A simple self-destructive drifter and tough small-time boxer with a brain injury that could kill him meets and falls for a cute beach carnival owner, Ruby, but also befriends a sleazy friendly criminal, Wesley, who's planing a big score.
Convicted corporate criminal Howard engineers a prison break as he and a number of fellow inmates are being transferred to a new facility. The escapees storm a shopping mall and take a ... See full summary »
Matt Earl Beesley
Martin Fallon is an IRA bomber who tries to blow up a troop truck but instead kills a bus load of school children. He loses heart and quits the movement and goes to London trying to leave the U.K. and start a new life. The IRA wants him back (he knows too much) and the local crime boss, Meehan, will only help him if he performs one last hit, on a rival crime boss. When Fallon does perform the hit, he is seen by a catholic priest. He refuses to kill an innocent again and must find a way to escape the police without killing the priest who can identify him. Written by
John Vogel <firstname.lastname@example.org>
Completely (and rather unjustly) forgotten today, this is an offbeat, interesting dramatic thriller based on a book that seems to lift its basic idea from Alfred Hitchcock's "I Confess" (actually, I haven't seen "I Confess" yet, but everybody knows its premise). The movie has a great cast and makes an earnest attempt to combine psychodrama with more traditional thriller elements. The main problem is that, once the basic situation has been (elaborately) set up, the story seems to get stalled and has nowhere to go. There is also a subplot, involving Liam Neeson in an early role as Mickey Rourke's old comrade in the IRA, that's ultimately just a waste of time. (**)
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