| Videos (see all 3) |
| Arnold Schwarzenegger | ... | Ben Richards | |
| Maria Conchita Alonso | ... | Amber Mendez | |
| Yaphet Kotto | ... | William Laughlin | |
| Jim Brown | ... | Fireball | |
| Jesse Ventura | ... | Captain Freedom | |
| Erland van Lidth | ... | Dynamo (as Erland Van Lidth) | |
| Marvin J. McIntyre | ... | Harold Weiss | |
| Gus Rethwisch | ... | Buzzsaw (as Bernard Gus Rethwisch) | |
| Professor Toru Tanaka | ... | Subzero | |
| Mick Fleetwood | ... | Mic | |
| Dweezil Zappa | ... | Stevie | |
| Richard Dawson | ... | Damon Killian | |
| Karen Leigh Hopkins | ... | Brenda | |
| Sven-Ole Thorsen | ... | Sven (as Sven Thorsen) | |
| Edward Bunker | ... | Lenny (as Eddie Bunker) | |
| Bryan Kestner | ... | Med Tech | |
| Anthony Pena | ... | Valdez (as Anthony Penya) | |
| Kurt Fuller | ... | Tony | |
| Ken Lerner | ... | Agent (as Kenneth Lerner) | |
| Dey Young | ... | Amy | |
| Rodger Bumpass | ... | Phil Hilton (voice) (as Roger Bumpass) | |
| Donna Hardy | ... | Mrs. McArdle | |
| Lynne Marie Stewart | ... | Edith Wiggins | |
| Bill Margolin | ... | Leon | |
| Tony Brubaker | ... | Soldier #1 (as Anthony Brubaker) | |
| Joel Kramer | ... | Soldier #2 | |
| Billy D. Lucas | ... | Soldier #3 (as Billy Lucas) | |
| George P. Wilbur | ... | Lieutenant Saunders | |
| Thomas Rosales Jr. | ... | Chico (as Tom Rosales Jr.) | |
| Sondra Holt | ... | Suzie Checkpoint | |
| Daniel Celario | ... | Barrio Foreman #1 | |
| Mario Celario | ... | Barrio Foreman #2 | |
| Sidney Chankin | ... | Custodian | |
| Kim Pawlik | ... | Newscaster | |
| Roger Kern | ... | Travel Pass Guard | |
| Barbara Lux | ... | Elderly Lady | |
| Franco Columbu | ... | 911 Security Officer #2 | |
| Lin Shaye | ... | Propaganda Officer | |
| Boyd Kestner | ... | Yuppie Yeller (as Boyd R. Kestner) | |
| Wayne Grace | ... | 911 Security Officer #1 | |
| Charlie Phillips | ... | Teenage Punk | |
| Greg Lewis | ... | Manager Locker Room | |
| John William James | ... | Barrio Bettor | |
| Jon Cutler | ... | Underground Tech | |
| Kerry Wall | ... | Dancer (as Kerry Brennan) | |
| Paula Brown | ... | Dancer | |
| Megan Gallivan | ... | Dancer | |
| Suzie Hardy | ... | Dancer | |
| Debby Harris | ... | Dancer | |
| Melissa Hurley | ... | Dancer | |
| Marlene Lange | ... | Dancer | |
| Morgan Lawley | ... | Dancer | |
| Cindy Millican | ... | Dancer | |
| Andrea Moen | ... | Dancer | |
| Mary Ann Hermansen | ... | Dancer | |
| Karen Owens | ... | Dancer | |
| Sharon Owens | ... | Dancer | |
| Pamela Rossi | ... | Dancer | |
| Mia Togo | ... | Dancer | |
| rest of cast listed alphabetically: | |||
| Maureen Flaherty | ... | (uncredited) | |
| Sandy Holt | ... | Woman in Airport (uncredited) | |
| Jeff Jensen | ... | (uncredited) | |
| Jon McBride | ... | Locker Room Viewer (uncredited) | |
| Mel Scott-Thomas | ... | (uncredited) | |
Directed by | |||
| Paul Michael Glaser | |||
Writing credits | ||
| Stephen King | (novel) (as Richard Bachman) | |
| Steven E. de Souza | (screenplay) | |
Produced by | |||
| Keith Barish | .... | executive producer | |
| Rob Cohen | .... | executive producer | |
| George Linder | .... | producer | |
| Tim Zinnemann | .... | producer | |
Original Music by | |||
| Harold Faltermeyer | |||
Cinematography by | |||
| Thomas Del Ruth | (director of photography) | ||
Film Editing by | |||
| Mark Warner | (as Mark Roy Warner) | ||
| Edward A. Warschilka | |||
| John Wright | |||
Casting by | |||
| Jackie Burch | |||
Production Design by | |||
| Jack T. Collis | |||
Set Decoration by | |||
| Jim Duffy | |||
Costume Design by | |||
| Robert Blackman | |||
Makeup Department | |||
| Frankie Bergman | .... | hair stylist | |
| Jeff Dawn | .... | makeup department head (as Jefferson Dawn) | |
| Nina Kent | .... | makeup artist | |
| Steve LaPorte | .... | makeup artist | |
| James Lee McCoy | .... | makeup artist (as Jim McCoy) | |
| Richard Miranda | .... | special makeup effects artist | |
| Bunny Parker | .... | hair stylist | |
| Richard Snell | .... | makeup artist | |
| Peter Tothpal | .... | key hair stylist | |
Production Management | |||
| Gary Daigler | .... | unit production manager (as Gary D. Daigler) | |
Second Unit Director or Assistant Director | |||
| Bennie E. Dobbins | .... | second unit director | |
| Brian Fong | .... | dga trainee | |
| Richard Peter Schroer | .... | first assistant director | |
| Barry K. Thomas | .... | second assistant director | |
| Robert Grasmere | .... | additional second unit director (uncredited) | |
| Robert S. Mills | .... | second second assistant director (uncredited) | |
Art Department | |||
| Richard Berger | .... | set designer | |
| Ken John Borland | .... | construction grip (as Kenneth Borland) | |
| Max E. Brehme | .... | set dresser | |
| Robert L. Clark | .... | paint foreman | |
| Tom Cranham | .... | storyboard artist (as Thomas Cranham) | |
| Mike Cunningham | .... | assistant property master | |
| Dennis DeWaay | .... | construction coordinator (as Dennis DeWay) | |
| Joseph E. Hubbard | .... | assistant art director | |
| Eric A. Hulett | .... | lead man | |
| Petko D. Kadiev | .... | storyboard artist | |
| Frank Leasure | .... | propmaker | |
| Nick Navarro | .... | set designer | |
| Gene Nollman | .... | assistant art director | |
| Joe Olsen | .... | assistant property master | |
| Nancy Patton | .... | set designer | |
| Mark Rappaport | .... | sculptor | |
| Michael Ross | .... | property master | |
| John Cassel | .... | propmaker (uncredited) | |
Special Effects by | |||
| Michael Arbogast | .... | special effects | |
| Lawrence J. Cavanaugh | .... | special effects coordinator (as Larry Cavanaugh) | |
| Kenneth C. Clark | .... | special effects | |
| David Domeyer | .... | special effects | |
| Manuel S. Epstein | .... | special effects (as Manuel Stuart Epstein) | |
| David Fletcher | .... | special effects technician | |
| William Lee | .... | special effects | |
| George Paine | .... | special effects | |
| Kevin Quibell | .... | special effects | |
| R. Bruce Steinheimer | .... | special effects supervisor (as Bruce Steinheimer) | |
| Ken Tarallo | .... | special effects crew | |
| Dick Wood | .... | special effects (as Dick Woods) | |
Visual Effects by | |||
| Syd Dutton | .... | matte shots | |
| Robert Grasmere | .... | video effects supervisor | |
| Gary Gutierrez | .... | visual effects supervisor | |
| Sam Nicholson | .... | additional photography | |
| Bill Taylor | .... | matte shots | |
| James Valentine | .... | rotoscope | |
Casting Department | |||
| Billy DaMota | .... | casting assistant | |
| Robert Lansing Parker | .... | extras casting (as Lansing Parker) | |
Costume and Wardrobe Department | |||
| Henry Baghdassarian | .... | Dynamos costume engineer: Propmakers Inc. | |
| Dan Bronson | .... | men's costumer | |
| Francine Jamison-Tanchuck | .... | costume department supervisor | |
| Michael J. Long | .... | men's key costumer | |
| Frank Perry Rose | .... | men's costumer (as Frank Rose) | |
| Buck Skelton | .... | costumer: men | |
| Betty Jean Slater | .... | women's costumer | |
Editorial Department | |||
| John A. Amicarella | .... | assistant editor | |
| Donah Bassett | .... | negative cutter | |
| Destiny Borden | .... | assistant editor | |
| Vaune Kirby Frechette | .... | assistant editor (as Vaune Kirby) | |
| David Jansen | .... | assistant editor | |
| Bob Noland | .... | color timer | |
| Steven Ramirez | .... | first assistant editor | |
| Yôko Seto | .... | assistant editor | |
Music Department | |||
| Bob Badami | .... | music editor | |
| Bill Bernstein | .... | assistant music editor | |
| Brian Reeves | .... | music scoring mixer | |
Transportation Department | |||
| Lyle Christensen | .... | shotmaker driver | |
| Robert K. Johnson | .... | picture car mechanic | |
| Tim Roslan | .... | transportation captain | |
| Kenny Searle | .... | transportation coordinator | |
Other crew | |||
| Paula Abdul | .... | choreographer | |
| Michael Grasso | .... | firearms advisor | |
| Michael Grasso | .... | law enforcement | |
| Alison Howard-Smith | .... | production secretary | |
| Jerry Irvine | .... | propulsion specialist | |
| Merle L. Jackson | .... | production office coordinator | |
| Carlton Jones | .... | assistant choreographer | |
| Luca Kouimelis | .... | script supervisor | |
| Greg Lazzaro | .... | key location manager | |
| Solomon J. LeFlore | .... | production financing | |
| Andrew Lipschultz | .... | publicity coordinator | |
| George G. Miller | .... | first aid | |
| Margaret Mitchell | .... | production accountant | |
| Mark Rappaport | .... | puppeteer | |
| Mike Revell | .... | assistant production accountant | |
| Ken H. Rosen | .... | location manager | |
| Robert Schroer | .... | production assistant | |
| Marina Simpson | .... | stand-in | |
| Pam Trzaska | .... | first aid (as Pamela Trzaska) | |
| John R. Woodward | .... | location manager | |
| Jack E. Herman | .... | extras set coordinator (uncredited) | |
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| Machete | The Professional: Golgo 13 | Priest | Demolition Man | Terminal City Ricochet |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
"The Running Man" is based on a story by Richard Bachman, a.k.a. Stephen King writing under pseudonym.
It takes place in the near future, where everything is run by the media and the government. Kind of like right now. In the future, there isn't much selection on television. All there is is "The Running Man"--hosted by Damon Killian (Richard Dawson, host of "Family Fortune" in real life)--a show that features convicts, or "runners" being chased by madmen, or "stalkers." It's a bit like a futuristic gladiator sport. No one ever, ever wins the show. But Schwarzenegger has yet to play. Arnold Schwarzenegger plays Ben Richards, also known as The Butcher of Bakersfield, for firing upon a crowd of humans in a food strike. Only one problem. He's been framed--he never shot anyone. After Arnie escapes from jail, Damon Killian wants his hands on him for the show--so they hunt him down and bring him in. Damon offers Ben a deal--if he goes on the show, he'll let his friends from jail go free. But if he doesn't...he puts his friends on. So Richards agrees to play the game, only to find that Damon has put his friends-from-jail in the show anyway. Right before being launched in the arena, Ben Richards says to Damon, "Hey, Damon. I'll be back." There is a pause. "Only in a rerun," Damon says. Yeah, right.
This movie is about as action-packed and adrenaline-punched an action movie you're going to see in a while. We see an excuse for Schwarzenegger being thrown into an arena with killers, where he must use his brains, strategy, and most of all muscles, to kill the stalkers. But the thing is, the excuse for throwing Schwarzenegger in the arena is a good one. They didn't completely ignore the plot; they don't even throw him in the arena until at least a half hour into the film. They set up the plot first, which is nice.
Arnold proves his acting talent is not just in his muscles once again. Too many people make fun of Schwarzenegger's acting skills, but to tell you the truth, I prefer him over Bruce Willis and Sylvester Stallone any day. Bruce and Sly are mumblers, in my opinion. Anyway, I like Arnold in this movie, because unlike in "The Terminator" where he is an indestructible cyborg, he is a vincible human with emotions in this film. We see a different side to Schwarzenegger, and it's pretty nice.
Richard Dawson is surprisingly good as Damon. I love his charisma on screen. Of course he's good at playing a gameshow host--he himself was one--but he also has a very good acting talent. Check out the scene where he offers Arnold a deal for going on the show. Look how smug he is in that scene, and how well he delivers his lines. He envelops his character very well. An underrated actor if ever I saw one. He comes off slightly creepy and slightly likable.
This movie is good fun no matter how you slice and dice it. I've often noticed it has a bit of a weird vibe to it, but then I realized that's just the sci-fi/futuristic vibe of the film. I've felt it before when watching sci-fi films. There's something about them. When I watch a film, or a certain genre, I get different vibes. Sci-fi gives me a weird vibe that is undescribable. This film gives that vibe to me. It sounds weird, but I think a lot of people get "vibes" and don't realize it.
I recently viewed this movie twice in less than a day; once at night and once in the morning. It just goes to show how easy it is to watch. It is strictly a fun, action film with lots of imagination and charisma. Easy to watch with a high re-watch factor.
What would you rather do with 90 minutes of your life on a Friday night then watch Arnold Schwarzenegger get to knock some skulls together in a gladiator arena? Exactly.
4/5 stars -