In 2028 Detroit, when Alex Murphy - a loving husband, father and good cop - is critically injured in the line of duty, the multinational conglomerate OmniCorp sees their chance for a part-man, part-robot police officer.
A retired elite Black Ops Commando launches a one man war against a group of South American criminals who have kidnapped his daughter to blackmail him into starting a revolution and getting an exiled dictator back into power.
Mark L. Lester
Rae Dawn Chong,
Detroit - in the future - is crime-ridden and run by a massive company. The company has developed a huge crime-fighting robot, which unfortunately develops a rather dangerous glitch. The company sees a way to get back in favor with the public when policeman Alex Murphy is killed by a street gang. Murphy's body is reconstructed within a steel shell and called RoboCop. RoboCop is very successful against criminals and becomes a target of supervillian Boddicker. Written by
Colin Tinto <email@example.com> / edited by statmanjeff
When in full RoboCop costume, Peter Weller would remain in character between takes, only responding to director Paul Verhoeven's instructions when properly addressed as "Robo." Verhoeven found this too funny to take seriously and dropped this after a couple of weeks. See more »
After Clarence blows up the second 6000 SUX in the street with the assault cannon, he tells Leon, who's standing next to him, that RoboCop is in the steel mill and they have to go. When Leon shouts to the others to get ready to leave, he slams his hand down on top of Clarence's 6000 SUX and the interior rear view mirror falls off the windshield. See more »
[Ron Miller is holding City Hall hostage to get an old job back while Lt. Hedgecock is negotiating from outside with a bullhorn]
Okay, Miller! Don't hurt the mayor! We'll give you whatever you want!
First, don't fuck with me. I'm a desperate man! And second, I want some fresh coffee. And third, I want a recount! And no matter how it turns out, I want my old job back!
And I want a bigger office! And I want a new car! And I want the city to pay for it all!
What kind of car, Miller?
[...] See more »
The title "ROBOCOP" reverse zoptic effects through the middle "O". The title turns into television white noise and zoptics forward, then cuts to the television station. See more »
In a crime ridden Detroit of the near future a corporate company OCP has the answer to fighting crime - invent a new type of policeman who won't go on strike . After the death of a policeman called Murphy they stick his body in to a metal shell . Murphy however can still remember a time when he was human
I once did an evening film course called Talking Pictures which would involve watching a film then having a two hour group discussion on the film . I saw the filmography before the class started and the vast majority would be art house foreign cinema . The one exception was ROBOCOP and I knew instantly this was the one that was going to split the group right down the middle in to love it or hate it with no in between . True to form this how things worked out . Most the class despised it wondering why the class had to watch such a cartoonish commercial film . I however did state I loved it and considered it to be the third best SF movie of the 1980s behind THE TERMINATOR and ALIENS
What makes ROBOCOP such a cerebral enjoyable film is the uncommon mix of social satire and no holds barred Verhoeven excess . While " greed is good " to a certain extent the idea of corporate capitalism is something to be rejected . A small self elected clique ruling over the Universe in order to maximise profits is a bad mix of capitalism meets self serving communism . Not so much a mixed economic system but more a combination of greedy speculators from one system being merged with the unthinking party loyalty of the other system . It's greed for money plus greed for power which is a marriage made in hell and being dead isn't enough to make you escape the clutches of OCP and the film revolves around the human element of Murphy remembering who he once was and it's this that is at the core of the movie
Of course Verhoeven isn't a director who does sentimental mawkish stuff and I doubt if the audience was wanting to see a Walt Disney film . What they were wanting to see was bad things happen to very bad people and you can't help cheering as criminals get killed , maimed , mutilated and in one case melted . It's a violent film but one that is so cartoonish that the violence is not to be taken seriously , a fact reflected in the loud slightly unrealistic acting style . This attitude wasn't enough to stop its British network premiere on ITV becoming farcical with a TV version being broadcast with notorious lines like " you gonna be a bad mother crusher " along with key scenes like the ones with mister melty conspicuous by their absence
There is of course a new version of ROBOCOP hitting the cinema this week but is a film I have no interest in watching judging by the clips I've seen of it . It's strange to think that another Verhoeven classic TOTAL RECALL was also recently remade . As it stands the original ROBOCOP remains one of the greatest genre films from the 1980s containing wit , satire and enjoyably mean carnage
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