| Photos (See all 24 | slideshow) | Videos (see all 3) |
| Arnold Schwarzenegger | ... | Ben Richards | |
| Maria Conchita Alonso | ... | Amber Mendez | |
| Yaphet Kotto | ... | William Laughlin | |
| Jim Brown | ... | Fireball | |
| Jesse Ventura | ... | Captain Freedom | |
| Erland van Lidth | ... | Dynamo (as Erland Van Lidth) | |
| Marvin J. McIntyre | ... | Harold Weiss | |
| Gus Rethwisch | ... | Buzzsaw (as Bernard Gus Rethwisch) | |
| Professor Toru Tanaka | ... | Subzero | |
| Mick Fleetwood | ... | Mic | |
| Dweezil Zappa | ... | Stevie | |
| Richard Dawson | ... | Damon Killian | |
| Karen Leigh Hopkins | ... | Brenda | |
| Sven-Ole Thorsen | ... | Sven (as Sven Thorsen) | |
| Edward Bunker | ... | Lenny (as Eddie Bunker) | |
| Bryan Kestner | ... | Med Tech | |
| Anthony Pena | ... | Valdez (as Anthony Penya) | |
| Kurt Fuller | ... | Tony | |
| Ken Lerner | ... | Agent (as Kenneth Lerner) | |
| Dey Young | ... | Amy | |
| Rodger Bumpass | ... | Phil Hilton (voice) (as Roger Bumpass) | |
| Donna Hardy | ... | Mrs. McArdle | |
| Lynne Marie Stewart | ... | Edith Wiggins | |
| Bill Margolin | ... | Leon | |
| Tony Brubaker | ... | Soldier #1 (as Anthony Brubaker) | |
| Joel Kramer | ... | Soldier #2 | |
| Billy D. Lucas | ... | Soldier #3 (as Billy Lucas) | |
| George P. Wilbur | ... | Lieutenant Saunders | |
| Thomas Rosales Jr. | ... | Chico (as Tom Rosales Jr.) | |
| Sondra Holt | ... | Suzie Checkpoint | |
| Daniel Celario | ... | Barrio Foreman #1 | |
| Mario Celario | ... | Barrio Foreman #2 | |
| Sidney Chankin | ... | Custodian | |
| Kim Pawlik | ... | Newscaster | |
| Roger Kern | ... | Travel Pass Guard | |
| Barbara Lux | ... | Elderly Lady | |
| Franco Columbu | ... | 911 Security Officer #2 | |
| Lin Shaye | ... | Propaganda Officer | |
| Boyd Kestner | ... | Yuppie Yeller (as Boyd R. Kestner) | |
| Wayne Grace | ... | 911 Security Officer #1 | |
| Charlie Phillips | ... | Teenage Punk | |
| Greg Lewis | ... | Manager Locker Room | |
| John William James | ... | Barrio Bettor | |
| Jon Cutler | ... | Underground Tech | |
| Kerry Wall | ... | Dancer (as Kerry Brennan) | |
| Paula Brown | ... | Dancer | |
| Megan Gallivan | ... | Dancer | |
| Suzie Hardy | ... | Dancer | |
| Debby Harris | ... | Dancer | |
| Melissa Hurley | ... | Dancer | |
| Marlene Lange | ... | Dancer | |
| Morgan Lawley | ... | Dancer | |
| Cindy Millican | ... | Dancer | |
| Andrea Moen | ... | Dancer | |
| Mary Ann Hermansen | ... | Dancer | |
| Karen Owens | ... | Dancer | |
| Sharon Owens | ... | Dancer | |
| Pamela Rossi | ... | Dancer | |
| Mia Togo | ... | Dancer | |
| rest of cast listed alphabetically: | |||
| Maureen Flaherty | ... | (uncredited) | |
| Sandy Holt | ... | Woman in Airport (uncredited) | |
| Jeff Jensen | ... | (uncredited) | |
| Jon McBride | ... | Locker Room Viewer (uncredited) | |
| Mel Scott-Thomas | ... | (uncredited) | |
Directed by | |||
| Paul Michael Glaser | |||
Writing credits | ||
| Stephen King | (novel) (as Richard Bachman) | |
| Steven E. de Souza | (screenplay) | |
Produced by | |||
| Keith Barish | .... | executive producer | |
| Rob Cohen | .... | executive producer | |
| George Linder | .... | producer | |
| Tim Zinnemann | .... | producer | |
Original Music by | |||
| Harold Faltermeyer | |||
Cinematography by | |||
| Thomas Del Ruth | (director of photography) | ||
Film Editing by | |||
| Mark Warner | (as Mark Roy Warner) | ||
| Edward A. Warschilka | |||
| John Wright | |||
Casting by | |||
| Jackie Burch | |||
Production Design by | |||
| Jack T. Collis | |||
Set Decoration by | |||
| Jim Duffy | |||
Costume Design by | |||
| Robert Blackman | |||
Makeup Department | |||
| Frankie Bergman | .... | hair stylist | |
| Jeff Dawn | .... | makeup department head (as Jefferson Dawn) | |
| Nina Kent | .... | makeup artist | |
| Steve LaPorte | .... | makeup artist | |
| James Lee McCoy | .... | makeup artist (as Jim McCoy) | |
| Richard Miranda | .... | special makeup effects artist | |
| Bunny Parker | .... | hair stylist | |
| Richard Snell | .... | makeup artist | |
| Peter Tothpal | .... | key hair stylist | |
Production Management | |||
| Gary Daigler | .... | unit production manager (as Gary D. Daigler) | |
Second Unit Director or Assistant Director | |||
| Bennie E. Dobbins | .... | second unit director | |
| Brian Fong | .... | dga trainee | |
| Richard Peter Schroer | .... | first assistant director | |
| Barry K. Thomas | .... | second assistant director | |
| Robert Grasmere | .... | additional second unit director (uncredited) | |
| Robert S. Mills | .... | second second assistant director (uncredited) | |
Art Department | |||
| Richard Berger | .... | set designer | |
| Ken John Borland | .... | construction grip (as Kenneth Borland) | |
| Max E. Brehme | .... | set dresser | |
| Robert L. Clark | .... | paint foreman | |
| Tom Cranham | .... | storyboard artist (as Thomas Cranham) | |
| Mike Cunningham | .... | assistant property master | |
| Dennis DeWaay | .... | construction coordinator (as Dennis DeWay) | |
| Joseph E. Hubbard | .... | assistant art director | |
| Eric A. Hulett | .... | lead man | |
| Petko D. Kadiev | .... | storyboard artist | |
| Frank Leasure | .... | propmaker | |
| Nick Navarro | .... | set designer | |
| Gene Nollman | .... | assistant art director | |
| Joe Olsen | .... | assistant property master | |
| Nancy Patton | .... | set designer | |
| Mark Rappaport | .... | sculptor | |
| Michael Ross | .... | property master | |
| John Cassel | .... | propmaker (uncredited) | |
Special Effects by | |||
| Michael Arbogast | .... | special effects | |
| Lawrence J. Cavanaugh | .... | special effects coordinator (as Larry Cavanaugh) | |
| Kenneth C. Clark | .... | special effects | |
| David Domeyer | .... | special effects | |
| Manuel S. Epstein | .... | special effects (as Manuel Stuart Epstein) | |
| David Fletcher | .... | special effects technician | |
| William Lee | .... | special effects | |
| George Paine | .... | special effects | |
| Kevin Quibell | .... | special effects | |
| R. Bruce Steinheimer | .... | special effects supervisor (as Bruce Steinheimer) | |
| Ken Tarallo | .... | special effects crew | |
| Dick Wood | .... | special effects (as Dick Woods) | |
Visual Effects by | |||
| Syd Dutton | .... | matte shots | |
| Robert Grasmere | .... | video effects supervisor | |
| Gary Gutierrez | .... | visual effects supervisor | |
| Sam Nicholson | .... | additional photography | |
| Bill Taylor | .... | matte shots | |
| James Valentine | .... | rotoscope | |
Casting Department | |||
| Billy DaMota | .... | casting assistant | |
| Robert Lansing Parker | .... | extras casting (as Lansing Parker) | |
Costume and Wardrobe Department | |||
| Henry Baghdassarian | .... | Dynamos costume engineer: Propmakers Inc. | |
| Dan Bronson | .... | men's costumer | |
| Francine Jamison-Tanchuck | .... | costume department supervisor | |
| Michael J. Long | .... | men's key costumer | |
| Frank Perry Rose | .... | men's costumer (as Frank Rose) | |
| Buck Skelton | .... | costumer: men | |
| Betty Jean Slater | .... | women's costumer | |
Editorial Department | |||
| John A. Amicarella | .... | assistant editor | |
| Donah Bassett | .... | negative cutter | |
| Destiny Borden | .... | assistant editor | |
| Vaune Kirby Frechette | .... | assistant editor (as Vaune Kirby) | |
| David Jansen | .... | assistant editor | |
| Bob Noland | .... | color timer | |
| Steven Ramirez | .... | first assistant editor | |
| Yôko Seto | .... | assistant editor | |
Music Department | |||
| Bob Badami | .... | music editor | |
| Bill Bernstein | .... | assistant music editor | |
| Brian Reeves | .... | music scoring mixer | |
Transportation Department | |||
| Lyle Christensen | .... | shotmaker driver | |
| Robert K. Johnson | .... | picture car mechanic | |
| Tim Roslan | .... | transportation captain | |
| Kenny Searle | .... | transportation coordinator | |
Other crew | |||
| Paula Abdul | .... | choreographer | |
| Michael Grasso | .... | firearms advisor | |
| Michael Grasso | .... | law enforcement | |
| Alison Howard-Smith | .... | production secretary | |
| Jerry Irvine | .... | propulsion specialist | |
| Merle L. Jackson | .... | production office coordinator | |
| Carlton Jones | .... | assistant choreographer | |
| Luca Kouimelis | .... | script supervisor | |
| Greg Lazzaro | .... | key location manager | |
| Solomon J. LeFlore | .... | production financing | |
| Andrew Lipschultz | .... | publicity coordinator | |
| George G. Miller | .... | first aid | |
| Margaret Mitchell | .... | production accountant | |
| Mark Rappaport | .... | puppeteer | |
| Mike Revell | .... | assistant production accountant | |
| Ken H. Rosen | .... | location manager | |
| Robert Schroer | .... | production assistant | |
| Marina Simpson | .... | stand-in | |
| Pam Trzaska | .... | first aid (as Pamela Trzaska) | |
| John R. Woodward | .... | location manager | |
| Jack E. Herman | .... | extras set coordinator (uncredited) | |
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| Machete | The Professional: Golgo 13 | Priest | Demolition Man | Terminal City Ricochet |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
Mild Spoilers
In the near future, Arnold stars as Ben Richards, a wrongly convicted man coerced into playing 'The Running Man', a deadly TV game show where people have to keep moving to try and escape brutal deaths at the hands of the 'Stalkers'. Of course, people are expected to die eventually and its up to Arnold to prove the system wrong.
I haven't read the Stephen King book, but this is a great film regardless, one of Arnold's best. He does what he does best in the action man role, delivering death with unforgettable one-liners. Classics are probably the 'He was a real pain in the neck' after strangling a guy with barb wire, and 'He had to split!', referring to whereabouts he just chain sawed someone vertically. Dawson is perfectly irritating as the TV presenter, and all the 'Stalkers' are suitably camp. The action is violent, but its an action film. That's the point. The film is fast paced, and at 90 minutes it doesn't overstay its welcome.
With Starsky and Hutch's Paul Michael Glaser at the helm, and made in the wake of the success of The Terminator, previously this film was probably seen as just another mindless action vehicle for Arnold, and very far fetched. But today, anyone who watches a lot of TV could see how the film is getting closer to reality. I wouldn't be surprised if I turn on the TV in the 'near future' and see a show not to far from this.
On that depressing note, I must however recommend 'The Running Man' to anyone who likes the 80s, Arnold, ridiculous acts or violence or just a good action film. 9. 5 / 10