The day after the funeral of Varlam Aravidze, the mayor of a small Georgian town, his corpse turns up in his son's garden and is secretly reburied. But the corpse keeps returning, and the ... See full summary »
During World War II, Georgy Makharashvili, an old peasant wine-grower, leaves his Georgian village and goes off to the front lines to find his son, a wounded soldier. But before the father ... See full summary »
Modern time Tbilisi, Georgia. Cops arrest jobless heroine addict Checkie, 45, and give him 2 days to introduce Ika, 16, to drugs, so that they could blackmail Ika's politician father. If ... See full summary »
Pilot Mimino works at small local airlines in Georgia, flying helicopters between small villages. He dreams of piloting large international airlines aircrafts, so he goes to Moscow for ... See full summary »
War in Georgia, Apkhazeti region in 1990. An Estonian man Ivo has stayed behind to harvest his crops of tangerines. In a bloody conflict at his door, a wounded man is left behind, and Ivo is forced to take him in.
The Soviet Union has collapsed. Civil and ethnic wars have broken out in Georgia, Azerbaijan, and Armenia, three republics in the Caucasus. The post-Soviet Caucasus have turned into one ... See full summary »
The day after the funeral of Varlam Aravidze, the mayor of a small Georgian town, his corpse turns up in his son's garden and is secretly reburied. But the corpse keeps returning, and the police eventually capture a local woman, who is accused of digging it up. She says that Varlam should never be laid to rest because he was responsible for a Stalin-like reign of terror that led to the disappearance of many of her friends... Written by
Michael Brooke <email@example.com>
Director Tengiz Abuladze stated that the idea to this film was based on a real incident (a local dignitary's corpse being exhumed and placed at the family's porch in the western Georgian region of Mingrelia). See more »
In the surrealist scene where the painter (Sandro Barateli) and the disgraced official (Mikheil Koresheli) meet and Mikheil explains the absurd charges for which he is being tried, a jet airplane can be heard passing overhead. See more »
Excuse me, does this street lead to a church? I want to know whether this street leads to a church.
No, this is Varlam Street, and it doesn't lead to a church.
Then what do you need it for? Why have a road that doesn't lead to a church?
See more »
This wonderful Georgian film emerged from the last years of the Soviet regime, but seems to have disappeared without trace. The final film of a trilogy by the veteran film-maker Tengiz Abuladze, it portrays a composite monster, Varlam (Hitler moustache, Mussolini shirt & braces, Stalin boots, Beria pince-nez) and his equally grotesque son Abel, both played by the same actor.
The film has a surrealist, dreamlike quality about it, framed by initial and final scenes in a cake-shop and with police almost comic in medieval armour. The main actions which initiate the plot are surrealist with the repeated exhumation of Varlam's corpse. The two monstrous central characters are no more than mayors of a small Georgian town - but there is nothing comic about their actions and the reign of terror they bring to the community. The elements of tyranny are revealed economically, with hints of atrocities and disappearances but only one brief torture scene. The overall message is that of personal responsibility. The tyrannical regime is not an anonymous bureaucracy but the deliberate creation of evil men. And the final repentance is a horrific recognition of those responsibilities. An unmissable film, beautifully made and superbly acted - if you can find it.
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