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Morning Patrol (1987)
"Proini peripolos" (original title)

 -  Sci-Fi  -  October 1987 (Greece)
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Ratings: 7.1/10 from 279 users  
Reviews: 2 user | 2 critic

A woman is walking alone through an abandoned city. She approaches the forbidden zone and tries to pass through. Everywhere the Morning Patrol and deceptive traps are watching. The city ... See full summary »



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Title: Morning Patrol (1987)

Morning Patrol (1987) on IMDb 7.1/10

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Credited cast:
Michele Valley ...
Takis Spiridakis ...
Rest of cast listed alphabetically:
Liana Hatzi
Nikos Hatzis
V. Kabouri
Takis Loukatos
H. Mavros
Panos Thanassoulis ...
2nd Guard
Rania Trivela


A woman is walking alone through an abandoned city. She approaches the forbidden zone and tries to pass through. Everywhere the Morning Patrol and deceptive traps are watching. The city itself is alive but uncontrolled. Computer voices warn non-existing inhabitants to leave the city. The communication system works... cinemas show films... classic faces of a past era flash across TV screens. She is confronted by one of the few survivors guarding the city. They will come close to each other ; they will try to recall the past. Together they unravel their tangled memory - threads of this catastrophe and decide to penetrate the zone together ; They are linked by the bonds of violence and death since no other behaviour is possible in this kind of world. Is there an end? Is there hope and any future since no person that was allowed through ever returned to tell us whether the freedom of the sea exists. The fugitives encounter increasing dangers... A story of love in this unbearable world... ... Written by <>

Plot Summary | Plot Synopsis

Plot Keywords:

post apocalypse







Release Date:

October 1987 (Greece)  »

Also Known As:

Morning Patrol  »

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User Reviews

A moving and intelligent look at the end of the world
21 August 2010 | by (Canada) – See all my reviews

That this masterpiece is so unknown - undistributed throughout all the world, as far as I know, besides Greece - is nothing short of criminal. In terms of tone, it's most comparable to a slower, more elegiac Blade Runner - there's the same pervading sense of despair, of a deep, dark curtain coming down on the world. Exit stage right.

It follows an unnamed woman wandering through a postapocalyptic wasteland. The people she comes across generally try to kill her, if she doesn't try to kill them first. Communication seems to fallen by the wayside and all the dialogue we get is the woman's internal monologue, a haze of sentimental memories and a longing for a better time.

She works her way into a city, where food, shelter, and water are comparatively plentiful. It's every bit as much a wasteland as the outside world, but of a very different kind - abandoned technology makes its presence known constantly, including a memorable scene where the woman sits alone in a movie theatre, but for the unseen assailants slowly climbing and crawling over seats, working their way toward her.

She meets a guard of the morning patrol, a kind of taskforce that has taken it upon itself to kill everyone it becomes aware of. Their job is more a mercy in this kind of world, and although their technological, inhuman precision marks them as the bad guys, they're practically saviours when life itself becomes an enemy.

I won't go farther that on the off-chance that you're given a chance to see it - but either way, the plot is far from the point and doesn't unfold much differently than you'd expect it to. What does matter is a connection established between two nameless, faceless people floating in a void of memory and space, a timeless land where life and death blur together and the hope for a new horizon outweighs the need to exist. Alive or dead, it hardly matters.

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