6.5/10
6,796
46 user 18 critic

Tin Men (1987)

R | | Comedy, Drama | 13 March 1987 (USA)
A minor car accident drives two rival aluminum-siding salesmen to the ridiculous extremes of man versus man in 1963 Baltimore.

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Cast

Cast overview, first billed only:
...
...
...
...
Jackie Gayle ...
Sam
Stanley Brock ...
Gil
...
Cheese
...
Mouse
...
Wing
...
Carly
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Looney
...
Stanley
Brad Sullivan ...
Masters
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...
Nellie
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Storyline

One step short of larceny, the aluminum siding salesmen in this movie sell their wares, compete with each other, and engage in a lot of great dialog. Tin Men focuses on the rivalry between BB Babowsky and Ernest Tilley. At the same time, the end of small world of which they are kings looms near as a government probe investigates their industry. Written by Reid Gagle

Plot Summary | Add Synopsis

Taglines:

The Year - 1963. Selling the American Dream is a risky, funny business - you could wind up paying with your wife! See more »

Genres:

Comedy | Drama

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

13 March 1987 (USA)  »

Also Known As:

Les filous  »

Filming Locations:

 »

Box Office

Budget:

$11,000,000 (estimated)

Gross:

$25,411,386 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

One of a number of movies that actor Richard Dreyfuss made at the Walt Disney film studios during the 1980s under the studio's Touchstone Pictures banner. See more »

Goofs

During location shots at the Cadillac crash scene the same dark blue Thunderbird passes in the background after several seconds elapse. See more »

Quotes

Bill Babowsky: [into the phone] Hey, asshole! This is the ultimate "fuck you"! I just poked your wife!
Ernest Tilley: [into the phone] What are you talking about?
Bill Babowsky: Yeah, she's in my bed right now with a very big smile on her face.
Ernest Tilley: Well, that's just fine by me. She's a pain in the ass! An albatross around my neck! You're welcome to her. Keep her, and may you both rot in Hell!
[hangs up]
See more »

Connections

References Little Lord Fauntleroy (1936) See more »

Soundtracks

The Man Who Shot Liberty Valance
Words by Hal David
Music by Burt Bacharach
Performed by Gene Pitney
Courtesy of CBS Records
See more »

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User Reviews

 
Deserves More Recognition
18 January 1999 | by (Springfield, Virginia) – See all my reviews

I have never quite understood why this flick has not achieved more critical and popular acclaim. I rate it a 9, which is very high for me (10s are reserved for a handful of all time classics). Beyond the great acting, super dialogue, and tremendous comedy -- which everyone seems to recognize -- there is also a very serious movie inside. Of course, as everyone says, it's an interesting slice of Americana: Baltimore in the early 1960s (before the flood). And on that basis alone, Tin Men is a great film. Few movies have ever given such an accurate portrayal of a particular time and place in America as well as this one.

But the movie is more than that. Tin Men is a story in which the historical tension between America's atavistic entrepreneurial spirit (as exemplified by the "tin men") and the regulatory forces of the state (as exemplified by the "investigating commission") are at an important crossroads. From the start it's obvious that the tin men have no chance and will lose this fight. It's a passing of a way of life. Much in the tradition of other great American works of art that examine the trade of salesman (Death of a Salesman, etc.), Tin Men is an indepth (and very funny) portrait of their psychological and social world. Their world outlook is now dying and there is a touch of wistfulness about that passage in the film. Are we as viewers supposed to be sad about it too? Or should we be happy? After all, the life of a tin man was hard and brutal (as well as free): witness the death of one of them to a heart attack.

On the other hand, is this way of life genuinely dying or just metamorphisizing? The ending was excellent because it brought ambiguity to that question. When DeVito and Dreyfus spot a new business opportunity: Volkswagens, we realize these "tin men" are irrepressible! They won't be stopped despite the new regulatory environment of the modern world. For my money, this movie is Barry Levinson's best by far. (Excellent soundtrack by Fine Young Cannibals, as well.)


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