The Rosary Murders (1987)A priest is put in a dilemma when the serial killer who has been murdering priests and nuns confesses to him. Director:Fred Walton |
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The Rosary Murders (1987)A priest is put in a dilemma when the serial killer who has been murdering priests and nuns confesses to him. Director:Fred Walton |
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| Cast overview, first billed only: | |||
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Roger Angelini | ... |
Brainard
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| Anita Barone | ... |
Irene Jimenez
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B. Constance Barry | ... |
Sister Grace
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| Belinda Bauer | ... |
Pat Lennon
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Doris Biscoe | ... |
Woman Newscaster
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Sandy Broad | ... |
Librarian
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Keith Brooks | ... | |
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Bethany Carpenter | ... |
Nancy Baldwin
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Joseph Conrad | ... |
Schommer
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Richard Cottrell | ... |
Officer Mills
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John Danelle | ... |
Detective Harris
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Leila Danette | ... |
Mrs. Washington
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| Charles Durning | ... |
Father Ted Nabors
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Bruce Economou | ... |
Priest at Party
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| Rex Everhart | ... |
Father Skiarski
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Life in the Catholic Church of the Holy Redeemer in Detroit is upset by a series of killings whose victims are all priests and nuns. All victims are found with a black rosary in their hands. Father Koesler begins collaborating with the police but soon finds himself in a spot when the killer decides to choose him as confessor. Written by Salvatore Santangelo <pappagone2@libero.it>
As slow-burns go, Fred Walton's mysterious catholic-bounded thriller takes the cake with its minimal and sombre treatment. It's one of those progressive and morally hounded plots (from William X. Kienzle's novel), which is a puzzle to decipher, as you find yourself also personally getting involved with the brooding investigation with realistic characters. Some of the scheming is a bit hard to swallow, but for most part it's smartly penned (by Elmore Leonard and Fred Walton) and the low-key approach seems to make you concentrate on the lyrical waxing (especially on those commitments to the priesthood and the self-doubting). However the pacing seemed to plod a bit too much, where some monotonous patches seemed to lose focus. Two stalwart figure heads; an impressive Donald Sutherland and equally so Charles Durning are engagingly strong. Sutherland has a sincere presence about him, that even if he looks half-asleep. He's still watchable. Josef Sommer and Belinda Bauer offer able support. Walton's direction is slickly presented, but feels shapeless and dry. At least he did construct a subtle, startlingly dreary atmosphere and the music score etches out a placidly haunting vibe. The violence happened mostly off-screen, but managed to leave a chilling mark and the Detroit setting complements the weary imprint. A sleepy and glum, but well-acted and rather moving thriller.