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Directed by | |||
| Rob Reiner | |||
Writing credits | ||
| William Goldman | (book) | |
| William Goldman | (screenplay) | |
Produced by | |||
| Norman Lear | .... | executive producer | |
| Steve Nicolaides | .... | associate producer | |
| Rob Reiner | .... | producer | |
| Andrew Scheinman | .... | producer | |
| Jeffrey Stott | .... | associate producer | |
Original Music by | |||
| Mark Knopfler | |||
Cinematography by | |||
| Adrian Biddle | |||
Film Editing by | |||
| Robert Leighton | |||
Casting by | |||
| Janet Hirshenson | |||
| Jane Jenkins | |||
Production Design by | |||
| Norman Garwood | |||
Art Direction by | |||
| Richard Holland | |||
| Keith Pain | (supervising art director) | ||
Set Decoration by | |||
| Maggie Gray | |||
Costume Design by | |||
| Phyllis Dalton | |||
Makeup Department | |||
| Lois Burwell | .... | makeup supervisor | |
| Andy Clement | .... | special makeup effects assistant | |
| Eithne Fennel | .... | supervising hair stylist (as Eithne Fennell) | |
| Nick Forder | .... | makeup artist | |
| Jan Jamison | .... | hair stylist | |
| Peter Montagna | .... | makeup designer: Mr. Crystal | |
| Peter Montagna | .... | makeup designer: Ms. Kane | |
| Barbara Ritchie | .... | hair stylist | |
| Peter Robb-King | .... | makeup artist | |
Production Management | |||
| David Barron | .... | production manager: UK | |
| Loretta Ordewer | .... | unit manager: Derbyshire | |
| Mark E. Pollack | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Ken Baker | .... | assistant director | |
| Peter Bennett | .... | assistant director | |
| Paul Taylor | .... | third assistant director | |
Art Department | |||
| Bruce Bigg | .... | property master | |
| Sharon Cartwright | .... | draftsperson | |
| Derek Creedon | .... | dressing propman | |
| Mick Flanders | .... | dressing propman (as Michael Flanders) | |
| Brian P. Harris | .... | dressing propman (as Brian Harris) | |
| Les London | .... | stand-by propman | |
| Jill Quertier | .... | production buyer | |
| John Ralph | .... | draftsperson | |
| Lucy Richardson | .... | draftsperson | |
| Alfie Smith | .... | stand-by propman | |
| Bill Stallion | .... | storyboard artist | |
| Micky Swift | .... | stand-by propman (as Mickey Swift) | |
| Peter Verard | .... | construction manager | |
| Peter Wallis | .... | dressing propman | |
| John Alvin | .... | poster artist (uncredited) | |
| Brian Muir | .... | sculptor (uncredited) | |
| Keith Short | .... | sculptor (uncredited) | |
Special Effects by | |||
| Nick Allder | .... | special effects supervisor | |
| Robert Harman | .... | cliff climbing effects: second unit: Ireland (as Bob Harmon) | |
| John Hatt | .... | special effects technician | |
| Ron Hone | .... | special effects technician (as Ronald Hone) | |
| Phil Knowles | .... | special effects technician (as Philip Knowles) | |
| Terry Schubert | .... | special effects technician | |
| Rodger Shaw | .... | animatronic supervisor | |
| Neil Swan | .... | special effects technician | |
Visual Effects by | |||
| Bob Cuff | .... | matte artist (as Bob Cuffe) | |
| John Grant | .... | matte supervisor | |
| Kent Houston | .... | matte supervisor | |
| Edward Jaffe | .... | grip: model photography unit | |
| Ken Marschall | .... | additional matte painter | |
| John Morgan | .... | camera operator: model photography unit | |
| Nigel Stone | .... | loader: model photography unit | |
| Jonathan Taylor | .... | focus: model photography unit (as Jonathon Taylor) | |
| Paul Wilson | .... | model photographer: model photography unit | |
Stunts | |||
| Andy Bradford | .... | stunts | |
| George Lane Cooper | .... | stunts (as George Cooper) | |
| Sue Crosland | .... | stunts (as Sue Crossland) | |
| Peter Diamond | .... | stunt coordinator | |
| Reg Harding | .... | stunts | |
| Terry Richards | .... | stunts | |
| Jason White | .... | stunts | |
| Kevin Hudson | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Ray Andrew | .... | director of photography: Ireland second unit | |
| Philip Aylewood | .... | assistant camera: Ireland second unit | |
| Clive Coote | .... | still photographer | |
| Gary Cross | .... | electrician | |
| Kevin Day | .... | gaffer | |
| John Deaton | .... | assistant camera: Ireland second unit | |
| Alfie Emmins | .... | electrician | |
| John Flemming | .... | grip | |
| Brian Harris | .... | camera operator: Ireland second unit | |
| Martin Hume | .... | focus puller | |
| Andy McDade | .... | electrician | |
| Terry Nightingall | .... | camera loader | |
| Shaun O'Dell | .... | camera operator | |
| John Outred | .... | assistant camera: Ireland second unit | |
| Nick Phillips | .... | assistant camera: Ireland second unit | |
| Larry Randall | .... | best boy electric | |
| Dave Ridout | .... | electrician (as David Ridout) | |
| Toby Tyler | .... | electrician | |
| Al Wilson | .... | generator operator | |
| Severin Woxholt | .... | assistant camera: Ireland second unit | |
| Lee McLaughlin | .... | still photographer (uncredited) | |
| Chris Warren | .... | video operator: second unit (uncredited) | |
Animation Department | |||
| Nigel Trevessey | .... | mechanical designer (as Nigel D. Trevessey) | |
Casting Department | |||
| Michael Hirshenson | .... | casting assistant: USA | |
Costume and Wardrobe Department | |||
| Judy Bagley-Shaw | .... | wardrobe assistant | |
| John Birkinshaw | .... | wardrobe assistant (as John Birkenshaw) | |
| Jane Hamilton | .... | assistant costume designer | |
| Richard Pointing | .... | wardrobe supervisor | |
| Joyce Stoneman | .... | wardrobe supervisor | |
Editorial Department | |||
| Phil Downey | .... | color timer | |
| Paul Hodgson | .... | assistant editor | |
| Jack Hooper | .... | negative cutter | |
| Andrew MacRitchie | .... | assistant editor | |
| Steven Nevius | .... | assistant editor (as Steve Nevius) | |
| Adam Weiss | .... | associate editor | |
Music Department | |||
| Marc Di Sisto | .... | music recording engineer (as Marc De Sisto) | |
| Michael Dittrick | .... | music editor | |
| Guy Fletcher | .... | musician: keyboards | |
| Mark Knopfler | .... | musician: guitar | |
| Errol Bennett | .... | musician: percussions (uncredited) | |
| Willy DeVille | .... | singer (uncredited) | |
| Mickey Feat | .... | musician: bass (uncredited) | |
| Jamie Lane | .... | musician: drums & percussions (uncredited) | |
Transportation Department | |||
| Michael Bevan | .... | unit driver (as Mike Bevan) | |
| Roy Clarke | .... | unit driver | |
| Gordon Curran | .... | unit driver | |
| Terry Pritchard | .... | unit driver | |
| Terry Tapping | .... | unit driver | |
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| The Lord of the Rings: The Return of the King | DragonHeart | The Three Musketeers | Peter Pan | Shrek |
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Cary Elwes, Mandy Patinkin, and Robin Wright Penn star in this classic fairy tale entitled The Princess Bride. It is based on a novel by William Goldman, who also wrote the screenplay. Director Rob Reiner brings life to this story and effectively evokes the enchanting spirit of the witty 1973 novel.
The movie opens with a sick boy (Fred Savage) who receives a visit from his grandfather (Peter Falk) who intends to read to him from his favorite book. The boy is not exactly pleased to be distracted from his world of video games. However, his mood quickly changes as he and the viewer are transported to a place out of time. We are taken to Florin, a kingdom in an imaginary land, complete with dashing heroes, cowardly princes, rhyming giants, rodents of unusual size, fancy swordfights, and yes . . . even some kissing.
This fairy tale begins on a farm in the countryside. There lives a beautiful, young woman named Buttercup (Robin Wright Penn) who learns that "as you wish" really means "I love you" when she falls for her farmhand Westley (Cary Elwes). While trying to seek his fortune, Westley disappears at sea and becomes an apparent victim of the Dread Pirate Roberts. A few years later, Buttercup, who is now engaged to Prince Humperdinck (Chris Sarandon), is kidnapped by a trio of misfits, which includes brains--Vizzini (Wallace Shawn); brawn--Fezzik (André the Giant); and sword--Inigo Montoya (Mandy Patinkin). As they sail away toward the Cliffs of Insanity, they notice the pursuit of a man in black. Now begins the adventure . . . .
The central idea of The Princess Bride is that true love can conquer all. Throughout the movie, there are many hardships and trials that true love must endure. The movie keeps the viewer guessing until the very end whether or not there will be the classic fairy tale ending.
This movie is appealing to me because of the classic fairy tale style combined with the witty humor, well choreographed action sequences, and intense instances of suspense. The characters are well developed and all the actors give an amazing performance which adds to the overall appeal of the movie. The Princess Bride is easily one of my all time favorite movies.