Six vignettes set in different sections of Paris, by six directors. St. Germain des Pres (Douchet), Gare du Nord (Rouch), Rue St. Denis (Pollet), and Montparnasse et Levallois (Godard) are ... See full summary »
Seven directors each dramatize one of the seven deadly sins in a short film. In "Anger," a domestic argument over a fly in the Sunday soup escalates into nuclear war. In "Sloth," a movie ... See full summary »
13 European directors explore the theme of Sarajevo and what this city represents in European history over the past hundred years, and what Sarajevo incarnates today in Europe. From ... See full summary »
This consists of four short films by different directors. Rosselini's 'Chastity' ('Illibatezza') deals with an attractive air hostess who receives the unwelcome attentions of a middle aged ... See full summary »
Four swindle stories, taking place successively in Tokyo - Japan (Les cinq bienfaiteurs de Fumiko), Amsterdam - The Netherlands (La riviere de diamants), Italie (La feuille de route), and Paris - France (L'homme qui vendit la tour Eiffel).
Paul is young, just demobbed from national service in the French Army, and dishillusioned with civilian life. As his girlfriend builds herself a career as a pop singer, Paul becomes more ... See full summary »
In Godard and Gorin's free interpretation of the Chicago Eight trial, Judge Hoffman becomes Judge Himmler (who doodles notes on Playboy centerfolds), the Chicago Eight become microcosms of ... See full summary »
Godard is having fun here (fun is not characteristic of most of his work). He's playing the idiot of Dostoievsky's novel, a director who won't compromise his work. As he did in One plus One with the Rolling Stones, he's working with a band, Les Rita Mitsouko, as they put together the various strands of their new song. I suspect the challenge of constructing watchable material out of the recording studio chaos was the appeal for Godard.
The story is goofy; more like a Pierre Richard slapstick comedy than the intellectual films of the 60's. This must hold the record, for a Godard film, of cameo performances. The only really memorable sequence is on board a plane; with the passengers crammed in their seats and doing lots of shtick, it's a little like Duck Soup.
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