possession (1981), all horror flicks, as far as i'm concerned.

There is only one reason to see this film. If you're schooled in Hollywood political history, you'll like the casting of blacklisted director John Berry, as the father of the love-target of the actor playing an Italian communist writer. Nice touch.

OK, make it two. Self-reflexive Hollywood. I found the theme and look to recall Two Weeks in Another Town, Vincente Minelli's 1962 self-reflexive Hollywood followup to his Bad and the Beautiful (1952). My jaw dropped to the ground when I heard the line "bad and beautiful" uttered by Coyote, in response to his giving Affair Girl the new dress. I guess I must really know my classic movies...don't be surprised, either, to find that the entire movie is actually a script by one of the actors in the movie within a movie. Sigh.

Alright, three. This is one of those movies that screams for a widescreen presentation. So if you like getting dizzy, watching between pan-and-scan and subtitles, this is your flick.

Otherwise, be prepared for two hours of angry, embittered, unsympathetic married people thriving on crisis, having affairs, and snapping indignantly at each other. There were a few joke's-on-the-viewer moments, where it's at first unclear whether the affair is "real" or "on-screen". Unfortunately, it's revealed that it's all too "real". Like the unadvised inclusion of that tedious, cardboard "lesbian fantasy", of course as dictated by the impatient voyeur male lover, during some sex scene. Groan.

Blah to all of the above, except John Berry. 2/10.


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