| Photos (See all 30 | slideshow) | Videos (see all 11) |
| Nicolas Cage | ... | H.I. McDunnough | |
| Holly Hunter | ... | Edwina 'Ed' McDunnough | |
| Trey Wilson | ... | Nathan Arizona | |
| John Goodman | ... | Gale Snoats | |
| William Forsythe | ... | Evelle Snoats | |
| Sam McMurray | ... | Glen | |
| Frances McDormand | ... | Dot | |
| Randall 'Tex' Cobb | ... | Leonard Smalls | |
| T.J. Kuhn | ... | Nathan Arizona Jr. (as T.J. Kuhn Jr.) | |
| Lynne Kitei | ... | Florence Arizona (as Lynne Dumin Kitei) | |
| Peter Benedek | ... | Prison Counselor | |
| Charles 'Lew' Smith | ... | Nice Old Grocery Man | |
| Warren Keith | ... | Younger FBI Agent | |
| Henry Kendrick | ... | Older FBI Agent | |
| Sidney Dawson | ... | Moses, Ear-Bending Cellmate | |
| Richard Blake | ... | Parole Board Chairman | |
| Troy Nabors | ... | Parole Board Member | |
| Mary Seibel | ... | Parole Board Member | |
| John O'Donnal | ... | Hayseed in Pickup | |
| Keith Jandacek | ... | Whitey | |
| Warren Forsythe | ... | Minister | |
| Ruben Young | ... | 'Trapped' Convict | |
| Dennis Sullivan | ... | Policeman in Arizona House | |
| Richard Alexander | ... | Policeman in Arizona House (as Dick Alexander) | |
| Rusty Lee | ... | Feisty Hayseed | |
| James Yeater | ... | Fingerprint Technician | |
| Bill Andres | ... | Reporter | |
| Carver Barns | ... | Reporter | |
| Margaret H. McCormack | ... | Unpainted Arizona Secretary | |
| Bill Rocz | ... | Newscaster | |
| Mary F. Glenn | ... | Payroll Cashier | |
| Jeremy Babendure | ... | Scamp with Squirt Gun | |
| Bill Dobbins | ... | Adoption Agent | |
| Ralph Norton | ... | Gynecologist | |
| Henry Tank | ... | Mopping Convict | |
| Frank Outlaw | ... | Supermarket Manager | |
| Todd Michael Bogers | ... | Varsity Nathan, Jr. | |
| M. Emmet Walsh | ... | Machine Shop Ear-Bender | |
| Robert Gray | ... | Glen and Dot's Kid | |
| Katie Thrasher | ... | Glen and Dot's Kid | |
| Derek Russell | ... | Glen and Dot's Kid | |
| Nicole Russell | ... | Glen and Dot's Kid | |
| Zachary Sanders | ... | Glen and Dot's Kid | |
| Noell Sanders | ... | Glen and Dot's Kid | |
| Cody Ranger | ... | Arizona Quint | |
| Jeremy Arendt | ... | Arizona Quint | |
| Ashley Hammon | ... | Arizona Quint | |
| Crystal Hiller | ... | Arizona Quint | |
| Olivia Hughes | ... | Arizona Quint | |
| Emily Malin | ... | Arizona Quint | |
| Melanie Malin | ... | Arizona Quint | |
| Craig McLaughlin | ... | Arizona Quint | |
| Adam Savageau | ... | Arizona Quint | |
| Benjamin Savageau | ... | Arizona Quint | |
| David Schneider | ... | Arizona Quint | |
| Michael Stewart | ... | Arizona Quint | |
| William Preston Robertson | ... | Amazing Voice (voice) | |
| rest of cast listed alphabetically: | |||
| Ron Cobert | ... | Reporter #1 (uncredited) | |
Directed by | |||
| Joel Coen | |||
| Ethan Coen | (uncredited) | ||
Writing credits | ||
| Ethan Coen | (written by) & | |
| Joel Coen | (written by) | |
Produced by | |||
| Ethan Coen | .... | producer | |
| James Jacks | .... | executive producer | |
| Deborah Reinisch | .... | associate producer | |
| Mark Silverman | .... | co-producer | |
| Joel Coen | .... | producer (uncredited) | |
Original Music by | |||
| Carter Burwell | |||
Cinematography by | |||
| Barry Sonnenfeld | |||
Film Editing by | |||
| Michael R. Miller | |||
Casting by | |||
| Donna Isaacson | |||
| John S. Lyons | (as John Lyons) | ||
Production Design by | |||
| Jane Musky | |||
Art Direction by | |||
| Harold Thrasher | |||
Set Decoration by | |||
| Robert Kracik | |||
Costume Design by | |||
| Richard Hornung | |||
Makeup Department | |||
| Dan Frey | .... | hair stylist | |
| Camille Henderson | .... | assistant hair stylist | |
| Camille Henderson | .... | assistant makeup artist | |
| Katherine James | .... | makeup artist (as Katherine James-Cosburn) | |
Production Management | |||
| Kevin Dowd | .... | production manager | |
| Alma Kuttruff | .... | production supervisor | |
| Andrew Sears | .... | post-production manager | |
| Andrew Sears | .... | second unit manager | |
Second Unit Director or Assistant Director | |||
| Patricia Anne Doherty | .... | second assistant director (as Patricia Doherty) | |
| Jon Kilik | .... | second assistant director | |
| Chitra F. Mojtabai | .... | second assistant director (as Chitra Mojtabai) | |
| Deborah Reinisch | .... | first assistant director | |
| Kelly Van Horn | .... | first assistant director | |
Sound Department | |||
| Michael Barry | .... | foley engineer | |
| Ron Bochar | .... | sound editor | |
| Allan Byer | .... | production sound mixer | |
| Marko A. Costanzo | .... | foley artist | |
| Michael DiCosimo | .... | stereo sound consultant: Dolby | |
| Randy Gable | .... | additional boom operator | |
| Greg Horn | .... | sound recordist | |
| Peter F. Kurland | .... | boom operator | |
| Skip Lievsay | .... | supervising sound editor | |
| Marissa Littlefield | .... | assistant sound editor | |
| Carl Mandelbaum | .... | special electronic sound effects | |
| Jun Mizumachi | .... | special electronic sound effects | |
| Bruce Pross | .... | assistant sound editor | |
| Philip Stockton | .... | sound editor | |
| Frederick Szymanski | .... | special electronic sound effects | |
| Steven Visscher | .... | assistant sound editor | |
| Magdaline Volaitis | .... | sound editor | |
| Christopher Weir | .... | assistant sound editor | |
| Mel Zelniker | .... | sound re-recording mixer | |
Special Effects by | |||
| Peter Chesney | .... | special effects coordinator | |
| Guy J. Louthan | .... | special effects lead (as Guy Louthan) | |
| David J. Barker | .... | special effects welder (uncredited) | |
| Tom Chesney | .... | special effects technician (uncredited) | |
Stunts | |||
| Bill Anagnos | .... | stunts | |
| Curt Bortel | .... | stunts | |
| Shane Dixon | .... | stunts | |
| Allan Graf | .... | stunts | |
| Gene Hartline | .... | stunts | |
| Jery Hewitt | .... | stunt coordinator | |
| Jery Hewitt | .... | stunts | |
| Jeff Jensen | .... | stunts | |
| Edgard Mourino | .... | stunts | |
| Ron Nix | .... | stunts | |
| Spanky Spangler | .... | stunts | |
| Cindy Wills | .... | stunts (as Cindy Wills Hartline) | |
| Stuart Brent | .... | car stunts coordinator (uncredited) | |
| Gene Hartline | .... | stunt double: Randall 'Tex' Cobb (uncredited) | |
Camera and Electrical Department | |||
| Mitchell Amundsen | .... | assistant camera (as C. Mitchell Amundsen) | |
| George Ball | .... | electrician | |
| Michael Burke | .... | first electrician | |
| Ken Connors | .... | best boy (as Kenneth R. Conners) | |
| Richard Crudo | .... | assistant camera (as Richard P. Crudo) | |
| Tom Dreesen | .... | grip | |
| David M. Dunlap | .... | camera operator | |
| Russell Engels | .... | gaffer | |
| Bob Field | .... | electrician | |
| Brian Fitzsimons | .... | best boy grip (as Brian Fitzsimmons) | |
| Dennis Gamiello | .... | dolly grip | |
| Dennis Gamiello | .... | key grip | |
| Melinda Sue Gordon | .... | still photographer: production stills | |
| Michael Hall | .... | electrician | |
| Cindy Lagerstrom | .... | grip | |
| John Lowry | .... | rigging grip (as John 'Earl' Lowry) | |
| Danny McCallum | .... | electrician (as Dan MacCallum) | |
| Marty Miller | .... | grip | |
| Brad S. Mudgett | .... | camera department assistant | |
| Robert A. Preston | .... | grip (as Bob Preston) | |
| Stephen St. John | .... | Steadicam operator | |
| Craig Woodruff | .... | electrician | |
| Kyle T. MacDowell | .... | grip (uncredited) | |
Casting Department | |||
| Becca Korby-Sullivan | .... | extras casting | |
| Sunny Seibel | .... | casting: Arizona | |
| Yvonne Van Orden | .... | baby casting | |
Costume and Wardrobe Department | |||
| Mary Ann Ahern | .... | costume constructor | |
| Ada Akaji | .... | wardrobe assistant | |
| Stephen M. Chudej | .... | wardrobe supervisor | |
| Wendy Cracchiolo | .... | wardrobe assistant | |
| Brian Kirk | .... | wardrobe assistant | |
| Ellen Ryba | .... | assistant to costume designer (as Ellen M. Ryba) | |
Editorial Department | |||
| Michael Berenbaum | .... | first assistant editor | |
| Arnold Glassman | .... | associate editor | |
| Brian Johnson | .... | apprentice editor | |
| Kathie Weaver | .... | assistant editor | |
Music Department | |||
| Dan Conte | .... | digital score assistant | |
| Ben Freed | .... | musician: banjo | |
| Mieczyslaw Litwinski | .... | musician: Jews harp, guitar | |
| Sebastian Niessen | .... | music engineer | |
| D. Stanton Miranda | .... | musician (uncredited) | |
Other crew | |||
| Julie Adams | .... | dialect coach | |
| Julie Asch | .... | baby wrangler | |
| Rick Ashman | .... | location production assistant | |
| Elizabeth Boyd | .... | craft service | |
| Valerie Susan Brown | .... | production secretary | |
| Christopher Buchanan | .... | production office coordinator | |
| Matt Cartsonis | .... | location production assistant | |
| Bob Childers | .... | craft service | |
| John R. Crowder | .... | yodeler | |
| Adam Grad | .... | location assistant | |
| Blake Hocevar | .... | office assistant | |
| Maureen Hymers | .... | production assistant | |
| Thomas Johnston | .... | script supervisor | |
| L.R. Kelly | .... | location production assistant | |
| Karl Lewis Miller | .... | animal action | |
| Dan Perri | .... | title designer | |
| David Pomier | .... | location manager | |
| Sharon Roesler | .... | production office coordinator | |
| Kim Seeger | .... | location production assistant | |
| Barbara-Ann Stein | .... | production auditor | |
| Erin Stewart | .... | production assistant | |
| Eric Tignini | .... | production assistant | |
| Laura Cartwright | .... | assistant auditor (uncredited) | |
| Rob Harris | .... | unit publicist (uncredited) | |
| Constance L. Hoy | .... | location production assistant (uncredited) | |
| James M. McEwen | .... | consultant (uncredited) | |
| Bryan Reinhart | .... | production assistant (uncredited) | |
| Andrew Sears | .... | second assistant accountant (uncredited) | |
Thanks | |||
| Kurt Woolner | .... | special thanks | |
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In the run up to the release of the eagerly anticipated True Grit, I thought it time to catch up with those Coen Brothers films I had yet to see. Made in their formative years, Raising Arizona is the second Coen film, following up the largely decent Blood Simple.
In and out of prison for armed robbery a number of times over a period of some years, repeat offender "Hi" McDunnough begins to gradually fall for police photographer "Ed". After Hi vows to reform, they marry and decide to have children. Upon discovering the infertility of Ed, they opt to steal one of five babies born to local furniture salesman Nathan Arizona.
Any film which numbers Nicolas Cage among its cast is a big risk for me. The man is one of those actors whose presence almost always signifies a terrible film to come. The combination of this bearing the Coen stamp and being the first Cage film I'd seen since Adaptationin which he is, dare I say it, bearableassuaged my fears and allowed me to sit back with hope intact. The film's opening is rapid in pace, though not too much of a fault: it's a little distracting, and feels a tad rushed, but it's no serious problem. The humourfor this is a comedy, in case you're unawarestarts relatively strong, an extended scene in which Hi attempts to control the quintuplets whilst choosing which to steal particularly humorous. Had the credits rolled immediately thereafter, I would've been happy. But they don't, alas. What follows is just over an hour of completely misguided humour, bare caricatures, and that most hated of "comedy" clichés: the parody of deep-South life. To call it an uncomfortable viewing experience would be an understatement, my eyes trained on the DVD player "time elapsed" display as my fingers drummed on the chair, waiting for it all to end. Other than in the first half hour, I genuinely don't think as much as a brief chuckle escaped my mouth. The characters are irritating, underdeveloped, uninteresting, and uninvolving (the bounty hunter biker caused me no end of sighs and wails of despair). I now remember, if you'll permit me something of a tangential thought, that I did in fact laugh twice: once each for Frances McDormand and John Goodman, both of whom are amongst the painfully few good things the film has to offer. Though that said, the scene wherein Goodman emerges from mud vexed me with its silly shouting. As if I wasn't disappointed and disgusted enough with the film as a whole, to return to things, the ending is utterly revolting garbage which attempts, in a most upsetting way, to sanitise what has gone before with paint-by-numbers sentiment. Simply infuriating.
Raising Arizona, you may have noticed, was not quite for me. Almost entirely devoid of humour, characters, or any shred of likability, it is a welcome edition to the Nic Cage canon. I think it possible that I'd have hated this less were it not a Coen Brothers filmnot, that is to say, that I'm the kind of person who decided that the brothers were the saviours of American cinema after seeing No Country for Old Mensimply that all I'd seen by them prior to this had been at least quite quite good. In summary, do try to avoid this.