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Directed by | |||
| John Hughes | |||
Writing credits | ||
| John Hughes | (written by) | |
Produced by | |||
| Bill Brown | .... | associate producer | |
| Michael Chinich | .... | executive producer | |
| John Hughes | .... | producer | |
| Neil A. Machlis | .... | executive producer (as Neil Machlis) | |
Original Music by | |||
| Ira Newborn | (music score) | ||
Cinematography by | |||
| Donald Peterman | (director of photography) (as Don Peterman) | ||
Film Editing by | |||
| Paul Hirsch | |||
Casting by | |||
| Janet Hirshenson | |||
| Jane Jenkins | |||
Production Design by | |||
| John W. Corso | |||
Art Direction by | |||
| Harold Michelson | |||
Set Decoration by | |||
| Jane Bogart | |||
| Linda Spheeris | |||
Costume Design by | |||
| April Ferry | |||
Makeup Department | |||
| Frank Griffin | .... | makeup artist | |
| Ben Nye Jr. | .... | makeup designer: John Candy | |
| Dione Taylor | .... | hair stylist | |
| Toni-Ann Walker | .... | hair designer: Steve Martin | |
Production Management | |||
| Neil A. Machlis | .... | unit production manager | |
| Tom Razzano | .... | unit production manager: New York (as Thomas A. Razzano) | |
Second Unit Director or Assistant Director | |||
| Arthur Anderson | .... | second assistant director | |
| Bill Brown | .... | second unit director | |
| Patrick Burns | .... | assistant director: New York (as Pat Burns) | |
| Jeanne Caliendo | .... | second second assistant director | |
| Bennie E. Dobbins | .... | second unit director (as Bennie Dobbins) | |
| James Giovannetti Jr. | .... | first assistant director: second unit, Chicago | |
| Richard Graves | .... | first assistant director: second unit | |
| James Greenhut | .... | assistant director: New York (as Jimmy Greenhut) | |
| Gaetano Lisi | .... | assistant director: New York | |
| Mark Radcliffe | .... | first assistant director | |
Art Department | |||
| Mike Blaze | .... | propmaster: second unit (as Michael Blaze) | |
| Ed Brown | .... | lead person (as Edmond Brown) | |
| James M. Davis | .... | propmaker foreperson (as Jim Davis) | |
| Louis M. Mann | .... | set designer (as Louis Mann) | |
| Jack M. Marino | .... | property master (as Jack Marino) | |
| Jeff Passanante | .... | construction foreperson (as Jeff Passante) | |
| Edmund Villa | .... | assistant property master (as Eddie Villa) | |
| Ed Brown | .... | lead man (uncredited) | |
| Phillip Ellman | .... | set dresser (uncredited) | |
| Anthony Joseph Fatigato | .... | stand-by painter: St.Louis (uncredited) | |
| Robert E. Knight | .... | signwriter (uncredited) | |
| Alan Sims | .... | assistant property master (uncredited) | |
| Mark Sparks | .... | propmaker foreman (uncredited) | |
| Timothy W. Tiedje | .... | property master: Chicago (uncredited) | |
Special Effects by | |||
| William Aldridge | .... | special effects (as Bill Aldridge) | |
| Roger Lifsey | .... | assistant special effects | |
| Stan Parks | .... | special effects | |
| Ken Speed | .... | special effects (uncredited) | |
| Dieter Sturm | .... | special effects snow maker (uncredited) | |
Visual Effects by | |||
| Mat Beck | .... | visual effects camera: Boss Films Studios (uncredited) | |
| Dennis Michelson | .... | visual effects (uncredited) | |
Stunts | |||
| Bennie E. Dobbins | .... | stunt coordinator (as Bennie Dobbins) | |
| Corey Michael Eubanks | .... | stunt driver (as Corey Eubanks) | |
| Kent Hays | .... | utility stunts | |
| Robert Jauregui | .... | stunt double: Neal (as Bob Jaurequi) | |
| Jeff Jensen | .... | stunt double: Del (as Jeff Jenson) | |
| William T. Lane | .... | utility stunts (as Bill Lane) | |
| Rick Le Fevour | .... | stunt double: Doobie and Owen (as Rick LeFevour) | |
| Mike Tillman | .... | stunt driver | |
Casting Department | |||
| Nan Charbonneau | .... | casting: Chicago | |
| Barbara Flinn | .... | extras casting: Central Casting | |
| Richard S. Kordos | .... | casting: Chicago | |
| Catherine Jane Holzer | .... | extras casting (uncredited) | |
| Mark A. Ridge | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Paul Lopez | .... | key costumer | |
| Silvio Scarano | .... | key costumer | |
| Dennis Schoonderwoerd | .... | costumer: Steve Martin | |
Editorial Department | |||
| Deborah Belovitch | .... | apprentice editor | |
| Adam Bernardi | .... | additional editor | |
| David Dresher | .... | assistant editor | |
| Jerrie Fowler | .... | assistant editor: Chicago | |
| Rick Howe | .... | apprentice editor | |
| Andrew London | .... | additional editor | |
| Jim Prior | .... | assistant editor | |
| Peck Prior | .... | additional editor | |
| Robert Raring | .... | color timer (as Bob Raring) | |
| Emmy Scharlatt | .... | apprentice editor | |
Music Department | |||
| Brian Banks | .... | composer: additional music score | |
| Jeff Carson | .... | music editor: Segue Music | |
| Tarquin Gotch | .... | music supervisor | |
| Gary Ladinsky | .... | music scoring mixer | |
| Anthony Marinelli | .... | composer: additional music score | |
| Don Nemitz | .... | orchestrator | |
| Ron Payne | .... | music coordinator | |
| Bob Bornstein | .... | music preparation (uncredited) | |
| Greg Fulginiti | .... | music engineer (uncredited) | |
| Anthony Marinelli | .... | orchestrator (uncredited) | |
| James Thatcher | .... | musician: French horn (uncredited) | |
Transportation Department | |||
| John Hardy | .... | transportation co-captain: Chicago | |
| Dan Marrow | .... | transportation coordinator | |
| Billy Martin | .... | transportation captain: Chicago (as Billy Martin Jr.) | |
| Gaston Veilleux | .... | transportation captain | |
Other crew | |||
| Iono Abrams | .... | production assistant (as Jono Abrams) | |
| Pamela Alch | .... | script supervisor (as Pam Alch) | |
| Kevin Richard Buxbaum | .... | assistant production auditor (as Kevin Buxbaum) | |
| Peter Carley | .... | production assistant | |
| Nyna Cravens | .... | assistant: John Candy | |
| Katharine Ann Curtiss | .... | production office coordinator (as Katherine Ann Curtiss) | |
| Lydia Dean Pilcher | .... | location coordinator: New York | |
| Julie Donall | .... | production assistant | |
| Robbie Goldstein | .... | location manager (as Robert J. Goldstein) | |
| Linda Gordon | .... | secretary: John Hughes | |
| Scott E. Hart | .... | animal trainer (as Scott Hart) | |
| Billy Higgins | .... | location manager: Chicago | |
| Nancy Hopton | .... | script supervisor | |
| Michele Imperato | .... | production secretary | |
| Art 'Klondike' Jones | .... | craft service (as Art Klondike Jones) | |
| Andrew Lipschultz | .... | publicist | |
| Tim McNeal | .... | production assistant | |
| Scott Nimerfro | .... | production assistant | |
| Robert Thorson | .... | production auditor (as Robert C. Thorson) | |
| Jane Vickerilla | .... | assistant: John Hughes (as Jane Vickerella) | |
| Kevin Bassett | .... | second unit production assistant (uncredited) | |
| Kathy Bond | .... | production assistant (uncredited) | |
| Susan J. Bonno-Buckner | .... | assistant accountant (uncredited) | |
| Devron Conrad | .... | stand-in: Steve Martin (uncredited) | |
| Tom Mogavero | .... | production assistant (uncredited) | |
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| Due Date | Sullivan's Travels | My One and Only | The Matador | My Own Private Idaho |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb USA section |
Neal Page is trying to get home in time for thanksgiving with his family. When his plane is diverted to Wichita due to heavy snow elsewhere he finds himself partnering up with shower curtain salesman Del Griffith. However Del is not Neal's immediate first choice for travelling partner and the two soon find that one misfortune after another wears their patience very thin.
While comedies have moved on to become more grosser and outrageous in order to tickle our dulled funny bone, PT&A manages it with what now seems like restraint but is really a good example of `wacky' comedy, mixed with a good vein of sentiment and character. The plot is pretty good although some of it pushes the boat out to the unreal in order to get laughs but this isn't a problem because it DOES get laughs, if it hadn't then it might have been an issue. Most of it is hilarious although some drags early on.
The deeper beauty of the film is how well controlled Hughes is in painting his emotions. Usually his stuff can be sickly sweet but here he mixes it well with the comedy. The relationship between Neal and Del is good and they both have things to learn (more so Neal), the hurt they inflict on one another is well done and not to the point that the comedy is stopped. Thankfully the two actors are good enough to carry it off. Martin is close to his manic best and Candy plays a loveable goof. The best scene to see them working is when Martin is laying into Del in the hotel room the expressions on their faces (Candy esp) during this makes it hard not to feel anything. The support cast do good work whether it be now-famous cameos or just support cast but each character has their own little thing!
Overall I worry that modern audiences may have become so used to everything being so OTT and gross that this film may seem subtle (even though it isn't). However aside from that this is a very funny film that does have a good heart. Not a perfect film in any way but it does exactly what it says on the tin - it made me laugh hard but also had a believable emotional core.