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|Index||62 reviews in total|
I really enjoyed this movie! It's filled with laughs and excitement, and
never once was I not entertained. Next to "48 Hours" I think this is one of
the best buddy cop movies I have yet seen. Richard Dreyfuss and Emilio
Estevez make a wonderful team, with dead-on chemistry. Dreyfuss steals the
show with his hilarious performance, proving he's just as talented at doing
broad comedy as he is intense drama. That especially shows in the scene
where he's about to walk out of Madeline Stowe's house, but doesn't want to
be recognized, so he asks her to lend him a hat. The way he handled that
scene was so magnificent, and there are many other farcical moments that he
handled just as efficiently, and with the wrong timing and delivery those
scenes could've collapsed. Estevez plays the straight man, also doing a
magnificent job, and you really feel his envy when he's spying on Stowe,
who's being hit on by Dreyfuss. I loved the scenes where the rival cops
pulled pranks on each other. Speaking of which, Forrest Whitaker pops up in
a fine early performance. And Madeline Stowe is great and sexy, as always.
Sure, the plot is quite predictable, but as I said I was always entertained, thanks to sharp writing and great performances. John Badham is a fine action director, so he kept those action scenes filled with suspense and tension. "Stakeout" is not a film that will keep your brain occupied--as a matter of fact there are some scenes that require you to check your brain at the door--but I assure you that you'll have a damn good time.
My score: 8 (out of 10)
Somewheres in between 'Beverly Hills Cop' and 'Lethal Weapon' you find this.
Good cop/buddy action flick, plenty of humour, the violence is for real, the
chemistry between the two leads and Stowe Just right. I enjoy the scene
where she shifts her position JUST so slightly, its quite erotic, while the
pranks the two cops play on each other are quite funny
Its fun watching how put out Estevez gets with the older guy whose clearly not acting his age.
There's nothing terribly deep here, and some of its really dated-Lethal Weapon-ish graphics, the cars, the angry black squad leader, the music(Miami Sound Machine, anyone?), etc, traditional boatchase/fight/battle to the death inside hellacious warehouse/factory finale, etc all par for the course.
But no biggies. The second one wasn't nearly as good's this one.
*** outta ****
There is something about Richard Dreyfuss that makes me think of George
Clooney. I believe Clooney is one of a very few slate of actors that can
make any scene work no matter how good or bad it is written. Dreyfuss is
like that too. I remember a particular scene in Jaws when he brings wine
over to Brody's house and Brody cracks it open and decides to drink from
Dreyfuss tries to warn him by saying, " You might want to let that
breathe.... nothing, nothing. " He takes a small scene and makes it that
much more interesting by his excellent interpretations of who they are.
Chris Leece is his best acting since the seventies. He is so much fun to
watch and it is his relationship with Bill ( Estevez ) and the other two
stakeout cops ( one of them being a very funny Forest Whitaker ) that make
this film a treat to watch. Its strengths are its dialogue and acting,
although Badham directs a fast and frenzied film ( much like Beverly Hills
Cop ) some of the movie just doesn't fit, especially the end where it
resorts to Bruce Willis tactics and ends with explosions and death. But
that aside the film excels, and it is a very funny film written by the
guy that had a hand in The Fugitive.
Here we have a film about two cops ( Dreyfuss and Estevez ) that are assigned to watch the home of the girlfriend of an escaped convict that may be on his way back to see her. Dreyfuss ends up getting a little too close to his subject and before long he ends up falling in love with her. This puts Bill in an awkward situation because not only is it against the rules and ethics, but he has to now cover for Chris during briefings with his superiors and he also has to keep the other two cops on the stakeout from finding out about Chris' involvement with their subject. The subject's name is Maria and she is played with richness by Madeline Stowe ( The General's Daughter ).
Some of the hilarity in this film lies with the two sets of cops trying to out do one another in their pranks. It seems that they have worked on stakeouts together before and it is shenanigans like leaving dog poop in the fridge and putting marker on the rims of the binoculars that add some nice comedy to the routine. Dreyfuss also has one hilarious line that had me laughing for quite some time. When they first get their description of who it is that they are watching, it describes Maria as 5'5 and 342 pounds. " 342 pounds! OHHH, she could be the house! "
The film works great as a comedy and only so so as a violent action film. I think the film would have benefitted if it stuck strictly to comedy and instead of reverting to a chase and explosions at the end, they could have written it better so that it is resolved with words and comic genius, just like the rest of the film. But overall this film is worth seeing for its hilarity.
**** One final note. Chris and Bill have movie line contests. It is a great way to pass the time and when Bill asks Chris the one line " Well this was not a boating accident. " Chris doesn't know. That is a nice touch seeing as it was Dreyfuss' Matt Hooper from Jaws that said that. That's a nice piece of inside Hollywood and it plays really well.
This is a forumulaic buddy movie, but it works. Madeleine Stowe is just
wonderful. Richard Dreyfuss and Emilio Estevez also work very well. With
good supporting acting all around, this movie works, when normally I would
be rolling my eyes.
Good acting and some very good one-liner writing make what could have been a bad movie (like "Another Stakeout") and enjoyable experience. I recommend it for some good-hearted fun.
*** This review may contain spoilers ***
Some people knock this film but I think it is a very good film.
The basic plot line is Richard Dreyfuss (Chris Lecce) and Emilio Estevez (Bill Reimers) are detectives who are assigned to stakeout a woman (Madeline Stowe). Her ex-boyfriend is a violent con who has escaped from prison (Aidan Quinn) and the F.B.I think there may be a chance that he will try to get in contact with her. Chris Lecce soon finds himself falling in love with Maria and gets in many funny situations as he comes a part of the stakeout himself such as him leaving her house the next morning after they have made love and disguising himself with a pink hat and shawl and trying to evade the police without being recognised and ending up being on the surveillance and on tape.
I think the number one thing that works for the film is the relationship between Richard Dreyfuss and Emilio Estevez's characters. They have great chemistry and just bounce humour off one another. Another humorous aspect to their relationship is a type of role reversal. Chris is older than Bill but yet he is not that bothered about promotion and he doesn't commit to any of his girlfriends. While Bill is a happily married man who has a child and who wants to go up the promotion ranks.
Another thing that makes me laugh is the competition Bill and Chris have with Dan Lauria (Phil Coldshank) and Forest Whitaker (Jack Pismo) where they play practical jokes on one another. I especially liked the one Bill played on Phil's dog where he put a wild cat in the car and the cat ended up chasing Phil's dog down the road. Brilliant! The film even had time to add romance to the story between Maria and Chris which added another dimension to the film and it was interesting seeing their relationship develop and what would happen in the end when Maria found out Chris was a cop.
This film has the right mix of genres in it and it doesn't slow down the plot line but it gives you different emotions to feel, humour, romance and your heart rate jumping which it did, in the scene where you think Aidan's character has come and he kills Chris and Maria. I jumped out of my seat at that. I liked that John Badham added that as at that point you have taken in the humour and romance and then this scene comes along that surprises and shocks you.
One of my best Richard Dreyfuss and Emilio Estevez films.
For a film which reached number 1 at the US box office and earned
enough movie for the studio to green-light a sequel, Stakeout has
strangely enough become a forgotten 80s gem.
The story is simple, officers Lecce (Richard Dreyfuss) and and Reimers (Emilio Estevez) are assigned to a stakeout of the house of waitress Maguire (Madeleine Stowe), hoping that her fugitive ex-boyfriend (Aidan Quinn) will return to her house. Things soon take a bizarre twist, as Lecce, posing as a telephone repairman, and Maguire start to fall in love.
Although the film offers no originality and is riddled with clichés, it is very entertaining. Although it runs for nearly two hours, it thankfully doesn't feel that long and the story keeps you interested all the way. Richard Dreyfus and Emilio Estevez are quality comedians, somewhat surprisingly in my opinion. Their jokes and banter make the comedy part of this film work well.
The thriller elements are good too, Aidan Quinn does a good job making his character look like a real bad-ass, and the film's action sequences are really solid pre-cgi-stuff. I was especially impressed by the car chase, which looks really good.
Overall, this is pure solid 80s entertainment and I think this film deserves to be remembered and watched. I think it is equally good as many other 80s action classics like "48 hours" for example. Recommended!
*** This review may contain spoilers ***
This is a great Action/Comedy that's quite hilarious and very entertaining with a cool story, Richard Dreyfuss and Emilio Estevez are brilliant together!. All the characters are great, and it also had some good dramatic moments as well, plus Richard Dreyfuss,Emilio Estevez and Madeleine Stowe are all simply amazing in this!. Aidan Quinn is very good as the bad guy, and I thought Estevez and Dreyfuss had wonderful chemistry together ,plus it's very well made and written as well. It's also pretty underrated in my opinion, and one of the funniest scenes in the movie for me is when the cops are chasing Dreyfuss as they think he's the suspect, and he's wearing a pink hat and weird clothing, plus this should be higher then 6.4!. The whole cast really seemed to be enjoying themselves, and Dreyfuss and Stowe had pretty good chemistry together as well, plus the finale is quite exciting. The ending is very funny, and it had some great music in it as well, plus the opening was somewhat disturbing. This is a great Action/Comedy that's quite hilarious and very entertaining, with a cool story, Richard Dreyfuss and Emilio Estevez were brilliant together, I highly recommend this one!. The Direction is great!. John Badham does a great! job here with really good camera work, good angles and keeping the film funny and at a very fast pace. The Acting is wonderful!. Richard Dreyfuss is amazing here, he is extremely hilarious very likable had wonderful chemistry with Estevez, had some cool lines, seemed to be enjoying himself, and had perfect comic timing!, I love this guy!. Emilio Estevez is amazing as always and is also amazing here, he is extremely likable, funny worked so well together with Dreyfuss had lots of charisma, and had some really funny scenes, he was amazing! (Estevez rules!!!!!!!). Madeleine Stowe is incredibly gorgeous and is amazing as always, she had a decent accent, was funny had pretty good chemistry with Dreyfuss, and had a fun character I loved her as usual! (Stowe Rules!!!!!!!). Aidan Quinn is very good as the bad guy, he was intense and really convinced me I liked him. Dan Lauria and Forest Whitaker are good as the two dim witted cops I liked them. Rest of the cast are fine. Overall I highly recommend this one!. ***1/2 out of 5
Good stuff from the 80's. A cop buddy movie, with a little romance, a little action and a lot of comedy. The comedy part works out pretty well. The soundtrack is, well, very 80's.. but very good also. Serious scenes depicting the bad guys are pretty realistic and the movie has surprisingly dark tones in these parts. Only thing I don't like about in this movie, is that Richard Dreyfuss was 40 when he made this, gray hair and not that much of it, he doesn't have the looks of Connery, and he gets this hot young girl. Of course he is nice and funny and all that, but I found it to be a bit of a far stretch. Also the main characters have both a funny mustache which makes Dreyfuss look even older.
This is kind of funny and, for the most part, enjoyable. On the surface
it looks like another comic cop thriller but, really, the core of the
plot couldn't be older. That is -- it goes way past "The Gay Divorcée,"
past the Greek or Roman from whom Shakespeare stole "A Comedy of
Errors," back past the masques, winding up somewhere I would guess
around Homo cromagnonsesis in Les Ezyies de Tayac. The
mistaken-identity plot is framed by a bit of violence. First, Dreyfus
gets into a fist fight with a perp he and Estevez are chasing (Estevez
is nothing much more than a straight man in this movie) and the two
combatants fall into a huge container of fish and barely escape being
filleted by the Chinese workers. The second involves a shoot out
between Aidan Quinn's villain and a lot of cop cars and owes a lot to
the chase in "Bullitt", although done mostly for laughs. At the end
there is another strictly conventional shootout and fist fight, aboard
a boat, on top of rolling logs (this is Seattle), and in a timber mill
which gives us a good idea of how gigantic saws are used to turn logs
into planks -- and men into planks as well, given half a chance.
Quinn is excellent, but so is almost everyone else. Madeleine Stowe is drop-dead gorgeous, with or without Hispanic makeup, and she can act too. Dreyfus is very funny. He is caught in all sorts of embarrassing situations and gets a chance to display that expression of abject humiliation that he does so well. He gets a chance to do a lot of physical comedy too, running around wearing a pink sun hat, wrapped in a shawl, while pursued by the police. And when he inadvertently reveals he is spying on Stowe, during a phone call in which he warns her that her food is burning, she demands to know how he knew. He tears his eyes from the telescope and tells her, "I -- er -- I could hear is sizzling in the background." Then he turns his face to the side, wrinkled with disgust, and hisses to himself -- "Heard it SIZZLING in the background?" There are all sorts of run-ins in which she still thinks he is the phone repairman he's been pretending to be, and they're all engagingly cute.
It's not a masterpiece of comedy, and the realistic violence is out of place. But it's smoothly, professionally done. There is an icky them song, but the composer gives Stowe's scenes a bouncy fingido-sabor-Latino sound. I've seen this a couple of times and keep waiting to be bored by it but have never quite been able to get over the hump.
I think this is one of the under-appreciated movies from the 1980s. It blends realistic action and comedy well, without taking itself too seriously. I agree with reviewers that Dreyfuss in this movie proves he was very good at comedy movies if they were written well, like this was. And Aidan Quinn is very good also (in fact, from "Desperately Seeking Susan" in 1985, to "Stakeout," to 1994's "Legends of the Fall" he has consistently given reliably good performances). For a late 1980s movie, it has aged fairly well. It's almost hard to believe that this movie came out only two years after Estevez was in "The Breakfast Club." I wish there were more movies like this that blended action and comedy as well as "Stakeout" did.
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