Jimmy Alto is an actor wannabe who stumbles into the role of a lifetime. He becomes a vigilante crime-fighter, aided by his sidekick William, who has suffered a head wound and has problems ... See full summary »
Anti-Semitism, race relations, coming of age, and fathers and sons: in Baltimore from fall, 1954, to fall, 1955. Racial integration comes to the high school, TV is killing burlesque, and ... See full summary »
Little known actor, Jack Noah, is working on location in the country of Parador at the time the dictator dies. The dictator's right hand man, Roberto, makes Jack an offer he cannot refuse..... See full summary »
Colm is a Catholic and George is a poetry-loving Protestant. In Belfast in the 1980s, they could have been enemies, but instead they became business partners. After persuading a mad wig ... See full summary »
One step short of larceny, the aluminum siding salesmen in this movie sell their wares, compete with each other, and engage in a lot of great dialog. Tin Men focuses on the rivalry between BB Babowsky and Ernest Tilley. At the same time, the end of small world of which they are kings looms near as a government probe investigates their industry. Written by
In this Baltimore-based story, during a scene in the bar, there is a Busch promotional light on the wall. The movie is set in the 1960s, but Busch beer was not licensed for sale in Maryland until the late 1970s. See more »
You notice Little Joe never says "Hey Pa, I'm gonna go into town to get a piece of ass"?
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Few films can be laugh-out-loud funny and ultimately as touching and deep as this film. Most people remember the dialogue, seemingly ad-libbed during the diner scenes by the cast (Danny DeVito, Jackie Gayle, Bruno Kirby)--and that looks like the same diner that Barry Levinson used for his first movie. But the characters and their quirks are totally fleshed out before the conflict (DeVito's stiff neck, Dreyfuss's ladies' man schtick), making for a few truly hilarious lines and scenes (Gayle talking to DeVito about what a great dancer Dreyfuss is comes to mind). The movie really has a sad story underneath about very unhappy people who delight in the misfortunes of others, until Barbara Hershey's character realizes what's going on. All of these characters and story points climax in a rather sweet and yes, believable final sequence. This movie came out during a spate of late '80s blockbusters and never really found its audience, I think. But it is one of the few late '80s movies I rewatch every couple of years and find more to appreciate with each viewing. I would rank it as Levinson's best film.
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