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Storyline
Durante un ricevimento a casa di Danny, regista cinematografico, un gruppo di amici e di attori ed attrici si incontrano per dissertare sull'amore e sull'amicizia. Orson Welles รจ il "giudice" di queste conversazioni. Written by
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Did You Know?
Trivia
The second in a trilogy of autobiographical films directed by Henry Jaglom. The first was Always (1985) and the last was New Year's Day (1989).
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Quotes
[
first lines]
Danny's Friend:
We're not filmmakers, you know? We're just a ragtag bunch of people doing something that is technologically already almost passe. You know, that's a great problem with movies, is that they're always old-fashioned. It takes too long to make a movie. By the time your idea's on the screen, it's already dead.
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Connections
Featured in
Who Is Henry Jaglom? (1997)
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Soundtracks
"Listen Here"
Written and Performed by Dave Frishberg
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In the waning days before the demolition of the Mayfair Music Hall in Santa Monica, California, the brilliant and unconventional director, Henry Jaglom, created this unique film featuring the final screen performance of Orson Welles, and utilizing Jaglom's customary methods of actor improvisation coupled with perceptive editing, with the result being a moving tour de force of romantic sensibility. A gathering of single entertainment types meets by Jaglom's invitation at the theater on Valentine's Day, sharing perceptions of relationship success and failure as the director's powerful sense of angst rises to the surface with the camera being his investigative companion. Acting honors shall go to Sally Kellerman, whose performance explores most deeply of all her self-awareness of vulnerability and emotional need, and to Andrea Marcovicci, who plays a part as Jaglom's current love, and who sings beautifully as well, and as always. Jaglom's output has been remarkable because of his steadfast determination to create genuinely independent cinema and SOMEONE TO LOVE is a prime example of his talent for showcasing a personal point of view in such a manner that it touches upon the universal.