To foil an extortion plot, an FBI agent undergoes a face-transplant surgery and assumes the identity and physical appearance of a ruthless terrorist, but the plan backfires when the same criminal impersonates the cop with the same method.
Set in the near future when artificial organs can be bought on credit, it revolves around a man who struggles to make the payments on a heart he has purchased. He must therefore go on the run before said ticker is repossessed.
Detroit - in the future - is crime-ridden, and run by a massive company. The company have developed a huge crime-fighting robot, which unfortunately develops a rather dangerous glitch. The company sees a way to get back in favour with the public when a cop called Alex Murphy is killed by a street gang. Murphy's body is reconstructed within a steel shell and named Robocop. The Robocop is very successful against criminals, and becomes a target of supervillian Boddicker. Written by
Colin Tinto <email@example.com>
In the scene where Murphy is practicing his gun twirling while Lewis is getting the coffee, if you look in the background of the side shot (where both are in the scene) the low brown building behind them with the antennae tower is the TV station KDFW Channel 4, the Dallas/Fort Worth affiliate of the FOX Network (at the time it was the CBS affiliate). Also of an interesting note, the parking lot behind Murphy in the shots facing him is no longer there. It is now a city bus terminal. See more »
Just before Robocop removes his helmet, he is wearing a piece that covers his neck and chin. When he actually removes his helmet, the armor is gone. See more »
[Coming into the room]
Freeze. Don't move.
[a thug picks up a shot gun and Murhy shoots him dead, Emil begins to pick up his shotgun but holds]
Yeah, go ahead and do it. Dead or alive, you're coming with me.
Lewis, Lewis, I have a situation here, girl.
Get up, c'mon, hand on your head, spread your legs
Lewis, where are you?
[Then, the rest of the gang comes in]
Why don't you let us take it from here, Emil.
[...] See more »
The title "ROBOCOP" reverse zoptic effects through the middle "O". The title turns into television white noise and zoptics forward, then cuts to the television station. See more »
I've got the music for this movie humming in my head as I type the review. Maybe it's the effect of the movie, or the computer-game based on the movie, I'm not quite sure. Either way it's put me in a more agreeable mood towards this picture.
In the future-world of `Robocop', crime is running wild. The OCP, the police of Detroit, try desperately to fight against it but it's a losing battle. When Officer Murphy is brutally gunned down by a bunch of thugs they see an opportunity to test a new technology. Infusing the body with cyber-technology they create the ultimate crime-fighting machine - the synthetic Robocop. Robocop is out to fight crime. but finds that the fight may take him places he never thought of, including inside his past that he thought erased.
Acting? It's actually above average for a sci-fi flick. Peter Weller is mostly stoic and chisel-jawed here, as he should be seeing as how he's a robot. However the emotion underneath is shown in the glimpse of the eyes, the almost too-determined posture. It's subtle but it works. Those playing the villains have the real fun. They seem to have delight in playing utter pieces of scum, camping it up in a delightfully menacing fashion that's a joy to see.
Speaking of camp. this movie has a great comic-book feel to it. Paul Verhoeven, and the script, have their tongue lodged firmly in their cheek as they make this movie into a satire about the way our vales are changing. The over-the-top violence of the future is reflected in a blackly humorous style by contrasting it against fake-news and ad-snippets. The sheer amount of bullets flying is too much to take in and so you are reduced to incredulity and smiles rather than horror. This is intentional, a saturation of the sensibilities. Without it the movie could feel very bleak. With it there's the feeling of adventure, and an ironic acknowledgement of our own blood-lust in movies. The tone melds with the viewer very well and makes the movie appear more intelligent than it actually probably is, which is something to be said in the IQ of 0 sci-fi culture we're often in.
There's enough action throughout this movie that you're never left bored. The villains have about as much dimension as a dot, but Robocop himself has enough character to have merited the concept of a franchise (even if the follow-ups failed to live up the series' potential). It's a very entertaining piece which is told in a manner that's quite amusing. Worthy of a watch, just don't accept to be blown away. 7/10.
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