On the last day before summer vacations Michael receives a glowing, but anonymous, love-letter. He suspects, or better: hopes, it's from Deborah, the girl he's after since a while, but who ... See full summary »
C. Thomas Howell,
Stephen Dorff narrates this tale about how his life goes astray as his character attempts to strike a balance between the demands of directing his first film and the pressures of his new ... See full summary »
A hardened New Orleans cop, Dave Robicheaux, finally tosses in the badge and settles into life on the bayou with his wife. But a bizarre plane crash draws him back into the fray when his family is viciously threatened.
Mary Stuart Masterson
A high school nerd, Jerry Mitchell (Siemaszko) is assigned to write a piece for the school paper about new boy Buddy Revell (Tyson), who is rumored to be a psychopathic nutcase. When Jerry accidentally touches Buddy, he says that they must fight in the parking lot at 3pm. Jerry will just about do anything to avoid the confrontation. Written by
Corey Semple (AdamSandlers8SexyNights)
Snow on the mountains in the background disappears quickly. See more »
Its a good read, fast angry sexual. I was thinking about the syntax and how it affected the overall mood. Particularly in the more expository passages; in the fifth chapter where honey meets the whole Australian soccer team.
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You sense you're in for something a bit different when you hear the ticking of the clock in the first few seconds of the movie - a countdown to a personal doomsday for Jerry Mitchell (Siemaszko), in charge of the high school bookstore and a writer for the school paper. He's assigned to write an article on the new kid, Buddy Revell (Tyson). Only Revell is no kid; he's a hulking mass of unstoppable destruction and patently psychotic. As mentioned beforehand in the picture, he's also a 'touch-freak' so when Mitchell makes the fatal error in the bathroom, it's so foolish of him, you might think he deserves his fate. But no one deserves the amount of psychological torture he endures for the next few hours. Does all this sound like a comedy? Probably not, but it is - a dark satire on high school comedies. And it works like crazy.
As you watch Mitchell spiral downward further and further into an abyss, you begin to wonder where he'll end up. His many efforts to free himself, involving school security, robbery, pay-offs, and teacher seduction, only further entangle him in a nightmarish situation, heightened by various hints of how bloody his beating will be. You slowly realize, as the clock ticks towards an inevitable showdown, that Mitchell will get no sympathy, even from his friends; it's a stunning depiction of how necessary is an individual's self-reliance and self-direction of their own destiny. The whole thing would've fallen apart if there hadn't been a showdown, if Mitchell managed to avoid the confrontation. But there is a Showdown, with all the spectacle of a Roman coliseum and the roar of crowds - it's an exciting climax. The funniest scene for me was Mitchell in the office of 'Voytek Dolinsky', the school's gestapo disciplinarian.
14 of 14 people found this review helpful.
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