A British investment broker inherits his uncle's chateau and vineyard in Provence, where he spent much of his childhood. He discovers a new laid-back lifestyle as he tries to renovate the estate to be sold.
In Queens, Mike Keegan is celebrating with his wife Ellie, his son Tommy and friends his recent promotion to detective in a precinct in Manhattan. Meanwhile, in a fancy club, the socialite Claire Gregory witnesses the murder of the owner of the place by the powerful mobster Joey Venza. Mike is assigned to protect her in the night shift in her apartment in Manhattan. When Venza threatens Claire, the contact of Mike with Claire gets closer and conflicts him, dividing between the love for his family and the heat passion for Claire and the fascination for her world. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The Gershwin song "Someone to Watch Over Me" is heard in the movie in three separate renditions. They were by: (1) Sting, heard at the start of the film (2) Roberta Flack, heard over the end credits and (3) Gene Ammons with Richard Wyands, Doug Watkins and J.C. Heard, from an original 1961 version. The Sting and Roberta Flack versions were new takes recorded especially for this movie. No movie soundtrack album for Someone to Watch Over Me (1987) was ever released. Sting's version of the song got distributed as the B-side track on his "Englishman in New York" single as well as also being included on the later 1999 compilation album "At The Movies". The Flack rendition of the song has never been officially commercially available other than where it is heard in this movie. See more »
The newspaper which Mike is carrying on his way to his first shift guarding Claire has the word "SUPERMEN!" on the back page. He is carrying an identical newspaper three or four days later. See more »
Det. Mike Keegan:
Hey! We got food back there, you know; all right? Hey, thanks for comin' - good to see ya. Come on in, get a drink. T.J...
Det. Mike Keegan:
Set 'em up with a drink.
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How has Tom Berenger slipped out of the view of Hollywood? This man is a real talent, who conveys the confusion and pathos of an untenable situation with passion, conviction and realism.
Scott makes the tension palpable, and the supporting cast is so well rounded that IMHO it makes one of the best ever cinematic experiences. Mimi Rogers puts in a credible performance as a tortured socialite and the thrill of the chase makes for some startling and real scenes which keep you on the edge of your seat. If you want great entertainment without the hugest cerebral challenge (!) this is a fab way to spend an evening.
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