On the last day before summer vacations Michael receives a glowing, but anonymous, love-letter. He suspects, or better: hopes, it's from Deborah, the girl he's after since a while, but who ... See full summary »
C. Thomas Howell,
Stephen Dorff narrates this tale about how his life goes astray as his character attempts to strike a balance between the demands of directing his first film and the pressures of his new ... See full summary »
A hardened New Orleans cop, Dave Robicheaux, finally tosses in the badge and settles into life on the bayou with his wife. But a bizarre plane crash draws him back into the fray when his family is viciously threatened.
Mary Stuart Masterson
Terry Noonan returns home to New York's Hells Kitchen after a ten year absence. He soon hooks up with childhood pal Jackie who is involved in the Irish mob run by his brother Frankie. Terry... See full summary »
A high school nerd, Jerry Mitchell (Siemaszko) is assigned to write a piece for the school paper about new boy Buddy Revell (Tyson), who is rumored to be a psychopathic nutcase. When Jerry accidentally touches Buddy, he says that they must fight in the parking lot at 3pm. Jerry will just about do anything to avoid the confrontation. Written by
Corey Semple (AdamSandlers8SexyNights)
The music playing in the insect movie that Jerry watches in his biology class is the "Out to Sea" theme from Jaws (1975). See more »
The calendar in the student store advances 2 months within a 3-hour period. At the beginning of the film, when Jerry is talking to his sister, the calendar is on October. Later, when Franny meets Jerry in the store, you can see that it is now December. It's still December at the very end as Miss Farmer walks out. See more »
You sense you're in for something a bit different when you hear the ticking of the clock in the first few seconds of the movie - a countdown to a personal doomsday for Jerry Mitchell (Siemaszko), in charge of the high school bookstore and a writer for the school paper. He's assigned to write an article on the new kid, Buddy Revell (Tyson). Only Revell is no kid; he's a hulking mass of unstoppable destruction and patently psychotic. As mentioned beforehand in the picture, he's also a 'touch-freak' so when Mitchell makes the fatal error in the bathroom, it's so foolish of him, you might think he deserves his fate. But no one deserves the amount of psychological torture he endures for the next few hours. Does all this sound like a comedy? Probably not, but it is - a dark satire on high school comedies. And it works like crazy.
As you watch Mitchell spiral downward further and further into an abyss, you begin to wonder where he'll end up. His many efforts to free himself, involving school security, robbery, pay-offs, and teacher seduction, only further entangle him in a nightmarish situation, heightened by various hints of how bloody his beating will be. You slowly realize, as the clock ticks towards an inevitable showdown, that Mitchell will get no sympathy, even from his friends; it's a stunning depiction of how necessary is an individual's self-reliance and self-direction of their own destiny. The whole thing would've fallen apart if there hadn't been a showdown, if Mitchell managed to avoid the confrontation. But there is a Showdown, with all the spectacle of a Roman coliseum and the roar of crowds - it's an exciting climax. The funniest scene for me was Mitchell in the office of 'Voytek Dolinsky', the school's gestapo disciplinarian.
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