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Radio Days (1987)

 -  Comedy  -  30 January 1987 (USA)
7.6
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Ratings: 7.6/10 from 20,042 users  
Reviews: 85 user | 57 critic

A nostalgic look at radio's golden age focusing on one ordinary family and the various performers in the medium.

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Title: Radio Days (1987)

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Nominated for 2 Oscars. Another 2 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Burglar
...
Burglar
...
'Guess That Tune' Host
Martin Rosenblatt ...
Mr. Needleman
Helen Miller ...
Mrs. Needleman
Danielle Ferland ...
Child Star
...
Tess, the mother
Julie Kurnitz ...
Irene
David Warrilow ...
Roger
...
Masked Avenger
Mick Murray ...
Avenger Crook (as Michael Murray)
William Flanagan ...
Avenger Announcer
...
Joe
Michael Tucker ...
Martin, the father
...
Abe
Edit

Storyline

Woody Allen's sentimental reminiscence about the golden age of radio. A series of vignettes involving radio personalities is intertwined with the life of a working class family in Rockaway Beach, NY circa 1942. Written by Scott Renshaw <as.idc@forsythe.stanford.edu>

Plot Summary | Add Synopsis

Genres:

Comedy

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

30 January 1987 (USA)  »

Also Known As:

Días de radio  »

Box Office

Budget:

$16,000,000 (estimated)

Gross:

$14,792,779 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Tony Roberts:  As the 'Silver Dollar' Emcee. See more »

Goofs

In the closing sequence, when Helen Miller (Mother) says "I'm worried about the future," she spills champagne on the baby she is holding. She looks down briefly, but the camera ignores it and pans over. See more »

Quotes

Joe: [as he realizes the substitute teacher is the woman he and his friends saw dancing naked in the window] Oh God, we're all going straight to hell!
See more »

Connections

References Christmas in July (1940) See more »

Soundtracks

South American Way
(1939)
Music by Jimmy McHugh
Lyrics by Al Dubin
Performed by Carmen Miranda on radio as Ruthie imitates her
Reprised by Miranda during the end credits
Courtesy of RCA Records
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A Masterpiece. Amazing.
16 June 2003 | by (California) – See all my reviews

Radio Days has got to be one of my absolute favorite films of all time. To me, it's a film that balances story, characters and atmosphere better than just about any other. It's truly a great work of art, and a very, very underrated one. The best thing about it is how Allen's love for his subject, the romantic nostalgia he feels, translates so eloquently to the screen. You've also got to hand it to the cast. Diane Weist, Julie Kavner, Mia Farrow, Josh Mostel, a briefly-glimpsed Jeff Daniels, and a young Seth Green all give great performances that are right out of the period, yet instantly recognizable. Allen had Santo Loquasto, his art director, do a bang-up job on creating the world of early-1940s Rockaway, New York, and Jeffrey Kurland's costumes help immensely. Particularly note-worthy is Carlo Di Palma's stunning cinematography. The colours, the smoky nightclubs and soundstages, the dimly-lit nighteries and the dazzling rooftop set come to life like few sets do in films. And then there's the music. That dazzling array of classic music, from one of the best periods for it in American history. Allen's decision to use only music from that time might sound cliche, but he's definatly justified here. And there's always the Radio Show Themes piece by Dick Hyman (I'm always by that name) that accompanies many of the scenes. That piece of music alone is worth seeing the film. As you can probably tell, I love this film simply for the fact that it's such a charming, enchanting, beautiful film. It's one I'd show my children, even the nude dancing scene, had I any children to show it to. Woody Allen's turn in the films he's made lately (as of 2003) are, to me, pretty depressing and perverse, with none of the charm, life and humor that works like Radio Days symbolize, Sweet and Lowdown notwithstanding. Hopefully, more films like this gem are on the horizon.


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