The day after the funeral of Varlam Aravidze, the mayor of a small Georgian town, his corpse turns up in his son's garden and is secretly reburied. But the corpse keeps returning, and the ... See full summary »
Modern time Tbilisi, Georgia. Cops arrest jobless heroine addict Checkie, 45, and give him 2 days to introduce Ika, 16, to drugs, so that they could blackmail Ika's politician father. If ... See full summary »
The Soviet Union has collapsed. Civil and ethnic wars have broken out in Georgia, Azerbaijan, and Armenia, three republics in the Caucasus. The post-Soviet Caucasus have turned into one ... See full summary »
Pilot Mimino works at small local airlines in Georgia, flying helicopters between small villages. He dreams of piloting large international airlines aircrafts, so he goes to Moscow for ... See full summary »
Small Georgian village (ca. 1890) Magdana a widow lives in a shack with her 3 children and ekes out a living selling yogurt. When the children find a donkey lying by the road and nurse it to health, it seems the family's troubles are over.
The day after the funeral of Varlam Aravidze, the mayor of a small Georgian town, his corpse turns up in his son's garden and is secretly reburied. But the corpse keeps returning, and the police eventually capture a local woman, who is accused of digging it up. She says that Varlam should never be laid to rest because he was responsible for a Stalin-like reign of terror that led to the disappearance of many of her friends... Written by
Michael Brooke <email@example.com>
Movie was ready for release in 1984, but it was banned until 1987 (premiere in Cannes). See more »
In the surrealist scene where the painter (Sandro Barateli) and the disgraced official (Mikheil Koresheli) meet and Mikheil explains the absurd charges for which he is being tried, a jet airplane can be heard passing overhead. See more »
Listen, Sandro. I thought a lot. I was thinking all nights through. We must name as many people as possible as the nation's enemies. They can't arrest them all. And when the number of the accused reaches an astronomical figure, those at the top will think twice, convene an extraordinary assembly and expose all the criminals that have misled the government. Do you understand, Sandro? This is tactics. A cunning, crafty tactics. We'll sign everything, we'll bring it to absurdity, to absolute ...
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This is a very good film. It works on several levels. I don't know whether this was intended by it's authors or no, but the general outline of the film has obvious Alice in the Wonderland (or Through the Looking-Glass) allusion. The confectioner woman imagines (or dreams about) a story of revenge and justice (a real cruel fairy tale adventure full of evil and good characters, colorful and strange images) and as in `Alice' right when the story gets kind of `out of control' (grandson kills himself with grandfathers riffle, son digs out the corpse of his father.) we get back to the cosy room of confectioner, from where our adventures to the past and future have begun.
It was really interesting to see the story of Totalitarian regime through this `fairy tale' angle. They make a lot of films that are meant to be much more historically precise than `Repentance', but most of them are flat and look more like TV dramatizations of some definite actual events than the works of art. And `Repentance' is an art-film in a very good sense of this word.
The closing sequence of Old Woman walking up the street (looking for the Temple - justice, freedom, happiness?) accompanied by heavenly classic music is one of the most beautiful film episodes I've ever seen.
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