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Tong tian da dao (1987)



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Credited cast:
George Lam ...
Mr. George Lam
Michelle Yeung Ling
Kent Cheng ...
Inspector Ken
Feng Ku ...
Mr. Chan
Dennis Chan ...
George's superior
Jing Chen ...
San Kai
Blackie Shou Liang Ko ...
Brother Lung
Rest of cast listed alphabetically:
Kingman Cho ...
(as Ging-man Cho)
Kin-man Chu
Philip Kevin Dogde
Yui-cheong Kwan
Suet-Ling Law ...
(as Elaine Lo)
Hung Lu
Wan-Gat Shing
Wan-On Shing


Add Full Plot | Add Synopsis


Action | Crime | Thriller


TV-PG | See all certifications »





Release Date:

20 August 1987 (Hong Kong)  »

Also Known As:

A Fúria do Dinheiro  »

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:


Aspect Ratio:

1.85 : 1
See  »

Did You Know?


After this movie, Michelle Yeoh and Dickson Poon (executive producer) was a married couple and eventually retired from cinema but divorced in 1992. See more »


Features 48 Hrs. (1982) See more »

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User Reviews

Michelle Yeoh plays Thomas Crown with interesting results
8 March 2000 | by (Wahington Crossing, PA) – See all my reviews

This is not a typical Michelle Yeoh vehicle: no martial arts!

It is, in fact, a low budget remake of the original "Thomas Crown Affair" with a Michelle Yeoh playing that role. It is also an excellent film. The chemistry between the insurance investigator (extremely well played by George Lam) and the thrill seeking millionairess (played with quiet nuance by Michelle Yeoh) is as fine as anything I've seen on film.

Yeoh starred in four films before she married Poon, an owner of the studio. Three of them were actions films in which she played a short-haired, sweet tomboy -- generally wearing print shirts and jeans. This film was a distinct departure. She plays a long-haired, sophisticated beauty -- who knows exactly how many bottles of 1960 Petrus there are in Paris. My hunch is that Poon had his eyes on her and wanted to "upgrade" her image in preparation for marriage. I may be wrong. The result is certainly unique.

Yeoh's is an interesting performance. We never really know her character. She is always something of an enigma -- but this is the idea, I think. One senses the tomboy lurking beneath the svelte sophistication. And the trade mark little girl giggle (hand over mouth, head bowed) is always ready to burst out. And that sweet, taunting smile is there too, just before she totally humiliates the adversary male. And that self-contained strength she brings to all her performances underlies it all. It is a convincing portrait of a disturbed young woman looking for something she does not know how to enjoy.

For an example of the range in the role, watch the chase scene through Paris. She is the excited little girl stealing a police car. A daredevilish stunt woman leading the police on a mad chase through the streets. But then, as she hears the police beating the poor insurance investigator (whom she has left stuck in the stolen car), a profound melancholy wells up on her face. It is not fun anymore. The real world has intruded on her fantasy.

In all her post-retirement films I have sensed an underlying sadness in Yeoh. A kind of isolation -- sometimes verging on desolation. It is even used as a subplot in several of those films: Wing Chun, Butterfly and Sword, Supercop 2, Tai Chi Master. Something of this mood also emerges for the first time in Easy Money.

A very well done film. And Yeoh is a much more interesting Thomas Crown than was Brosnan in his remake.

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