Superman does a lot in his newest adventure. Archvillain Lex Luthor, determined to make the world safe for nuclear arms merchants, creates a new being to challenge the Man of Steel: the radiation-charged Nuclear Man. The two super-powered foes clash in an explosive screen extranvaganza that sees Superman save the Statue of Liberty, repulse a volcanic eruption of Mount Etna, rebuild the demolished Great Wall of China and perform many more spetactular feats. Written by
Robert Lynch <email@example.com>
No soundtrack release to this film was released for over twenty years until Film Score Monthly issued an 8-CD box set called "Superman: The Music (1978-1988)", which presents the complete score to this movie. See more »
The motion control dolls used to represent Superman and Nuclear Man flying (and fighting) in space look nothing like Christopher Reeve or Mark Pillow. Nuclear Man's muscles are way too big, and Superman's arms are way too long in several shots (if you put the arms at the figure's side, Superman's hands would reach his feet). See more »
Not A Very Memorable Ending To The Reeve-Superman Series
Superman Turns "Peacenik" could be another title to this film. Christopher Reeve remarked several times that this was his most "important" Superman movie. Being somewhat of a Liberal "peacenik," he was the kind you'd see out with a big "peace sign" at rallies against nuclear weapons.This movie had the kind of message that was dear to his heart.
Superman goes about trying to rid the world of nuclear weapons here, especially, of course when they get into the hands of villain "Dr. Luthor" (Gene Hackman). It was a nice message and, overall, a nice film. Unlike the other Superman films of the era, they didn't overdo the sappy romance with "Lois Lane" (Margot Kidder). They concentrated more on the story. Unfortunately, that story - even with good intentions - just wasn't all that memorable.
Ask anyone: people remember the first two Reeve Superman films a lot more than the last two. This one, and the third one with Richard Pryor, pretty much "bombed" at the box office, at least compared to the others.
It did not help that the producers of this movie were Golan-Globus films, guys that were known for their cheap and usually-sleazy exploitation films. "Superman" deserved better.
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