| Jason Robards | ... | Dillard | |
| Jane Alexander | ... | Juanelle | |
| Winona Ryder | ... | Gemma | |
| Rob Lowe | ... | Rory | |
| Deborah Richter | ... | Gwen | |
| Guich Koock | ... | Frank | |
| Elbert Lewis | ... | Beecham | |
| Charlotte Stanton | ... | Aggie | |
| J. David Moeller | ... | Dub Mosley | |
| Dixie Taylor | ... | Dolores | |
| Irma P. Hall | ... | Preacher Dixon | |
| Barbara Britt | ... | Miss Lawson | |
| Brad Leland | ... | Drunk Cowboy | |
| Dee Pyland | ... | May Tompkins | |
| Gwen Little | ... | Doreen Hadley | |
| Jim Bynum | ... | Jack Springer | |
| Linda Nye | ... | Eunice Tanner | |
| Newt Davis | ... | Bubba Springer | |
| Harlan Jordan | ... | Ray Ferris | |
| Dennis Letts | ... | Bob Hadley | |
| Annabelle Weenick | ... | Mrs. Weeks | |
| Liz Williams | ... | Miss Harley | |
| Trace Adkins | ... | Bayou Band Member (as Tracy D. Adkins) | |
| Eddie Bodin III | ... | Bayou Band Member | |
| Steven Grisaffe | ... | Bayou Band Member | |
| Benny Sonnier | ... | Bayou Band Member | |
| Kip Sonnier | ... | Bayou Band Member | |
| Stephanie Binford | ... | School Girl #1 | |
| Barbara McCauley | ... | School Girl #2 |
Directed by | |||
| Daniel Petrie | |||
Writing credits(in alphabetical order) | ||
| Alan Hines | novel "Square Dance" | |
Produced by | |||
| Jane Alexander | .... | executive producer | |
| Pnenah Goldstein | .... | associate producer (as P'Nenah Goldstein) | |
| Charles Haid | .... | executive producer | |
| Daniel Petrie | .... | producer | |
| Cyrus Yavneh | .... | associate producer | |
| Michael Nesmith | .... | producer (uncredited) | |
Original Music by | |||
| Bruce Broughton | |||
Cinematography by | |||
| Jacek Laskus | (director of photography) | ||
Film Editing by | |||
| Bruce Green | |||
Casting by | |||
| Liz Keigley | |||
| Shari Rhodes | |||
Production Design by | |||
| Jan Scott | |||
Set Decoration by | |||
| Erica Rogalla | |||
Costume Design by | |||
| Elizabeth McBride | |||
Makeup Department | |||
| Jeanie L. D'Iorio | .... | makeup assistant | |
| Martha A. Marek | .... | hair stylist | |
| Carla Palmer | .... | makeup artist | |
| Virginia Ziegler | .... | assistant hair stylist | |
| Fred Lackey III | .... | hair stylist (uncredited) | |
Production Management | |||
| Dwight Chooluck | .... | unit production manager | |
| Leon Chooluck | .... | production supervisor | |
| Esther Greif | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Gregg Chooluck | .... | second assistant director | |
| Katterli Frauenfelder | .... | first assistant director | |
Art Department | |||
| Alan Allinger | .... | carpenter (as Alan L. Allinger) | |
| Billy Barnes Jr. | .... | carpenter | |
| William M. Bell | .... | construction coordinator (as Bill Bell) | |
| Keith M. Blackwell | .... | swing | |
| Bob Flach | .... | assistant props (as Robert R. Flach) | |
| David Hammon | .... | painter | |
| Larry W. Hutchison | .... | carpenter | |
| Larry Langley | .... | construction foreman | |
| Bennie Miles | .... | carpenter | |
| Kleber R. Miller | .... | carpenter | |
| Michael D. Murray | .... | draftsman | |
| John Shelton | .... | lead man | |
| Floyd V. Smith | .... | property master | |
| John Smith | .... | carpenter (as Johnny Smith) | |
| Patrick A. Spencer | .... | swing | |
| Nolan L. Thornton | .... | carpenter | |
| Robert H. Winn | .... | carpenter | |
Sound Department | |||
| Gary Alexander | .... | sound re-recording mixer | |
| Don Broughton | .... | boom operator | |
| Dane A. Davis | .... | sound designer | |
| Doug Hemphill | .... | sound re-recording mixer (as D.M. Hemphill) | |
| Chris Jenkins | .... | sound re-recording mixer | |
| Jeff Rosen | .... | sound editor | |
| Roy Snyder | .... | cable man | |
| Robert Wald | .... | sound mixer (as Bob Wald) | |
| Neil Eric Wenger | .... | assistant sound editor (as Neil Wenger) | |
Special Effects by | |||
| Jack Bennett | .... | special effects | |
| Kenny A. Miller | .... | special effects assistant | |
Stunts | |||
| Tim Butler | .... | stunts | |
| Randy Fife | .... | stunt coordinator | |
| Jackie Resch | .... | stunts | |
Camera and Electrical Department | |||
| Rick Anderson | .... | director of photography: second unit | |
| Timothy Blair | .... | electrician (as Timothy A. Blair) | |
| Kevin Boyle | .... | additional assistant camera | |
| Warren Cunningham | .... | grip | |
| E. Wes Dempster | .... | dolly grip | |
| Stephen A. George | .... | second assistant camera | |
| Bill Greenberg | .... | grip | |
| Jonathan Herron | .... | first assistant camera (as Jonathon Herron) | |
| Daniel Keesey | .... | best boy | |
| John B. Knight | .... | key grip | |
| Carol Ann Maguire | .... | grip (as Carol A. Maguire) | |
| Robert W. Moreno | .... | electrician (as Robert Moreno) | |
| Michael Pagan | .... | electrician (as Michael M. Pagan) | |
| Juan Romero | .... | gaffer (as Juan M. Romero Jr.) | |
| Zade Rosenthal | .... | still photographer | |
| Darrel D. Tawney | .... | electrical best boy | |
Casting Department | |||
| Phalia Blassingame | .... | casting associate | |
Costume and Wardrobe Department | |||
| Sawnie Baldridge | .... | wardrobe assistant (as Sawnie R. Baldridge) | |
| Stephen M. Chudej | .... | wardrobe assistant (as Stephen Chudej) | |
| Janet Stein | .... | seamstress | |
| Sher Williams | .... | wardrobe assistant | |
Editorial Department | |||
| Victor Du Bois | .... | assistant editor (as Victor Dubois) | |
Music Department | |||
| Else Blangsted | .... | music editor | |
| Ellen Segal | .... | assistant music editor | |
| Bruce Miller | .... | conductor (uncredited) | |
| Bruce Miller | .... | music arranger (uncredited) | |
Transportation Department | |||
| Joe D. Anderson | .... | transportation captain (as Joe Anderson) | |
| Jon Curtin | .... | driver | |
| Robert L. Davis | .... | transportation captain (as Bob Davis) | |
| Daniel T. Dickerson | .... | transportation coordinator | |
| Bobby Fite | .... | driver (as Bob Fite) | |
| Bill Girard | .... | driver (as William J. Girard) | |
| Kevin Gonzales | .... | driver | |
| Richard Grimes | .... | driver | |
| Virgil Groom | .... | driver | |
| Dennis J. Lootens | .... | driver (as Dennis Lootens) | |
| Charles McBride | .... | driver | |
| Joe Poovey | .... | driver | |
| Lloyd Scantlen | .... | driver | |
| Norman Stinson | .... | driver (as Norman E. Stinson) | |
| Paul P. Stone | .... | driver | |
| Julie Hoffmann | .... | driver (uncredited) | |
| Billy Milliken | .... | transportation dispatcher (uncredited) | |
Thanks | |||
| Jim Bynum | .... | special thanks | |
| Tom Copeland | .... | special thanks: Texas Film Commission | |
| L.T. Felty | .... | special thanks | |
| Patrick Kelly | .... | special thanks | |
| Jimmy M. Ravis | .... | special thanks | |
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| Lolita | The Virgin Suicides | Little Miss Sunshine | A Walk to Remember | The House of the Spirits |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Greetings, readers. I played Dub Mosely, the preacher in this film. I thought you might like to read a few notes about Winona, who was around 15 at the time we shot this on a sweltering summer day in Waxahatchie,Texas. I have met few young women of her age with the poise and sophistication she possessed. Working with her and Jane Alexander was truly a learning experience and a wonderful one. Although I didn't have scenes with Rob Lowe, I'm proud to have been in this film with him. His portrayal of the young violinist was astounding. I have never seen him do better work, either before or after.
Now, here's a little inside stuff. After we shot the film, Daniel Petrie, the director, found that my southern accent wasn't broad enough. He and I discussed the situation after the film was cut and I explained my thoughts as to the reason I kept the "twang" to a minimum: It was at the time of Southern preacher Jimmy Swaggart's problems with a woman of -shall we say- easy virtue, and my characterization was founded on the feeling that "sounding" like that sort of a preacher might remind the audience of Swaggart's indiscretions and they could maybe "lose their concentration" on the film and,instead, wander to thoughts of the current events of the day, making it difficult to get back into the film at hand.
Petrie had actually booked me to fly from Texas to Los Angeles to re-voice the role in the required accent. Naturally, I would do anything he wanted -he was the director and it was his film. Unfortunately I was performing in a stage production in the Houston area at the time and could not make the scheduled taping session. Another actor was flown in and the part was, indeed, re-dubbed.
Petrie didn't like what he heard, evidently, and decided to stick with my original voice and accent. As a result, what you hear is my original interpretation. Actually, you hear me more than you see me. That's my voice over the shot of the radio during the opening moments of the film. And, don't blink during the revival scene. That's your's truly at the pulpit.
I don't know if they'll let me cross-recommend here, but if you want to see more of me check out "They Still Call Me Bruce" and "Not For Publication".
I hope you enjoy "Square Dance". It is definitely worth your time and should be in your home library, if only for Winona's and Rob's portrayals.