A family-values man named Jerry Blake marries widows and divorcées with children in search of the perfect family. As soon as his new family members show signs of being human and not robots who will march unquestioningly to his tune, his dreams of domestic bliss begin to crumble, and he kills them. Then he alters his appearance, assumes a new identity, and skips to another town to begin the deadly ritual all over again. He marries Susan Maine, who sees him as the ideal surrogate father for her teenage daughter Stephanie, and he is soon up to his old tricks when she proves to be too much of a troublesome teen to handle. Written by
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was initially reluctant to direct the picture because he didn't want to make another run-of-the-mill slasher movie. See more
When Jerry Blake gets the mail out of the letterbox, he finds a yellow envelope for Stephanie, he notices that it came from the Seattle Examiner. Looking worried, he opens the envelope to see his own photo in it. He starts to panic. Then Stephanie arrives home, and asks for her mail. He gives her a copy of Cosmopolitan, and goes inside the house. Later, he goes to a photo shop, and replaces his own photo with another man in a family photo. The man is smiling in the photo Jerry is about to put back in the yellow envelope. In a later scene, Stephanie and her friend Karen are in her room, with the photo of the family man photo Jerry replaced. The man in the photo is not smiling, as he was in the first photo we see of him. See more
All we need is a little order around here.
Referenced in The Stepfather Chronicles
Gwine to Rune All Night (De Camptown Races)
Music by Stephen Foster
Whistled by Terry O'Quinn
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