In 2028 Detroit, when Alex Murphy - a loving husband, father and good cop - is critically injured in the line of duty, the multinational conglomerate OmniCorp sees their chance for a part-man, part-robot police officer.
A retired elite Black Ops Commando launches a one man war against a group of South American criminals who have kidnapped his daughter to blackmail him into starting a revolution and getting an exiled dictator back into power.
Mark L. Lester
Rae Dawn Chong,
Thirteen years after the original Robocop, Delta City, considered to be "The Safest Place On Earth!", has become a futuristic city owned and operated by OCP, and RoboCop, Alex Murphy has ... See full summary »
Maurice Dean Wint,
Maria del Mar
Detroit - in the future - is crime-ridden, and run by a massive company. The company have developed a huge crime-fighting robot, which unfortunately develops a rather dangerous glitch. The company sees a way to get back in favor with the public when a cop called Alex Murphy is killed by a street gang. Murphy's body is reconstructed within a steel shell and named RoboCop. The RoboCop is very successful against criminals, and becomes a target of supervillain Boddicker. Written by
Colin Tinto <firstname.lastname@example.org>
In the attempted rape scene, writer Edward Neumeier originally had RoboCop shoot past the victim's cheek, hitting and killing the rapist. While getting ready to shoot the scene as scripted, Paul Verhoeven notice how Donna Keegan's (playing the rape victim) legs were spread apart, giving him the idea to have RoboCop shoot between her legs and shoot the rapist in the genitals. Neumeier loved the idea and that was how the scene was shot. See more »
When Robocop strikes the robber at the convenience store, it clearly shows Robocop swinging his right arm backwards clothes-line style, dropping the robber to the floor, yet the robber is thrust forward into the glass case, which would have been impossible from that angle. See more »
Come in officer, you know I usually don't see anyone without an appointment, but your case I'll make an exception.
You are under arrest.
Oh? On what charge?
Aiding and abetting a known felon.
Sounds like I'm in a lot of trouble. You better take me in.
[Then RoboCop's Directive prevents him from arresting Jones, and is trying to fight it]
What's the matter officer? I'll tell you what's the matter. It's a little insurance policy called "Directive 4", my little contribution to your ...
[...] See more »
The title "ROBOCOP" reverse zoptic effects through the middle "O". The title turns into television white noise and zoptics forward, then cuts to the television station. See more »
Classic science fiction film full of excess, humour and satire
In a futurist Detroit, crime is high and the police are run by a massive private company, keener to reduce running costs than reduce crime. When their new police robot ED209 develops a glitch, they turn to a prototype that blends human tissue with high-tech circuitry. Meanwhile Police officer Murphy and his partner Lewis are out gunned by criminals leaving Murphy mortally wounded. OCP take Murphy's body and use it to make Robocop. However Robocop is so successful that he is targeted by criminal Boddicker. Boddicker turns to his shadowy partners in crime, while Robocop struggles to deal with human memories and a programming system that seems designed to control him and keep him in the dark.
Verhoeven's first US film was to set the mould for how the rest of his career would pan out - extreme violence and very little idea of restraint. However this is one of his best films and has much in common with one of his other best (Starship Troopers) - ultra-violence, funny black humour, great action and tonnes of satirical digs at modern life. Here the plot revolves around the creation of Robocop and his fight against crime that goes right to the top. This is complimented by the sub-plot of him trying to rediscover his human side. This is full of great action scenes and eccentric villains.
The black comedy is funny, although sometimes you feel bad laughing at so much violence, but the sideswipes are the best. Verhoeven takes digs at TV with his advert filled news broadcasts, at privatisation by showing the crumbling police stations and the huge corporate towers and at heroism by showing Robocop creating just as much mayhem and destruction as the criminals he pursues. His strength however is the action scenes and the sense of tension he creates - I'll don't think anyone can forget the sheer terror of ED209's `glitch'.
Weller is good - cast because of his strong jaw and ability to project emotion through a suit of armour - and he does manage to bring out the human side. Allen is good but a but dry. The real support comes from the eccentric, and well known villains and corporate bosses. Ronny Cox, Smith, Ray Wise, Perry, O'Herlihy and Miguel Ferrer are all great in various capacities. Criminal or greedy corporate leader - it's hard to tell which is which at times.
A classic bit of sci-fi. Verhoeven has sadly not had a moment as fine as this since and has recently had problems being excessive in Hollywood - the land of excess! This is a landmark film that may not be to everyone's taste.
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