King Roland of the planet Druidia is trying to marry his daughter Princess Vespa to Prince Valium, but Vespa is kidnapped by the evil race of the Spaceballs. The Spaceballs ask Roland a tremendous ransom: all the air of Druidia (you see, the air of Spaceball had serious pollution problems...). The King decides to offer a generous amount of money to a space rogue, Lone Starr, to persuade him to save Vespa. What follows is the parody of a _LOT_ of famous SF movies. Written by
Flavio Rizzardi <firstname.lastname@example.org>
In the scene where Dark Helmet is dressed in safari clothes searching for Lone Starr and the others with binoculars, he is on top of a floating vehicle. In reality, the vehicle isn't floating or suspended on wires of any kind, but on top of a platform that was surrounded by mirrors that reflected the sand around it to give it the appearance of floating. See more »
When Vespa and Valium are to be married. When Valium yawns his ring is on the little finger. After the princess escapes, he yawns again and his ring is on the index. See more »
Leave it to Mel Brooks; no one else could make a space movie with references to "The Wizard of Oz", "The Godfather", Mr. Coffee and flying Winnebagos.
"Spaceballs" is just about the best post-"History of the World Part I" film Mel has made and that's saying something, considering how many great jokes Mel and Company is able to pull off while within PG territory.
Easy enough to guess that this is Mel's take on "Star Wars", complete with his own versions of C-3P0 (Dot Matrix), Princess Leia (Princess Vespa), Chewbacca (Barf the Mawg) and a combination of Han Solo and Luke Skywalker (LoneStarr).
Oh, and let's not forget Dark Helmet! The very embodiment of evil (Mel Brooks-style) who not only wears a black cloak and headpiece but also a stylishly-wide black tie. And when he strikes...it's usually not above the belt.
The gags come fast and furious and, as is usually the case, all the regular faces show up (Graham, DeLuise, Van Patten) and Mel gives it all he's got. Lots of space sagas get equal ribbing (the "Star Wars" trilogy, "Alien", "Planet of the Apes") and there isn't a cliche that Mel fails to notice.
You can't blame Mel Brooks for thinking this genre needed a good skewering. He started it in "History of the World" with his "Jews in Space" coming attraction and continues it here. My only complaint: Mel, why did you have to wait so long??
Eight stars, plus a half star more for Pizza the Hutt; I loved it, especially when the pepperoni started running. Also for President Skroob's (Brooks') comment after being mis-transported ("Why didn't somebody tell me my a** was so big??").
Okay, nine stars. Mel Brooks strikes back!
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