Sprawling Mario Puzo novel about an Italian family of gangsters draws the inevitable comparison to "The Godfather", but does find its own direction. Headed by Don Domenico Clericuzio, the ... See full summary »
As the elder don dies, his young heir moves into the position. He quickly proves to be as ruthless as he tries to discover who has launched a plot to overthrow his rule and may be ... See full summary »
A World War II vet sets out in 1948 to avenge the death of his wife at the hands of Nazis. His targets are four Germans, a Sicilian, and a Hungarian who committed the atrocities. He is ... See full summary »
A socially awkward TV-addicted ambitious small time thug is ordered to take out a retiring professional hitman, a legend among his peers. However, the two grow to like each other and become... See full summary »
Giuliano robs from the rich conservative landowners to give to the poor, serf-like peasants, who in turn hail him as their savior. As his popularity grows, so does his ego, and he eventually thinks he is above the power of his backer, Mafia Don Masino Croce. The Don, in turn, sets out to kill the upstart by convincing his cousin and closest advisor Pissciota to assassinate him Written by
The gifted Director is a brilliant post-modern architect of the film industry.
Cimino is one of the very rare species on earth that can create a "MOOD' that leads to the very cradle of western civilization. The Roman Empire. As a foreigner who has lived in an Italian town for a year, I come to see that the colossal heart of every Italian man can only be captured with its gist by Cimino. And no other up till date. It comes from lighting, its shadow, its colours, its smell even on screen, its silhouettes, its accents, its breathing space, and his very own colossal heart that can contain it all. You do feel that he has achieved that sacred task in showing us THE SICILIAN. Nobody has that feeling ever been captured with rapture that its texture is almost noble, royal, yet sacred. But in its careful craftsmanship of Cimino, you find it everywhere, and it is just everywhere that overflows: its costumes, its lighting, its camerawork, its juxtaposition, its projections, so on and so forth. Its tempo of the film makes you flow like a river that breeds lives and cultures at the very same time.
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