Woody Allen's sentimental reminiscence about the golden age of radio. A series of vignettes involving radio personalities is intertwined with the life of a working class family in Rockaway Beach, NY circa 1942. Written by
Scott Renshaw <firstname.lastname@example.org>
In the 1940s, the term "Radio Days" was often used to describe that type of employment for those in the entertainment field. See more »
In the closing sequence, when Julie Kavner (Mother) says "I'm worried about the future," she spills champagne on the baby she is holding. She looks down briefly, but the camera ignores it and pans over. See more »
You're lucky I love you, you old douchebag.
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If you are looking for the normal amount of big laughs from a Woody Allen film, then you will be disappointed here. It's not that kind of film.
I was anything but disappointed, but I knew what the film was all about before I saw it. Actually, what drew me to it was that I had read where this was a wonderful visual film, filled with rich colors and great set designs. It did not let me down. This is a great visual tribute to the 1940s, to be exact from 1938 to 1944. A real treat for the eyes.
The story centers around a Jewish family in Queens and the importance that radio shows had in that day-and-age. Also profiled in here are some of those radio performers.
It does have laughs but not as many as the normal Allen movie because the idea of this is simply to be a nostalgic piece, mainly Allen's tribute to his own family days of growing up, what it was like around his house.
It was interesting to see Seth Green playing Woody as a youngster with flaming red hair. The most interesting person, however, was Diane Wiest who played a man-chasing sister-in-law. The film gives you a real flavor of the period, of New York and of a Jewish family.
Overall, it's simply a nice film....and gorgeous to look at. Sometimes I think some of Allen's work is overrated but, boy, here is one that is definitely underrated.
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