At a summer house in Vermont, neighbor Howard falls in love with Lane, who's in a relationship with Peter, who's falling for Stephanie, who's married with children.

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Cast

Complete credited cast:
...
Howard
...
Stephanie
...
Lane
...
Diane
...
Peter
...
Lloyd
Ira Wheeler ...
Mr. Raines
Jane Cecil ...
Mrs. Raines
...
Mrs. Mason
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Storyline

Everyone is gathering at Lane's place for the weekend, and everyone's in love. Unfortunately, each beloved loves somebody else, and no one seems to realize it. Written by Cleo <frede005@maroon.tc.umn.edu>

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

PG | See all certifications »

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Details

Country:

Language:

|

Release Date:

18 December 1987 (USA)  »

Also Known As:

Setembro  »

Box Office

Budget:

$10,000,000 (estimated)

Gross:

$486,434 (USA)
 »

Company Credits

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 »
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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

According to the book "Woody Allen: A Biography" (2000) by John Baxter, "Embarking on another drama [Another Woman (1988)] immediately after September (1987) was a calculated risk. September (1987) hadn't been released when Allen started shooting in October 1987, and Orion still had every reason to believe that the earlier film would do well. Were that to happen, Another Woman (1988) could be the film that sealed Allens new standing as a dramatic film-maker". See more »

Goofs

Peter's tie when talking to Lloyd. See more »

Quotes

Diane: Jesus! Look at my hands. Now really, I am too young for liver spots. Maybe I can merge them into a tan.
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Connections

References Autumn Sonata (1978) See more »

Soundtracks

On a Slow Boat to China
By Frank Loesser
Performed by Bernie Leighton
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User Reviews

Unforgettable
23 February 2005 | by (advicetothelovelorn.blogspot.com) – See all my reviews

Between his serio-comic reminiscence Radio Days and the searing adult drama Another Woman, Woody Allen made September, a reflective, introspective chamber-piece on his favourite themes of childhood, adultery, love and loss. One imagines that the chilly critical and public response will shift to one of admiration and wonder as the years shift, such is the haunting power of this masterpiece.

Mia Farrow plays Lane, an unsuccessful photographer recovering from a breakdown in her autumnal apartment, the golds and rusts of the season chiming with the forlorn tone of the story. She falls in love with a visiting writer (Waterston), who appears to be drifting away from her, since he is besotted with Lane's sister Stephanie (Wiest). Barely taking an interest is the sisters' self-absorbed mother (Stritch) and her insecure third husband (Warden). Denholm Elliot rounds out the principal cast as a kind family friend, his love for Lane unspoken.

There are many great moments in this complex, brilliant film, but two in particular remain long in the mind. First is the "love scene" between Waterston and Wiest. Wiest says - torn - that to begin an affair would be "impossible" and exits. Then, slowly, she turns and walks back into the room, shutting the door. Wiest has never been better than in this film, than in this moment. A startling, beautifully realised epiphany, boiled down to a look, a bow and a smile. The second great sequence comes with the shattering denouement, which I shan't spoil for you here.

Allen's straight dramas certainly aren't for all tastes, but for those who can take them the rewards are vast. There has never been a screenwriter with a better ear for dialogue and in his "serious" films, Allen creates fascinating, utterly believable characters. The performances are pitch-perfect throughout, with Wiest, Farrow and Stritch all on career-best form. As always Allen's use of lighting and music is spot-on; here he showcases Art Tatum and Bernie Leighton, providing an evocative soundtrack to an unforgettable film.

Simply brilliant.


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THIS is the type of film he should be making now connorratliff
Will we ever see the original 'September'? njfilm
better than people thought homer4e
Anyone else want to... shannongr
piano? cestlavie7
based on Chekov's The Seagull? mittenkg
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