The day after the funeral of Varlam Aravidze, the mayor of a small Georgian town, his corpse turns up in his son's garden and is secretly reburied. But the corpse keeps returning, and the ...
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During World War II, Georgy Makharashvili, an old peasant wine-grower, leaves his Georgian village and goes off to the front lines to find his son, a wounded soldier. But before the father ... See full summary »
Giorgi tried different jobs in emigration, but did not succeed. He settled in France and died in nostalgia for his homeland. His ash was brought back in Georgia by his beloved grandson, who was greeted by the his Georgian relatives.
The Sun of the Sleepless. The film is about a doctor named Gela Bendeliani (Elgudzha Burduli) and his wealthless family in Tbilisi in Soviet Georgia. In the film Gela Bendeliani has an unlimited capacity for generosity and forgiveness.
In the pursuit of happiness orphan Ertaoz left for city, where he fell in love with pretty Margalita and went to jail to save her. There he met his future teacher Qristepore who dreamed of building flying machine and they broke the prison.
Brave sons of Khevsureti and Kisteti fight against each to protect their homelands. But, they confront faulty domestic traditions to respect enemy's true prowess and find themselves in conflict with own compatriots.
Modern time Tbilisi, Georgia. Cops arrest jobless heroine addict Checkie, 45, and give him 2 days to introduce Ika, 16, to drugs, so that they could blackmail Ika's politician father. If ... See full summary »
Pavle, who is a poor cart-driver has two girls, Maro and Tamro. The girls have a dream to take classes at a ballet school, but Pavle cannot afford such a luxury. Vardo, a laundress, decides to help the little girls.
A group of teenage boys from Tbilisi take a trip to Azerbaijan to buy drugs, and end up fighting in the Nagorno-Karabakh War, when they are captured by Azerbaijani militants, with one ... See full summary »
The day after the funeral of Varlam Aravidze, the mayor of a small Georgian town, his corpse turns up in his son's garden and is secretly reburied. But the corpse keeps returning, and the police eventually capture a local woman, who is accused of digging it up. She says that Varlam should never be laid to rest because he was responsible for a Stalin-like reign of terror that led to the disappearance of many of her friends... Written by
Michael Brooke <firstname.lastname@example.org>
Director Tengiz Abuladze stated that the idea to this film was based on a real incident (a local dignitary's corpse being exhumed and placed at the family's porch in the western Georgian region of Mingrelia). See more »
In the surrealist scene where the painter (Sandro Barateli) and the disgraced official (Mikheil Koresheli) meet and Mikheil explains the absurd charges for which he is being tried, a jet airplane can be heard passing overhead. See more »
Listen, Sandro. I thought a lot. I was thinking all nights through. We must name as many people as possible as the nation's enemies. They can't arrest them all. And when the number of the accused reaches an astronomical figure, those at the top will think twice, convene an extraordinary assembly and expose all the criminals that have misled the government. Do you understand, Sandro? This is tactics. A cunning, crafty tactics. We'll sign everything, we'll bring it to absurdity, to absolute ...
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This is a very good film. It works on several levels. I don't know whether this was intended by it's authors or no, but the general outline of the film has obvious Alice in the Wonderland (or Through the Looking-Glass) allusion. The confectioner woman imagines (or dreams about) a story of revenge and justice (a real cruel fairy tale adventure full of evil and good characters, colorful and strange images) and as in `Alice' right when the story gets kind of `out of control' (grandson kills himself with grandfathers riffle, son digs out the corpse of his father.) we get back to the cosy room of confectioner, from where our adventures to the past and future have begun.
It was really interesting to see the story of Totalitarian regime through this `fairy tale' angle. They make a lot of films that are meant to be much more historically precise than `Repentance', but most of them are flat and look more like TV dramatizations of some definite actual events than the works of art. And `Repentance' is an art-film in a very good sense of this word.
The closing sequence of Old Woman walking up the street (looking for the Temple - justice, freedom, happiness?) accompanied by heavenly classic music is one of the most beautiful film episodes I've ever seen.
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