A retired elite Black Ops Commando launches a one man war against a group of South American criminals who have kidnapped his daughter to blackmail him into starting a revolution and getting an exiled dictator back into power.
Mark L. Lester
Rae Dawn Chong,
In the year 2017, the world economy has collapsed. The great freedoms of the United States are no longer, as the once great nation has sealed off its borders and become a militarized police state, censoring all film, art, literature, and communications. Even so, a small resistance force led by two revolutionaries manages to fight the oppression. With full control over the media, the government attempts to quell the nation's yearning for freedom by broadcasting a number of game shows on which convicted criminals fight for their lives. The most popular and sadistic of these programs is "The Running Man," hosted by Damon Killian. When a peaceful protest of starving citizens gathers in Bakersfield, California, a police officer named Ben Richards is ordered to fire on the crowd, which he refuses to do. Subdued by the other officers, the attack is carried out, and Richards is framed for the murder of almost a hundred unarmed civilians. Following a daring jail break months later, Richards is... Written by
Curly Q. Link
Prior to Paul Michael Glaser being hired as director, executive producer Rob Cohen had hired four other directors in his attempts to make the movie. The first was George P. Cosmatos, who had impressed Cohen with his work on Rambo: First Blood Part II (1985). However, when Cosmatos announced that he wanted to relocate the entire film to a shopping mall, Cohen let him go, feeling that Cosmatos was taking the script in an unacceptable direction. Cohen next offered the project to German director Carl Schenkel, having been impressed with Abwärts (1984), but Schenkel turned him down as he didn't feel comfortable taking on such a large project. Next, Cohen hired Ferdinand Fairfax, based upon his work on Savage Islands (1983). Like Cosmatos, however, Fairfax began to take the screenplay in a direction which Cohen disliked, so once again, he let him go. Cohen then turned to Andrew Davis, having enjoyed Davis' movie Code of Silence (1985). Davis actually got the project off the ground and into production, but only eight days into the shoot, he was already $8 million over budget and four days behind schedule. As such Cohen let Davis go, and ultimately hired Glaser, whom he had worked with on the first season of Miami Vice (1984). See more »
During the prison breakout near the start of the film, when a guard is opening fire, one of the "dead" bodies lying on the truck next to him flinches in response to the shots fired. See more »
Announcer's voiceover: "The Running Man has been brought to you by: Breakaway Paramilitary Uniforms, Orthopure Pure Procreation Pills, and Cadre Cola - it hits the spot. Promotional considerations paid for by Kelton Flame Throwers, Wainwright Electrical Launchers, and Hammond & Gage Chain Saws. Damon Killian's wardrobe by Chez Antoine, 19th-century craftsmanship for the 21st-century man. Cadre trooper and studio guard's sidearms provided by Colchester, the pistol of patriots. Remember, tickets for the ICS studio tour are always available for class A citizens in good standing. If you'd like to be a contestant on The Running Man, send a self-addressed, stamped envelope to ICS Talent Hunt, care of your local affiliate, and then go out and do something really despicable! I'm Phil Hilton. Good night and take care!" See more »
If the film were remade today, it would have a little more resonance for a modern audience, especially with the amount of reality based television that is so prolific today.
A straight adaptation from Stephen King's original novel (under the pen name Richard Bachman) would have been much more suitable, especially with the rise of shows like Cops and World's Scariest Police Chases. Placing the entire game within an actual arena isn't quite like how the future turned out. However, they may have to modify the ending (the ending of a novel involves a large airplane crashing into a building).
Considering all the remakes and sequels that have been made as of late, it's surprising that they haven't remade this one, even though it's a bit more relevant to today's audience than it was back in 1987. Shoot the whole thing on digital video (a la "Series 7: The Contenders") and throw in a lot more dark comedy, and you'd have yourself a nice little independent flick and a cult classic in the making. No need for something with an overbloated budget.
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