Somewhere behind the early 1960s cold-war iron curtain, the Hollander family cause an international spying incident when Walter photographs a sunset in a sensitive region. In order to stay ... See full summary »
A director is forced to work with his ex-wife, who left him for the boss of the studio bankrolling his new film. But the night before the first day of shooting, he develops a case of psychosomatic blindness.
Everyone is gathering at Lane's place for the weekend, and everyone's in love. Unfortunately, each beloved loves somebody else, and no one seems to realize it. Written by
Woody Allen tried to duplicate the success of Interiors with this movie, which is just as downbeat but well acted, especially by Mia Farrow. It didn't win him any new fans and was a somber follow-up to two of his more popular '80s films (Hannah & her Sisters and Radio Days). The blackout in the middle of the movie is what most people (myself included) seem to remember most, but Farrow's character really does get to you. What she goes through, and puts up with, in this movie will make you want to stick your head in the oven. Not a pleasant experience (any movie with a suicidal main character is not going to be), with most of the action taking place in a large farm house (which makes the film a little more stagy than most of Allen's works). Many of Woody Allen's stock actors from his late '80s and '90s films show up, and Elaine Stritch is wonderful. But the film is a thoroughly sad one and does not lend itself well to repeat viewings, unlike his other somber dramas (Interiors and Another Woman).
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