The Stepfather escapes an insane asylum and winds up in another town, this time impersonating a marriage counselor. Now he seems to have found the perfect future wife, with a stepson who ... See full summary »
The metaphor of blacksmithing parallels the hardship and isolation Yelena feels in her marriage. Keeping her true feelings hidden, she holds on to one dream. Director Svetlana Cvetko brings... See full summary »
Robert and Edward are brothers involved in a web of adultry and deceit. They share Edward's wife and his mistress and a mission to deliver a package of jewels across the Canadian border, but the mission turns out to be deadly.
Slightly traumatized and painfully shy Angela Baker is sent away to summer camp with her cousin. Not long after Angela's arrival, things start to go horribly wrong for anyone with sinister or less than honorable intentions.
A decades old folk tale surrounding a deranged murderer killing those who celebrate Valentine's Day, turns out to be true to legend when a group defies the killer's order and people start turning up dead.
Following the disappearance of his teenage daughter, Dougie Molloy moves in with divorcee Maggie Shields in the hope of starting again. All is well until his new stepdaughter Scarlett goes missing too, and the past comes back to haunt him.
A family-values man named Jerry Blake marries widows and divorcées with children in search of the perfect family. As soon as his new family members show signs of being human and not robots who will march unquestioningly to his tune, his dreams of domestic bliss begin to crumble, and he kills them. Then he alters his appearance, assumes a new identity, and skips to another town to begin the deadly ritual all over again. He marries Susan Maine, who sees him as the ideal surrogate father for her teenage daughter Stephanie, and he is soon up to his old tricks when she proves to be too much of a troublesome teen to handle. Written by
Performed by The Divinyls (as Divinyls)
Music and Lyrics by Christina Amphlett (as C. Amphlett) and Mark McEntee (as M. McEntee)
Published by Astute Lullaby Kings/Rare Blue Music, Inc. (ASCAP)
Courtesy of Chrysalis Records, Inc. See more »
This is one of the best thrillers to emerge from the 1980s. It has assured direction from Joseph Reuben. An excellent script by Donald E. Westlake.And an absolutely mesmerizing performance from Terry O'Quinn, who invests his character with enough repressed fury to make most screen psychos look like Mr Rogers.
The film starts out with a real sense of style as O'Quinn washes his bloody hands in a bathroom sink then proceeds to alter his appearance drastically before walking downstairs to his murdered family; its a startling and creepy beginning and the rest of the film is as stylish and well done. I think its biggest strength is the well-developed psychopathology of Terry O'Quinn's character. His behavior actually makes sense in terms of his madness. This is a refreshing change of pace from most films of this type, where the killers have zero motivation and are just plot-devices.
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