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Prince of Darkness (1987)

 -  Horror  -  23 October 1987 (USA)
6.7
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Ratings: 6.7/10 from 21,224 users   Metascore: 50/100
Reviews: 192 user | 145 critic | 10 from Metacritic.com

A research team finds a mysterious cylinder in a deserted church. If opened, it could mean the end of the world.

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Title: Prince of Darkness (1987)

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Cast

Cast overview, first billed only:
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Dennis Dun ...
Susan Blanchard ...
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Susan Cabot (as Anne Howard)
Ann Yen ...
Ken Wright ...
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Thom Bray ...
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Storyline

A sinister secret has been kept in the basement of an abandoned Los Angeles church for many years. With the death of a priest belonging to a mysterious sect, another priest opens the door to the basement and discovers a vat containing a green liquid. The priest contacts a group of physics graduate students to investigate it. Unfortunately, they discover that the liquid contains the essence of Satan himself, and they also discover that he will release HIS father - an all-powerful Anti-God! The liquid later comes to life itself, turning some of the students into zombies as the Devil comes forward to release his father. Will these students be able to stop him? Written by Derek O'Cain

Plot Summary | Plot Synopsis

Plot Keywords:

church | priest | student | liquid | devil | See All (132) »

Taglines:

Before man walked the earth...it slept for centuries. It is evil. It is real. It is awakening. See more »

Genres:

Horror

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Release Date:

23 October 1987 (USA)  »

Also Known As:

John Carpenter's Prince of Darkness  »

Filming Locations:

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Box Office

Budget:

$3,000,000 (estimated)

Gross:

$14,182,492 (USA)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

In the scene where Brian and Catherine are in bed in the morning, Brian says to her, "Who was he, the one that gave you such a high opinion of men?" This is a fairly well known quote (among others) from To Have and Have Not (1944), only the sexes are reversed here. The original has Lauren Bacall saying, "Who was the girl, Steve?" To which Humphrey Bogart replies, "Who was what girl?" And she responds, "The one who left you with such a high opinion of women." See more »

Goofs

We see the new moon very close to the sun (though showing far too much crescent for such a small angle). A few scenes later, Brian Marsh is looking at a full moon, then a few more scenes later, we see the new moon again near the sun. That night, we see the full moon again. See more »

Quotes

Father Loomis: [hiding in a room, reciting verses from the Bible]
[wipes tears from his eyes and looks up]
Father Loomis: Where are you...? Christ?
See more »

Crazy Credits

The opening credits last for nine minutes. See more »

Connections

Referenced in The American Nightmare (2000) See more »

Soundtracks

Prince of Darkness
Performed by Alice Cooper
Courtesy of MCA Records
Written by Alice Cooper & Kane Roberts
Produced by Michael Wagener
(C) 1987 Ensign Music Corporation, Ezra Music Inc.
Screen Gems Music - EMI Music Inc.
See more »

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User Reviews

Carpenter's masterpiece
2 August 2010 | by (Cleburne, TX) – See all my reviews

John Carpenter's masterpiece about a priest enlisting the help of a physics professor and his students in preventing the coming of the Anti-God. Yep, I said masterpiece. I consider this to be Carpenter's crowning achievement. Said priest (played by the impeccable Donald Pleasance) discovers a large vat of green fluid in the basement of an old church near downtown Los Angeles. He comes to realize that the liquid in the container is the very essence of Satan himself, and that a sect known as "The Brotherhood of Sleep" has kept it a secret all these years. The secret can no longer be kept, however, as the apocalypse is brewing and the vat of liquid Satan is the over-sized coffee pot.

Carpenter really struck gold with the script for Prince of Darkness. I find it to be Carpenter's most intelligent and thought-provoking. I love all of the theoretical, scientific and religious discussion in this film. He takes all of these wonderful ideas and forms them into one of the most intriguing story lines the genre has ever seen. It all makes for a very engaging viewing experience, especially if this sort of material fascinates you as much as it does me.

The film is slow-burning, yet intensely unnerving. The overall mood, the creepy street people, the church itself and the eerie occurrences caused by the Anti-God's growing power all make for an unsettling watch. Perhaps the most effective scene in the film for me is Wyndham saying hello in that garbled voice followed by "Pray for death." I also must make mention of the recurring dream projections via tachyons. A brilliant idea that adds an even deeper level to the film's frightening nature. The imagery in these dreams is truly the stuff nightmares are made of!

As far as the cast goes, this is my favorite ensemble in a Carpenter film, even more so than the one we get in The Thing. They all do fine jobs, especially Pleasance and Victor Wong. I love the interaction between these two. I also really enjoy Jameson Parker in the lead, and Dennis Dun is the rare case of comedy relief that actually works. He is amusing, likable, and his antics don't overshadow or ruin the mood that the film has built up.

The atmosphere? Perfect. So is the dread-inducing score, which is an uncanny fit for the material. In the same way that I see Prince of Darkness as Carpenter's best film, the haunting music throughout makes for his best work as a composer. I love the score as much as I love the film itself. The sense of hopeless isolation Carpenter is able to convey despite the church being in L.A. is yet another impressive accomplishment in a film that never fails to impress.

Definitely an underrated classic. Carpenter's wonderful ideas are realized to fascinating effect in the film, and for me, the execution is flawless. It's a rare case when I have nothing bad to say about a movie, but this is one of those instances. The music, the atmosphere, the apocalyptic tone, the marvelous ending... it all works beautifully. It's a gem that Carpenter has never bettered. I'm in the minority regarding that statement, but I'm sticking to it.


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