This film is the story of the spectacular life and violent death of British playwright Joe Orton. In his teens, Orton is befriended by the older, more reserved Kenneth Halliwell, and while the two begin a relationship, it's fairly obvious that it's not all about sex. Orton loves the dangers of bath-houses and liaisons in public restrooms; Halliwell, not as charming or attractive as Orton, doesn't fare so well in those environs. While both long to become writers, it is Orton who achieves fame - his plays "Entertaining Mr. Sloane" and "Loot" become huge hits in London of the sixties, and he's even commissioned to write a screenplay for the Beatles. But Orton's success takes him farther from Halliwell, whose response ended both his life and the life of the up-and-coming playwright. Written by
Gary Dickerson <firstname.lastname@example.org>
They shared everything - except success.
Did You Know?
Kenneth Halliwell created the title "Prick Up Your Ears" for Orton's (never produced) film for the Beatles, "Up Against It", but Orton said, "But this is much too good a title to waste on a film." See more
When Joe's agent first meets him in 1964, she asks him how he's been supporting himself. He tells her he's on public assistance, getting £3.10 per week. New pence weren't introduced until 1971. However, in the pre-decimal era, "Three pounds ten" would have been understood as "Three pounds and ten shillings", the present-day equivalent being £3.50. For example, "Maggie Mae", recorded by the Beatles in 1969 but based on a much older traditional song, includes the line "Two pounds ten a week, that was my pay." See more
[Translating the shorthand from Joe's diary
Then went into mum's bedroom and arranged the dressing table mirrors and had a lovely long slow, wink.
Wink? Are you sure that's an 'I'?
Referenced in Urinal
Music by Ernest Bullock See more