A British investment broker inherits his uncle's chateau and vineyard in Provence, where he spent much of his childhood. He discovers a new laid-back lifestyle as he tries to renovate the estate to be sold.
In Queens, Mike Keegan is celebrating with his wife Ellie, his son Tommy and friends his recent promotion to detective in a precinct in Manhattan. Meanwhile, in a fancy club, the socialite Claire Gregory witnesses the murder of the owner of the place by the powerful mobster Joey Venza. Mike is assigned to protect her in the night shift in her apartment in Manhattan. When Venza threatens Claire, the contact of Mike with Claire gets closer and conflicts him, dividing between the love for his family and the heat passion for Claire and the fascination for her world. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
One of two late 1980s Hollywood thrillers with a title based on a famous song. The other was Harold Becker's 1989 film Sea of Love (1989). Both movies were set in New York City and both pictures prominently feature their famous tunes in each's film. See more »
The newspaper which Mike is carrying on his way to his first shift guarding Claire has the word "SUPERMEN!" on the back page. He is carrying an identical newspaper three or four days later. See more »
Det. Mike Keegan:
Hey! We got food back there, you know; all right? Hey, thanks for comin' - good to see ya. Come on in, get a drink. T.J...
Det. Mike Keegan:
Set 'em up with a drink.
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Brooklyn Detective Tom Berenger is assigned to watch over socialite Mimi Rogers after she witnesses a brutal murder where a high profile Mafioso is involved. Berenger gets caught between two worlds; the upper class one he takes a liking to and the normal one (with a wife and kid) in the slums of Queens which he seems to be tiring of.
Highly stylish drama/thriller courtesy of Ridley Scott, who directs with his usual visual flair and examines the world of the wealthy seen through the eyes of a middle class voyeur and mixes in some solid suspense to boot. The drama aspect is well handled, pitting Berenger in a dire situation where he must ultimately choose between a life he's already made for himself and a life that can seem very tempting from his perspective.
Suspense is also plenty with some fantastic sequences, particularly one inside Mimi Rogers' apartment, not too unlike Dario Argento's Opera in some respects (and even beat it by a year, I think).
Tom Berenger does well in the lead, displaying easily the conflicts his character is facing, Rogers is a stunner and gives a subdued and convincing performance. The usually intolerable Lorraine Bracco gives a forceful performance, and one the whole her relationship with Berenger is not only well played out but wholly believable.
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