Woody Allen's sentimental reminiscence about the golden age of radio. A series of vignettes involving radio personalities is intertwined with the life of a working class family in Rockaway Beach, NY circa 1942. Written by
Scott Renshaw <firstname.lastname@example.org>
A scene featuring Chris Elliott was cut from the film; in 2011 he recalled: "I'd had a beard at the time, and I think they didn't think my mustache looked the proper period. So they had me shave my beard to a mustache. And, boy, did I look odd." See more »
In one scene, a pack of Camel cigarettes lies on a table, with a clearly visible bar code on the side of the package. The Universal Product Code would not be introduced until the 1970s. See more »
Then there were my father and mother, two people who could find an argument in any subject.
Wait, you think the Atlantic is a greater ocean than the Pacific?
No. Have it your way. The Pacific is greater.
I mean, how many people argue over oceans?
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Woody's best " memory" piece has great set designs, a sad and funny script and the usual great, well chosen cast, including a very young Seth Green playing Allen as a boy. Diane Wiest and Julie Kavner excel strongly in the female leads, Allen's voice narrates the whole picture, and Mia Farrow squeaks deliciously as a bimbo cigarette girl who gets a culture make-over. This is the only Allen movie that both Farrow and Diane Keaton appear in (she has a very brief cameo singing a song in a night club.) The final scene on top of the roof is almost bittersweet, altho it is nice to see a landscape filled with wide eyed people, before the world was dominated by television. The story becomes even more poignant as you age. Watch it repeatedly over different stages of your life...
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