Repentance
(1984)
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Repentance
(1984)
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| Cast overview, first billed only: | |||
| Avtandil Makharadze | ... |
Varlam Aravidze /
Abel Aravidze
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Iya Ninidze | ... |
Guliko
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Zeinab Botsvadze | ... |
Ketevan Barateli
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Ketevan Abuladze | ... |
Nino Barateli
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Edisher Giorgobiani | ... |
Sandro Barateli
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Kakhi Kavsadze | ... |
Mikheil Koresheli
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| Merab Ninidze | ... |
Tornike
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Nino Zaqariadze | ... |
Elene Korisheli
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Nano Ochigava | ... |
Ketevan as a child
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Boris Tsipuria |
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Akaki Khidasheli |
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Leo Antadze | ... |
(as Levan Antadze)
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Rezo Esadze |
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Mzia Makhviladze | ... |
(as M. Makhazadze)
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Amiran Amiranashvili |
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The day after the funeral of Varlam Aravidze, the mayor of a small Georgian town, his corpse turns up in his son's garden and is secretly reburied. But the corpse keeps returning, and the police eventually capture a local woman, who is accused of digging it up. She says that Varlam should never be laid to rest because he was responsible for a Stalin-like reign of terror that led to the disappearance of many of her friends... Written by Michael Brooke <michael@everyman.demon.co.uk>
It's almost impossible to appreciate the extraordinary conditions which inspired this Soviet political allegory, and which (after four years in limbo) allowed it to finally be released. But is it worth the necessary mental arithmetic required to understand it as a native Russian might? Certainly the film is a worthwhile barometer of (then) current Soviet attitudes, but most of the dramatic potential in the scenario is wasted on transparent symbolism and too many ponderous soliloquies into the nature of sin and guilt. It wants to be a satire of Josef Stalin's bloody dictatorship, but the story is little more than a simple political fantasy, set in a nameless city where the corpse of the recently deceased mayor keeps reappearing in public, prompting several flashbacks to the tyranny and oppression of his life in power. The daring comparison of Stalin to Hitler must have been heady stuff for sheltered Soviet filmgoers, just then coming to grips with glasnost, but for the rest of us the most memorable aspect of the film might be its striking poster art.