Diana is outwardly the hit of the party but inwardly virtuous and idealistic. Her friend Ann is thoroughly selfish and amoral. Both are attracted to Ben Black, soon-to-be millionaire. He ... See full summary »
Johnny Mack Brown,
At the wedding of Albert and Anna, Karl, the new chauffeur, arrives. Albert is the head butler, second generation to the Baron. Karl soon seems out of place as a servant, and Albert tells ... See full summary »
Even when Diana, Neville and David played together as children, Diana knew that she loved Nevs. But Morton, Nevs' father, did not like any Merrick. Since Nevs did not have any money, Morton... See full summary »
While Benny is in jail his old henchman Monk takes over the gang and Benny's girl Frieda. Once out Benny wants nothing to do with either. He has reformed and is beloved of his god-fearing ... See full summary »
Everyone is gathering at Lane's place for the weekend, and everyone's in love. Unfortunately, each beloved loves somebody else, and no one seems to realize it. Written by
Woody Allen decided to make the film for two main reasons. One was because he had always wanted to do a "chamber piece", a film with a small cast (there are only six principal characters, and only nine in the entire film) in a single location. The other was for the location itself, Mia Farrow's Connecticut country house, which inspired Woody Allen to write the screenplay with the intention that it would be shot at the house. Unfortunately, by the time Allen finished the screenplay, it was winter and the location was unusable for a movie so firmly planted in September. The entire movie (which takes place in Vermont) was shot on a single soundstage at the Kaufman Astoria Studios in New York. See more »
Wasn't in the mood to watch a film last night, but couldnt remember seeing Denholm Elliot in a Woody Allen movie before, so realised this was one I hadnt seen before.
Can't say as I was 'entertained' - but I was gripped and rooted to the sofa for the duration, which could say something about my sofa of course, but was really down to this film. The dialogue and acting were both utterly convincing - and there were many moments of intense honesty. Just for once, relationships don't resolve, nor are we rescued from darkness by gratuitous humour. It's a stark, depressing beautifully acted piece of claustrophobic drama. More your Webern 'five pieces', rather than your Strauss, 'Der RosenKavalier'.
If nothing else - it's nice to be reminded that not all scripts are written by a gang of 12 year olds....
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