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Radio Days (1987)

PG | | Comedy | 30 January 1987 (USA)
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0:31 | Trailer

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A nostalgic look at radio's golden age focusing on one ordinary family and the various performers in the medium.

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Writer:

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Nominated for 2 Oscars. Another 3 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Burglar
...
Burglar
...
'Guess That Tune' Host
Martin Rosenblatt ...
Mr. Needleman
Helen Miller ...
Mrs. Needleman
Danielle Ferland ...
Child Star
...
Tess, the mother
Julie Kurnitz ...
Irene
David Warrilow ...
Roger
...
Masked Avenger
Mick Murray ...
Avenger Crook (as Michael Murray)
William Flanagan ...
Avenger Announcer
...
Joe
Michael Tucker ...
Martin, the father
...
Abe
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Storyline

Woody Allen's sentimental reminiscence about the golden age of radio. A series of vignettes involving radio personalities is intertwined with the life of a working class family in Rockaway Beach, NY circa 1942. Written by Scott Renshaw <as.idc@forsythe.stanford.edu>

Plot Summary | Add Synopsis

Genres:

Comedy

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

30 January 1987 (USA)  »

Also Known As:

Días de radio  »

Box Office

Budget:

$16,000,000 (estimated)

Gross:

$14,792,779 (USA)
 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The only Woody Allen - Diane Keaton film of the 1980s, but it hardly counts, as the two don't feature together, Keaton only cameoing as a nightclub singer. See more »

Goofs

In the closing sequence, when Julie Kavner (Mother) says "I'm worried about the future," she spills champagne on the baby she is holding. She looks down briefly, but the camera ignores it and pans over. See more »

Quotes

Narrator: Then there were my father and mother, two people who could find an argument in any subject.
Father: Wait, you think the Atlantic is a greater ocean than the Pacific?
Mother: No. Have it your way. The Pacific is greater.
Narrator: I mean, how many people argue over oceans?
See more »

Connections

Spoofs The Stratton Story (1949) See more »

Soundtracks

(There'll Be Blue Birds Over) The White Cliffs of Dover
(1941)
Music by Walter Kent
Lyrics by Nat Burton
Performed by Glenn Miller on radio
Courtesy of RCA Records
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Frequently Asked Questions

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User Reviews

 
A Masterpiece. Amazing.
16 June 2003 | by (California) – See all my reviews

Radio Days has got to be one of my absolute favorite films of all time. To me, it's a film that balances story, characters and atmosphere better than just about any other. It's truly a great work of art, and a very, very underrated one. The best thing about it is how Allen's love for his subject, the romantic nostalgia he feels, translates so eloquently to the screen. You've also got to hand it to the cast. Diane Weist, Julie Kavner, Mia Farrow, Josh Mostel, a briefly-glimpsed Jeff Daniels, and a young Seth Green all give great performances that are right out of the period, yet instantly recognizable. Allen had Santo Loquasto, his art director, do a bang-up job on creating the world of early-1940s Rockaway, New York, and Jeffrey Kurland's costumes help immensely. Particularly note-worthy is Carlo Di Palma's stunning cinematography. The colours, the smoky nightclubs and soundstages, the dimly-lit nighteries and the dazzling rooftop set come to life like few sets do in films. And then there's the music. That dazzling array of classic music, from one of the best periods for it in American history. Allen's decision to use only music from that time might sound cliche, but he's definatly justified here. And there's always the Radio Show Themes piece by Dick Hyman (I'm always by that name) that accompanies many of the scenes. That piece of music alone is worth seeing the film. As you can probably tell, I love this film simply for the fact that it's such a charming, enchanting, beautiful film. It's one I'd show my children, even the nude dancing scene, had I any children to show it to. Woody Allen's turn in the films he's made lately (as of 2003) are, to me, pretty depressing and perverse, with none of the charm, life and humor that works like Radio Days symbolize, Sweet and Lowdown notwithstanding. Hopefully, more films like this gem are on the horizon.


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