In the distant future, the human race nears extinction and a new race of beast-like creatures rule the earth. The few surviving people live in the City, a huge protected construction with ... See full summary »
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In the distant future, the human race nears extinction and a new race of beast-like creatures rule the earth. The few surviving people live in the City, a huge protected construction with the ability to travel in both space and time. The City travels back to our time to save humanity... Written by
Chris Makrozahopoulos <makzax@hotmail.com>
The Time Guardian was the flagship in a ten picture deal set up with the Hemdale Film Corporation by producer Antony I. Ginnane. But when Hemdale pulled out of the production, the other nine pictures ended up suspended indefinitely. See more »
Quotes
Annie Lassiter:
Tell me more, Ballard.
Ballard:
About the City?
Annie Lassiter:
Yeah.
Ballard:
You'd be amazed. The technology's enormous. We've got powers your time only dreams about.
Annie Lassiter:
No, I mean, the people. Are they different?
Ballard:
They still fight and squabble, and try very hard to outdo each other. I guess they're not very different.
Annie Lassiter:
And what about men and women?
Ballard:
They fall in and out of love, marry and divorce, argue over the children... what?
Annie Lassiter:
I'm pleased.
Ballard:
Why?
[...] See more »
If this film didn't end Dean Stockwell's and Carrie Fisher's careers, nothing will. The narrative sequence often contradicts itself, and the plot line gets lost in the stylistic excesses of the direction. Production qualities are laughably amateurish (especially the JenDiki sequences), and some of the most violent scenes serve no structural purpose (do not advance the plot). A notably embarrassing aspect is the star billing given to Dean Stockwell, who obviously phoned in his performance one afternoon. Before seeing this film, I had thought that all major actors had agents who steer them away from career-killing disasters. Because this film is laughably bad, it might be recommended as a satirical send-up of the sci-fi genre, unintentional spoof though it may be.
4 of 5 people found this review helpful.
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If this film didn't end Dean Stockwell's and Carrie Fisher's careers, nothing will. The narrative sequence often contradicts itself, and the plot line gets lost in the stylistic excesses of the direction. Production qualities are laughably amateurish (especially the JenDiki sequences), and some of the most violent scenes serve no structural purpose (do not advance the plot). A notably embarrassing aspect is the star billing given to Dean Stockwell, who obviously phoned in his performance one afternoon. Before seeing this film, I had thought that all major actors had agents who steer them away from career-killing disasters. Because this film is laughably bad, it might be recommended as a satirical send-up of the sci-fi genre, unintentional spoof though it may be.