Set in the near future when artificial organs can be bought on credit, it revolves around a man who struggles to make the payments on a heart he has purchased. He must therefore go on the run before said ticker is repossessed.
Detroit - in the future - is crime-ridden, and run by a massive company. The company have developed a huge crime-fighting robot, which unfortunately develops a rather dangerous glitch. The company sees a way to get back in favour with the public when a cop called Alex Murphy is killed by a street gang. Murphy's body is reconstructed within a steel shell and named Robocop. The Robocop is very successful against criminals, and becomes a target of supervillian Boddicker. Written by
Colin Tinto <email@example.com>
Concerned that various police forces would object to the scene of the title character throwing Clarence Boddicker through glass while reading his rights, the producers had a preliminary screening for an audience of police officers. It turns out that they were delighted at the sight of the hero getting tough with a wanton murderer in a way that they couldn't. See more »
All RoboCop POV shots at night show the shadow of the camera light. See more »
It's back! Big is back, because bigger is better than ever! 6000 SUX: An American Tradition!
[caption on screen says "An American Tradition. 8.2 MPG"]
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The standard copyright notice at the end of the film includes a warning that "This motion picture is protected under the laws of the United States and other countries and its unauthorized duplication, distribution or exhibition may result in civil liability and criminal prosecution by enforcement droids." See more »
A brilliant mix of science fiction, action and satire that has yet to be topped.
Paul Verhoeven's career in recent years has been wildly uneven, but back in the 1980s he rocked! His movies 'Spetters', 'The Fourth Man' and 'Flesh & Blood' are all brilliant and worth tracking down. His next movie, his first Hollywood one, could have been a complete disaster. Verhoeven initially passed on it without reading the script and wasn't experienced in working with special effects or a fan of science fiction. Thankfully his wife insisted he make the picture and the end result was a triumph. Apparently this was a very tough shoot for all concerned but the bottom line is what is on screen, and it really works. Few movies if any have managed to juggle SF, action and grim satire in such an entertaining and original fashion. Verhoeven was blessed with an excellent script, a well chosen bunch of actors, and a great behind the scenes team, and added to his own vision 'RoboCop' turned out to be one of the best movies of the 1980s, whatever the genre. Peter Weller ('Buckaroo Banzai') pulls off a difficult job - making the audience care about a guy in a monster suit. Probably the best performance of its kind since Boris Karloff in James Whale's 'Frankenstein' back in the 1930s. Nancy Allen ('Dressed To Kill'), Kurtwood Smith ('12.01 PM'), Ronny Cox ('Deliverance'), Miguel Ferrer ('Twin Peaks'), and the rest of the supporting cast are all first rate, and everything about this movie is perfect. Verhoeven stumbled with his next movie 'Total Recall', and apart from 'Starship Troopers' has pretty much failed to fulfill his potential, but 'RoboCop' remains a classic SF/action movie and a fantastic way to end a great decade of work.
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