Directors:

(as Betty Carter), (as Betty Carter)

Writers:

(as Chuck Evans), (story) (as Lulu Laverne)
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Cecila is raped. She goes home and has sex with her husband. She confesses to him that she had enjoyed the rape and it had aroused her to have sex with him after a long period of marital ... See full summary »

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An insatiable but neglected housewife is going to teach her husband a lesson he will not expect.

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Secret agents against spies who hide microfilm up their behinds.

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The hardcore XXX version of L'éventreur de Notre-Dame (1975) and El sádico de Notre-Dame (1979).

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A hotel somewhere in coastal Spain is the destination for three couples in search of a little adventure to spice up their sex lives.

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A doctor, working in a hospital, tries to seduce any patient or nurse that he can.

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A runaway girl is kidnapped by a gang of wealthy sadists and turned into their drug-addicted sex slave.

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A self-confident sexy woman's eroticism.

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Cast

Cast overview:
...
Barbara (as Jean Collins)
M. Fernández Moreno ...
(as Melanie Robson)
A. Bartos ...
(as Bruce Leduc)
José Miguel García ...
(as Morgan Childrum)
C. González Ordi ...
(as Rex Robinson)
Elisa Mateo ...
(as Traci King)
R. Sáez Montoro ...
(as John Olms)
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female nudity | sex | hardcore | See All (3) »

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Adult

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Release Date:

1 June 1987 (Spain)  »

Also Known As:

Fellations sauvages  »

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Franco's Civil War
10 November 2006 | by (Virginia Beach) – See all my reviews

Let's face it, Jess Franco is valuable. He's an intuitive, an oaf, an illiterate, an anti-intellectual. He's not like John Waters, who displays trailer trash. He IS trailer trash. He apparently does no planning for his movies and sort of makes them up as he goes, coming to work each day, using whoever shows up.

But his intuitions are so mystifyingly perfect sometimes. He is the genius who invented the superpositions we celebrate in "Rocky Horror," the well sculpted sleaze. But that perfection of narrative cinema — the insertion of something from one movie tradition into another in a way that shows mastery of both — is important because it seems to underpin much of what we see in today's Spanish-speaking filmmakers. They don't do sleaze, that's irrelevant. They superimpose, fold.

But Franco is a tough one to like. He's still making movies, over a hundred and fifty so far. Most of them have none of his magic in them and most of those, I think, weren't even made by him. That's because he usually doesn't even come to work, and his long time companion runs the show, making movies that feature herself. Its the Yoko Ono deal run amok.

Needless to say, she is trailer trash in the uninteresting sense, someone who believes vulvas are expressive. The films that appear from her have neither Romay or Franco's names on them instead one of the dozens of pseudonyms they've invented, here "Betty Carter."

I do recommend you spend time with Franco. There are a half dozen you probably must see and as with many filmmakers ignore what you see and watch how it is put together. But not this. Its made by the walking dead.

Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.


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