The metaphor of blacksmithing parallels the hardship and isolation Yelena feels in her marriage. Keeping her true feelings hidden, she holds on to one dream. Director Svetlana Cvetko brings... See full summary »
The Stepfather escapes an insane asylum and winds up in another town, this time impersonating a marriage counselor. Now he seems to have found the perfect future wife, with a stepson who ... See full summary »
Brian McNichols and his mate, Shoup are folding newspapers in their Toyota ute, for their paper round, when they spot a notorious criminal who is supposedly dead. They know there is a ... See full summary »
G. Gordon Liddy
Slightly traumatized and painfully shy Angela Baker is sent away to summer camp with her cousin. Not long after Angela's arrival, things start to go horribly wrong for anyone with sinister or less than honorable intentions.
Robert and Edward are brothers involved in a web of adultry and deceit. They share Edward's wife and his mistress and a mission to deliver a package of jewels across the Canadian border, but the mission turns out to be deadly.
A "Leatherface" type murderer who wears other people's faces, kills at an all-night horrorthon at an old theatre put on by a bunch of film students. Maggie, the lead character, believes ... See full summary »
Following the disappearance of his teenage daughter, Dougie Molloy moves in with divorcee Maggie Shields in the hope of starting again. All is well until his new stepdaughter Scarlett goes missing too, and the past comes back to haunt him.
Angie, a befuddled young woman, cannot seem to end a hectic day, when she's confronted by her ex, Jamie. Whisked about town on a whirlwind date, Jamie falls for Angie again, but she resists... See full summary »
A family-values man named Jerry Blake marries widows and divorcées with children in search of the perfect family. As soon as his new family members show signs of being human and not robots who will march unquestioningly to his tune, his dreams of domestic bliss begin to crumble, and he kills them. Then he alters his appearance, assumes a new identity, and skips to another town to begin the deadly ritual all over again. He marries Susan Maine, who sees him as the ideal surrogate father for her teenage daughter Stephanie, and he is soon up to his old tricks when she proves to be too much of a troublesome teen to handle. Written by
Jill Schoelen claimed she was so disturbed from filming the violent final act, she had recurring nightmares for a week about being chased by Terry O'Quinn. These nightmares occurred as a re-enactment of the scene she was filming at the time. See more »
When Jerry Blake gets the mail out of the letterbox, he finds a yellow envelope for Stephanie, he notices that it came from the Seattle Examiner. Looking worried, he opens the envelope to see his own photo in it. He starts to panic. Then Stephanie arrives home, and asks for her mail. He gives her a copy of Cosmopolitan, and goes inside the house. Later, he goes to a photo shop, and replaces his own photo with another man in a family photo. The man is smiling in the photo Jerry is about to put back in the yellow envelope. In a later scene, Stephanie and her friend Karen are in her room, with the photo of the family man photo Jerry replaced. The man in the photo is not smiling, as he was in the first photo we see of him. See more »
This is one of the best thrillers to emerge from the 1980s. It has assured direction from Joseph Reuben. An excellent script by Donald E. Westlake.And an absolutely mesmerizing performance from Terry O'Quinn, who invests his character with enough repressed fury to make most screen psychos look like Mr Rogers.
The film starts out with a real sense of style as O'Quinn washes his bloody hands in a bathroom sink then proceeds to alter his appearance drastically before walking downstairs to his murdered family; its a startling and creepy beginning and the rest of the film is as stylish and well done. I think its biggest strength is the well-developed psychopathology of Terry O'Quinn's character. His behavior actually makes sense in terms of his madness. This is a refreshing change of pace from most films of this type, where the killers have zero motivation and are just plot-devices.
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