Lawrence and Freddie are con-men; big-time and small time respectively. They unsuccessfully attempt to work together only to find that this town (on the French Mediterranean coast) aint big... See full summary »
Two New Yorkers are accused of murder in rural Alabama while on their way back to college, and one of their cousins--an inexperienced, loudmouth lawyer not accustomed to Southern rules and manners--comes in to defend them.
Skip and Harry are framed for a bank robbery and end up in a western prison. The two eastern boys are having difficulty adjusting to the new life until the warden finds that Skip has a ... See full summary »
Georg Stanford Brown
Larry Donner is an author and writing professor who tutors people that want to write books. Larry's life has become a misery when his ex-wife Margaret has published a book he wrote under her name and has gotten rich over it. Owen Lift, one of Larry's students, offers Larry to kill Margaret, and in return Owen, wants Larry to kill his horrible mother. Larry thinks it's a joke, until he learns Owen killed his ex-wife. And Larry has now become the prime suspect. Written by
Larry on the train talks to Owen about the perfect beginning of a novel and mentions Charles Dickens' 'A Tale of Two Cities'. "It was the best of times it was the worst of times..". Momma then says, 'The night was sultry'. This is a variation of the line,'The night was so very sultry.'. A quote from the same novel. See more »
The locomotive is turned around in the two scenes when it passes the camera. See more »
[Owen is typing on his typewriter when Momma comes and slams his hands on the keyboard]
Stop it, damn it! I got a wax ball in my ear. Get it out.
[Cut to bathroom. Momma slaps Owen]
You're writing to her, aren't you Owen?
Don't start that again, Momma, and don't hit me anymore!
You love her.
There's no "her", Momma.
[Momma bends down above the bathtub as Owen brushes her hair back]
You're writing a letter!
[...] See more »
The credit for Assistant Sound Editor Robert Martel has a gap in the vertical stroke of the L. See more »
If you had a mother that described you like that, you just might be looking to bump her off yourself. It's how Danny DeVito feels about Anne Ramsey, it's just how to put the plan in action.
And his creative writing class taught by Professor Billy Crystal gives him the idea. That and a viewing of Alfred Hitchcock's classic Strangers On A Train which gives DeVito the idea to switch murders with Crystal who hates his wife, Kate Mulgrew, who not only is cheating him out of an idea for a book he wanted to write, but is also carrying on with hunky Tony Ciccone.
Throw Momma From The Train plays out kind of like Strangers On A Train as DeVito seems to have carried out his end of the murder scheme. But Crystal's having a bit of a problem putting Ramsey down even with Danny's help. That woman might need killing, but she's going to take a lot of it.
The only Academy recognition that Throw Momma From The Train got was an Academy Award nomination for Anne Ramsey for Best Supporting Actress. Ramsey lost to Olympia Dukakis for Moonstruck, but the film turned out to be her finest hour. Ramsey already had the throat cancer that would eventually kill her the following year, but look at the list of credits she managed to amass even after Throw Momma From The Train, she worked right up to the end.
I've seen interviews with both of the stars of Throw Momma From The Train, Billy Crystal and Danny DeVito, and both have gladly conceded that Anne Ramsey's performance as the mother from hell both made the film the success it was and stole it out from under them. Their acknowledgment of Ramsey's talent and performance is the best possible tribute.
If Marion Lorne in Strangers On A Train had been anything like Anne Ramsey here, Farley Granger would gladly have joined Robert Walker in disposing of her. Throw Momma From A Train is one of the best black comedies out there, should not be missed.
4 of 6 people found this review helpful.
Was this review helpful to you?