| Photos (See all 18 | slideshow) |
| Tom Berenger | ... | Det. Mike Keegan | |
| Mimi Rogers | ... | Claire Gregory | |
| Lorraine Bracco | ... | Ellie Keegan | |
| Jerry Orbach | ... | Lt. Garber | |
| John Rubinstein | ... | Neil Steinhart | |
| Andreas Katsulas | ... | Joey Venza | |
| Tony DiBenedetto | ... | T.J. (also as Tony Di Benedetto) | |
| James E. Moriarty | ... | Koontz (as James Moriarty) | |
| Mark Moses | ... | Win Hockings | |
| Daniel Hugh Kelly | ... | Scotty | |
| Harley Cross | ... | Tommy Keegan | |
| Joanne Baron | ... | Helen Greening | |
| Anthony Bishop | ... | Waiter | |
| David Berman | ... | Cop #1 | |
| Sharon K. Brecke | ... | Bimbo (as Sharon Brecke) | |
| Peter Carew | ... | Doorman | |
| Christopher Cass | ... | Rookie Cop | |
| Jim Paul Eilers | ... | Sparks | |
| Suzi Gilder | ... | Pretty Young Thing (as Susi Gilder) | |
| Mary Gillis | ... | Mary, Claire's Maid | |
| Billy Kane | ... | Brooklyn | |
| Helen Lambros | ... | Met Benefactress | |
| Jack McGee | ... | Bartender | |
| Meg Mundy | ... | Antonia | |
| Jeff Nielsen | ... | Tie Salesman | |
| Harlan Cary Poe | ... | Killer | |
| Marilyn Rockafellow | ... | Marge | |
| Helen Tran | ... | Vietnamese Girl | |
| Harvey Vernon | ... | Giddings | |
| Mark Voland | ... | Plainclothes Cop #1 | |
| rest of cast listed alphabetically: | |||
| Anthony Caso | ... | Chauffeur (uncredited) | |
| John Corbett | ... | Walker (uncredited) | |
| Louis Durra | ... | Pianist (uncredited) | |
| Joey Gironda | ... | Undercover Cop (uncredited) | |
| John Sobestanovich | ... | Line-Up Man (uncredited) | |
Directed by | |||
| Ridley Scott | |||
Writing credits | ||
| Howard Franklin | (written by) | |
| Danilo Bach | uncredited | |
| David Seltzer | uncredited | |
Produced by | |||
| Thierry de Ganay | .... | producer | |
| Mimi Polk Gitlin | .... | associate producer (as Mimi Polk) | |
| Harold Schneider | .... | producer | |
| Ridley Scott | .... | executive producer | |
Original Music by | |||
| Michael Kamen | |||
Cinematography by | |||
| Steven Poster | (director of photography) | ||
Film Editing by | |||
| Claire Simpson | |||
Casting by | |||
| Joy Todd | |||
Production Design by | |||
| James D. Bissell | (as Jim Bissell) | ||
Art Direction by | |||
| Christopher Burian-Mohr | (as Chris Burian-Mohr) | ||
Set Decoration by | |||
| Linda DeScenna | (as Linda De Scenna) | ||
Costume Design by | |||
| Colleen Atwood | |||
Makeup Department | |||
| Frank Bianco | .... | hair stylist: New York | |
| Antony Clavet | .... | hair creator: Miss Rogers and Miss Bracco (as Anthony Clavet) | |
| Antony Clavet | .... | makeup creator: Miss Rogers and Miss Bracco (as Anthony Clavet) | |
| Barbara Lorenz | .... | hair stylist | |
| Rick Sharp | .... | makeup artist | |
| Allen Weisinger | .... | makeup artist: New York (as Alan Weisinger) | |
Production Management | |||
| William C. Gerrity | .... | production manager: New York (as Bill Gerrity) | |
| Max Stein | .... | production manager | |
Art Department | |||
| Craig B. Ayers Sr. | .... | greens foreman | |
| Tom Cranham | .... | storyboard artist | |
| Ernest Depew | .... | construction coordinator (as Ernie Depew) | |
| Gilbert Gertsen | .... | head carpenter: New York | |
| Ann Harris | .... | set designer | |
| Steven J. Jordan | .... | set decorator: New York (as Steven Jordan) | |
| Edward T. McAvoy | .... | paint foreman (as Ed McAvoy) | |
| Paul McElvin | .... | leadman | |
| John Jay Moore | .... | art director: New York (as Jay Moore) | |
| Arthur Shippee | .... | property master (as Art Shippee) | |
| Walter Stocklin | .... | property master: New York (as Wally Stocklin) | |
| William James Teegarden | .... | set designer (as Jim Teegarden) | |
| Patricia Walker | .... | scenic artist: New York | |
| Sabrina Wright | .... | set dresser: New York (as Sabrina Wright-Basile) | |
Sound Department | |||
| Gene S. Cantamessa | .... | sound mixer (as Gene Cantamessa) | |
| Steve Cantamessa | .... | boom operator | |
| Glenn Freemantle | .... | assistant sound editor | |
| John Fundus | .... | boom operator: New York | |
| Dean Humphreys | .... | assistant sound re-recording mixer | |
| Gerry Humphreys | .... | sound re-recording mixer | |
| John Poyner | .... | adr editor | |
| Jim Shields | .... | sound editor | |
Stunts | |||
| Laura Dash | .... | stunt double | |
| Ronnie Rondell Jr. | .... | stunt coordinator (as Ronnie Rondell) | |
| Glenn R. Wilder | .... | stunt coordinator (as Glenn Wilder) | |
Camera and Electrical Department | |||
| Ken Connors | .... | best boy: New York | |
| R. Michael De Chellis | .... | best boy (as Michael De Chellis) | |
| Alan R. Disler | .... | first assistant camera (as Alan Disler) | |
| Candy Edwards | .... | second assistant camera (as Candace Edwards) | |
| Russell Engels | .... | chief lighting technician: New York (as Rusty Engles) | |
| S. Karin Epstein | .... | still photographer: New York | |
| Gregg Guellow | .... | key grip | |
| Paul Jacobsen | .... | lighting technician | |
| Aaron Katz | .... | video operator | |
| John Koester | .... | camera operator | |
| Eric Leigh | .... | electrician | |
| Elliott Marks | .... | still photographer (as Elliot Marks) | |
| Ken Miller | .... | dolly grip | |
| George Patsos | .... | key grip: New York | |
| James Plannette | .... | chief lighting technician | |
| Maricella Ramirez | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Michael J. Long | .... | costume supervisor: men | |
| Linda Serijan | .... | costume supervisor: women | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Terry Clarke | .... | editor trainee | |
| Robert Frazen | .... | assistant editor | |
| Phil Hetos | .... | color timer (as Phil Heatos) | |
| Brian Peachey | .... | associate editor | |
| Sarah Thomas | .... | first assistant editor | |
| William Webb | .... | first assistant editor | |
| Adrian Trent | .... | second assistant editor (uncredited) | |
Music Department | |||
| Haydn Bendall | .... | music mixing engineer | |
| Haydn Bendall | .... | music recording engineer | |
| Stephen McLaughlin | .... | music recordist (uncredited) | |
Transportation Department | |||
| James E. Foote | .... | transportation coordinator (as James Foote) | |
| Patrick Hogan | .... | driver | |
| Michael Hyde | .... | transportation coordinator | |
Other crew | |||
| Heidi August | .... | production auditor: New York | |
| Nelson Cabrera | .... | production assistant | |
| Al Cerullo | .... | helicopter pilot | |
| Celia D. Costas | .... | location manager: New York (as Celia Costas) | |
| Deborah Lupard | .... | production assistant | |
| Blair Bellis Mohr | .... | production coordinator: New York | |
| Richard Morrison | .... | title designer | |
| Julie Offer | .... | location projectionist | |
| Jane Prosnit | .... | production coordinator | |
| Ana Maria Quintana | .... | script supervisor | |
| Cliff T.E. Roseman | .... | location manager (as Cliff T. E. Roseman) | |
| Lydia Telo | .... | production auditor | |
| Nancy Willen | .... | publicist | |
| David H. Kramer | .... | adr loop group (uncredited) | |
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| The Last Seduction | Before the Devil Knows You're Dead | Perfect Stranger | Last Rites | The Yards |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
I saw this movie when I was younger and for some reason it always stuck with me. I'll always remember the music (the title song as well as the classical pieces used throughout), the vestibule of Mimi Roger's apartment palace, the scene of Tom Berenger having breakfast with his family, Lorraine Bracco's fiery performance as his wife, and the haunting opening aerial shots of NYC lit up at night. I watched it again for the first time in probably nine or ten years and it was like visiting with an old friend or curling up with a good book you had read before. You knew the story, but it was all fascinatingly interesting. The plot here is pretty basic: working class cop has to babysit upper class babe who witnesses heinous murder. It doesn't take a rocket scientist to figure out how it all ends, but director Ridley Scott somehow manages to keep it compelling thanks to some great direction and wonderful performances from the cast. Somewhere I saw this billed as an erotic thriller, which is way off base. Scott keeps everything here extremely classy. It's more of a romantic thriller and throwback to the noir films of the 1940's. This may not be the best film you'll ever see, but it's one of the better thrillers of the 1980's, and a worthy testament to Ridley Scott's versatility as a director. It's also nice to see Jerry Orbach in a supporting role that probably paved the way for his part in the never ending "Law and Order" TV series.