Directed by
| Ted Robinson | ||
Writing Credits
| Steve J. Spears | ... | (screenplay) |
Cast (in credits order) verified as complete
Produced by
| Phillip Emanuel | ... | producer |
| Barbara Gibbs | ... | associate producer |
| Malcolm Olivestone | ... | executive producer |
| Ted Robinson | ... | associate producer |
Music by
| Phillip Scott | ||
Cinematography by
| David Burr | ||
Editing by
| Robert Gibson | ||
Production Design by
| Roger Ford | ||
Set Decoration by
| Brian Edmonds | ||
Costume Design by
| Roger Ford | ||
Makeup Department
| Wendy De Waal | ... | additional hair |
| Robern Pickering | ... | makeup artist |
| Amanda Rowbottom | ... | additional makeup |
| Yvonne Savage | ... | hair stylist |
Production Management
| Rosanne Andrews-Baxter | ... | production manager |
| Roxanne Delbarre | ... | unit manager |
| John Hollands | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Steve E. Andrews | ... | first assistant director |
| Lisa Mann | ... | third assistant director |
| Philip A. Patterson | ... | second assistant director (as Phil Patterson) |
Art Department
| Colin Gibson | ... | stand-by props |
| Sarah Tooth | ... | assistant art director |
Sound Department
| Helen Brown | ... | sound editor |
| Jack Friedman | ... | boom operator |
| Phillippa Harvey | ... | assistant sound editor |
| Phil Judd | ... | re-recording mixer |
| Phil Keros | ... | sound recordist |
| David Lee | ... | boom operator |
| Mark Lewis | ... | sound recordist |
| Ian McLoughlin | ... | re-recording mixer |
| Gary O'Grady | ... | additional sound |
| Nicki Roller | ... | additional sound effects |
| Danielle Wiessner | ... | assistant sound editor |
Stunts
| Ed McShortall | ... | stunts (as Eddie McShortall) |
| Guy Norris | ... | stunt coordinator |
| Danny Baldwin | ... | stunts (uncredited) |
Camera and Electrical Department
| Lester Bishop | ... | key grip |
| Malcolm Burrowes | ... | second unit camera operator (as Malcolm Burrows) |
| Reg Garside | ... | gaffer |
| Frank Hruby | ... | clapper loader |
| Gary Lincoln | ... | assistant grip |
| Miles Moulson | ... | gaffer |
| Derek Neal | ... | best boy (as Derek Neale) |
| Paul Thompson | ... | key grip |
| Ian 'Thistle' Thorburn | ... | focus puller |
| George Tsoutas | ... | assistant grip |
| Martin Turner | ... | second unit focus puller |
| Robert Verkerk | ... | best boy |
| Vivian Zink | ... | still photographer |
Casting Department
| Sue Muggleton | ... | casting assistant |
Costume and Wardrobe Department
| Lyn Askew | ... | stand-by wardrobe |
| Fiona Nichols | ... | stand-by wardrobe (as Fiona Nicolls) |
Editorial Department
| Karen Clark | ... | negative cutter |
| Louise Innes | ... | assistant editor |
| Gary Jones | ... | assistant editor |
| Gary Keir | ... | laboratory liaison |
| April Ward | ... | apprentice assistant editor |
Location Management
| Paul Tolley | ... | location manager |
Music Department
| Chris Boniface | ... | music producer |
Script and Continuity Department
| Pamela Willis | ... | continuity |
Additional Crew
| Fran Burke | ... | title designer |
| John Clarke | ... | an extra idea or two |
| Naomi Enfield | ... | production runner |
| Todd McKenney | ... | assistant choreographer |
| Robyn Moase | ... | choreographer |
| Brian Thomson | ... | creative consultant |
Thanks
| Graham Burke | ... | the producers wish to thank |
| Alan Finney | ... | the producers wish to thank |
