Monanieba (1984)

Director:

Tengiz Abuladze

Writers:

Tengiz Abuladze (writer)
Nana Dzhanelidze (writer)

Release Date:

1984 (Soviet Union)

Genre:

Drama

Plot:

The day after the fumeral of Varlam Aravidze, the mayor of a small Georgian town, his corpse turns up in his son's garden and is secretly reburied...

Plot Keywords:

Son | Mayor | Celebration | Nun | Burial

Awards:

Nominated for Golden Globe. Another 10 wins & 1 nomination

Cast

Avtandil Makharadze	...	Varlam Aravidze / Abel Aravidze
Ya Ninidze	...	Guliko
Zeinab Botsvadze	...	Ketevan Barateli
Ketevan Abuladze	...	Nino Barateli
Edisher Giorgobiani	...	Sandro Barateli
Kakhi Kavsadze	...	Mikheil Koresheli
Merab Ninidze	...	Tornike
Nino Zaqariadze	...	Elene Korisheli
Nano Ochigava	...	Ketevan as a child
Boris Tsipuria
Akaki Khidasheli
Leo Antadze		(as Levan Antadze)
Rezo Esadze
Mzia Makhviladze		(as M. Makhazadze)
Amiran Amiranashvili

Also Known As:

Покаяние (Soviet Union: Russian title)
Pokayanie (Soviet Union: Russian title)
Repentance (USA)

Runtime:

153 min

Country:

Georgia | Soviet Union

Language:

Georgian

Color:

Color

Sound Mix:

Stereo

Certification:

Australia:M | Finland:K-12 | Sweden:11 | USA:PG

Company:

Qartuli Pilmi

Trivia:

Director Tengiz Abuladze stated that the idea to this film was based on a real incident (a local dignitary's corpse being exhumed and placed at the family's porch in the western Georgian region of Mingrelia).

Goofs:

Anachronisms: In the surrealist scene where the painter (Sandro Barateli) and the disgraced official (Mikheil Koresheli) meet and Mikheil explains the absurd charges for which he is being tried, a jet airplane can be heard passing overhead.

An astonishing portrait of a totalitarian monster

This wonderful Georgian film emerged from the last years of the Soviet regime, but seems to have disappeared without trace. The final film of a trilogy by the veteran film-maker Tengiz Abuladze, it portrays a composite monster, Varlam (Hitler moustache, Mussolini shirt & braces, Stalin boots, Beria pince-nez) and his equally grotesque son Abel, both played by the same actor.

The film has a surrealist, dreamlike quality about it, framed by initial and final scenes in a cake-shop and with police almost comic in medieval armour. The main actions which initiate the plot are surrealist with the repeated exhumation of Varlam's corpse. The two monstrous central characters are no more than mayors of a small Georgian town - but there is nothing comic about their actions and the reign of terror they bring to the community. The elements of tyranny are revealed economically, with hints of atrocities and disappearances but only one brief torture scene. The overall message is that of personal responsibility. The tyrannical regime is not an anonymous bureaucracy but the deliberate creation of evil men. And the final repentance is a horrific recognition of those responsibilities. An unmissable film, beautifully made and superbly acted - if you can find it.