A nebbish of a morgue attendant gets shunted back to the night shift where he is shackled with an obnoxious neophyte partner who dreams of the "one great idea" for success. His life takes a... See full summary »
A woman leaves an abusive relationship to begin a new life in a new city, where she forms an unlikely and ironic relationship with a suicidal hit man (unbeknownst to her). Enter a worn, ... See full summary »
His ex-wife asks the unsuccessful gambler and inventor Harrison for a small favor: to get her a parcel from a friend's apartment - without telling him what's in it. Suddenly he finds himself assaulted by villains and shortly after even under suspect of murder. The inexperienced P.I. Rachel is hired by an unknown party to rid him of the parcel - but soon befriends him. Together they try to figure out what kind of game is being played. Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
The budget had ballooned from $12 million to over $22 million when the production was finally finished. The song whistled by Michael Keaton at the end of the film is the theme song of the tv series The Rifleman See more »
Rachel and Harry are locked in a bathroom trying to escape from Titus. The place is illuminated very brightly but when the two run away through a window in the next shot no lights appear in the place, it's all dark. See more »
I remember watching this years ago. It was one of several comedies Michael Keaton made in the 80's, but you can see him beginning to stretch a bit beyond his cornball comedy roles (e.g. Night Shift, Mr. Mom, Gung Ho, Johnny Dangerously). You can just see a hint of the dramatic (and dark) flair he would reveal a few years later in Beetle Juice and Batman.
The movie itself is pretty contrived, although it has a great supporting cast. It was fun to see Meat Loaf (whose character is always sweaty, and carries around a battery-operated fan to keep cool) and John Davidson (who essentially plays...himself!).
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