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RoboCop (1987)

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In a dystopic and crime-ridden Detroit, a terminally wounded cop returns to the force as a powerful cyborg haunted by submerged memories.

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Nominated for 2 Oscars. Another 11 wins & 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
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The Old Man (as Daniel O'Herlihy)
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Joe P. Cox (as Jesse Goins)
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Calvin Jung ...
Rick Lieberman ...
Walker
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Sal (as Lee DeBroux)
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Storyline

Detroit - in the future - is crime-ridden and run by a massive company. The company has developed a huge crime-fighting robot, which unfortunately develops a rather dangerous glitch. The company sees a way to get back in favor with the public when policeman Alex Murphy is killed by a street gang. Murphy's body is reconstructed within a steel shell and called RoboCop. RoboCop is very successful against criminals and becomes a target of supervillian Boddicker. Written by Colin Tinto <cst@imdb.com> / edited by statmanjeff

Plot Summary | Plot Synopsis

Plot Keywords:

robocop | gang | robot | police | cyborg | See All (197) »

Taglines:

Part man. Part machine. All cop. The future of law enforcement.


Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

17 July 1987 (USA)  »

Also Known As:

Robocop: The Future of Law Enforcement  »

Box Office

Budget:

$13,000,000 (estimated)

Gross:

$53,424,681 (USA)
 »

Company Credits

Production Co:

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Technical Specs

Runtime:

| (cut) | (cut) | (unrated director's cut) | (cut)

Sound Mix:

(35 mm prints)| (70 mm prints)| (special edition)

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The computer that RoboCop looks up criminal records on is actually a Northern Telecom telephone switch. See more »

Goofs

As Kinney is blasted by ED-209, the bullets pass through his body but the glass windows behind him remain undamaged. See more »

Quotes

Clarence Boddicker: Okay. I give up.
RoboCop: I'm not arresting you anymore.
[as RoboCop steadily advances, taking aim on Clarence, Clarence's nervous chuckles slowly turn to near panic as he realizes that Robocop truly means to kill him]
Clarence Boddicker: H-hey, now wait a second. Now, wait a minute. You're taking this kind of personal, aren't ya? Come on, man. Come on, now. You're making me nervous. Come on, you can't do this! Come on, now! Don't mess around! Hey! Hey! Come on, man. Now, don't get cute!
See more »

Crazy Credits

The standard copyright notice at the end of the film includes a warning that "This motion picture is protected under the laws of the United States and other countries and its unauthorized duplication, distribution or exhibition may result in civil liability and criminal prosecution by enforcement droids." See more »

Connections

Referenced in Kahit pader gigibain ko! (1998) See more »

Soundtracks

Show Me Your Spine
Music by P.T.P.
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Classic science fiction film full of excess, humour and satire
4 February 2002 | by (United Kingdom) – See all my reviews

In a futurist Detroit, crime is high and the police are run by a massive private company, keener to reduce running costs than reduce crime. When their new police robot ED209 develops a glitch, they turn to a prototype that blends human tissue with high-tech circuitry. Meanwhile Police officer Murphy and his partner Lewis are out gunned by criminals leaving Murphy mortally wounded. OCP take Murphy's body and use it to make Robocop. However Robocop is so successful that he is targeted by criminal Boddicker. Boddicker turns to his shadowy partners in crime, while Robocop struggles to deal with human memories and a programming system that seems designed to control him and keep him in the dark.

Verhoeven's first US film was to set the mould for how the rest of his career would pan out - extreme violence and very little idea of restraint. However this is one of his best films and has much in common with one of his other best (Starship Troopers) - ultra-violence, funny black humour, great action and tonnes of satirical digs at modern life. Here the plot revolves around the creation of Robocop and his fight against crime that goes right to the top. This is complimented by the sub-plot of him trying to rediscover his human side. This is full of great action scenes and eccentric villains.

The black comedy is funny, although sometimes you feel bad laughing at so much violence, but the sideswipes are the best. Verhoeven takes digs at TV with his advert filled news broadcasts, at privatisation by showing the crumbling police stations and the huge corporate towers and at heroism by showing Robocop creating just as much mayhem and destruction as the criminals he pursues. His strength however is the action scenes and the sense of tension he creates - I'll don't think anyone can forget the sheer terror of ED209's `glitch'.

Weller is good - cast because of his strong jaw and ability to project emotion through a suit of armour - and he does manage to bring out the human side. Allen is good but a but dry. The real support comes from the eccentric, and well known villains and corporate bosses. Ronny Cox, Smith, Ray Wise, Perry, O'Herlihy and Miguel Ferrer are all great in various capacities. Criminal or greedy corporate leader - it's hard to tell which is which at times.

A classic bit of sci-fi. Verhoeven has sadly not had a moment as fine as this since and has recently had problems being excessive in Hollywood - the land of excess! This is a landmark film that may not be to everyone's taste.


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