The day after the funeral of Varlam Aravidze, the mayor of a small Georgian town, his corpse turns up in his son's garden and is secretly reburied. But the corpse keeps returning, and the ...
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The Sun of the Sleepless. The film is about a doctor named Gela Bendeliani (Elgudzha Burduli) and his wealthless family in Tbilisi in Soviet Georgia. In the film Gela Bendeliani has an unlimited capacity for generosity and forgiveness.
In the pursuit of happiness orphan Ertaoz left for city, where he fell in love with pretty Margalita and went to jail to save her. There he met his future teacher Qristepore who dreamed of building flying machine and they broke the prison.
During World War II, Georgy Makharashvili, an old peasant wine-grower, leaves his Georgian village and goes off to the front lines to find his son, a wounded soldier. But before the father ... See full summary »
Brave sons of Khevsureti and Kisteti fight against each to protect their homelands. But, they confront faulty domestic traditions to respect enemy's true prowess and find themselves in conflict with own compatriots.
Pavle, who is a poor cart-driver has two girls, Maro and Tamro. The girls have a dream to take classes at a ballet school, but Pavle cannot afford such a luxury. Vardo, a laundress, decides to help the little girls.
Back from the war, a promising sculptor Aguli gets married and while in the need to make for living becomes stuck in daily routine. Thus, he fails to create something special, but his apprentice is a new hope.
A group of teenage boys from Tbilisi take a trip to Azerbaijan to buy drugs, and end up fighting in the Nagorno-Karabakh War, when they are captured by Azerbaijani militants, with one ... See full summary »
The day after the funeral of Varlam Aravidze, the mayor of a small Georgian town, his corpse turns up in his son's garden and is secretly reburied. But the corpse keeps returning, and the police eventually capture a local woman, who is accused of digging it up. She says that Varlam should never be laid to rest because he was responsible for a Stalin-like reign of terror that led to the disappearance of many of her friends... Written by
Michael Brooke <email@example.com>
Official submission of Soviet Union for the 'Best Foreign Language Film' category of the 60th Academy Awards in 1988. See more »
In the surrealist scene where the painter (Sandro Barateli) and the disgraced official (Mikheil Koresheli) meet and Mikheil explains the absurd charges for which he is being tried, a jet airplane can be heard passing overhead. See more »
I understand, but this is not an argument for the letter's authors.
Maybe the artist's talent isn't a strong argument for them either? They have in mind his stand.
What are you talking about? Talent is kindness, and that's already a stand!
I understand that Sandro Barateli is your friend and pupil.By the way, do you know that he's my relative?
No... I didn't know that.
Even a close relative. Write a protest, esteemed Mikhail. Barateli is arrested, but he's not convicted. I was just executing ...
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This wonderful Georgian film emerged from the last years of the Soviet regime, but seems to have disappeared without trace. The final film of a trilogy by the veteran film-maker Tengiz Abuladze, it portrays a composite monster, Varlam (Hitler moustache, Mussolini shirt & braces, Stalin boots, Beria pince-nez) and his equally grotesque son Abel, both played by the same actor.
The film has a surrealist, dreamlike quality about it, framed by initial and final scenes in a cake-shop and with police almost comic in medieval armour. The main actions which initiate the plot are surrealist with the repeated exhumation of Varlam's corpse. The two monstrous central characters are no more than mayors of a small Georgian town - but there is nothing comic about their actions and the reign of terror they bring to the community. The elements of tyranny are revealed economically, with hints of atrocities and disappearances but only one brief torture scene. The overall message is that of personal responsibility. The tyrannical regime is not an anonymous bureaucracy but the deliberate creation of evil men. And the final repentance is a horrific recognition of those responsibilities. An unmissable film, beautifully made and superbly acted - if you can find it.
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