Somewhere in France during the Middle Ages. Béatrice is impatient to see her father return from English captivity. She doesn't expect however that the father whom she loves from distance ...
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In occupied France, German-run Continental Films calls the shots in the movie business. Assistant director and Resistance activist Jean Devaivre works for Continental, where he can get "in ... See full summary »
The setting is the Riviera in autumn. A retired English businessman has just been through heart surgery but it has, apparently, done little to relieve his constant pain or improve his ... See full summary »
In France, before WWI. As every Sunday, an old painter living in the country is visited by his son Gonzague, coming with his wife and his three children. Then his daugther Irene arrives. ... See full summary »
Bulgaria near the end of World War I: Conan, warrior and wolf, leads a band of 50 ruthless French fighters who love hand-to-hand combat. Their motto: "We forgot to take prisoners, Captain."... See full summary »
Samuel Le Bihan,
Bernard Le Coq
Daniel is schoolmaster of a kindergarten in a small French town. The local economy, which depended entirely on coal production, has been mired in a depression ever since the mines were ... See full summary »
The two directors meander through rural Mississippi in search of the spirit of local music and society. Highlights the heritage of William Faulkner, the role of Black churches, and gospel and blues music.
Three adolescents, a girl who serves as the priming and two boys, kill two men cold blooded who were known by the girl only for to steal the money of them. With the money the three want to ... See full summary »
Somewhere in France during the Middle Ages. Béatrice is impatient to see her father return from English captivity. She doesn't expect however that the father whom she loves from distance will be the most hateful person who will submit her and her family to abuse and humiliation. Written by
Dragomir R. Radev <firstname.lastname@example.org>
I've never been able to shake this movie. Although I hated it while watching it, its authority convinced me utterly that its portrait of medieval castle life as lonely, dreary, and brutal (contradicting the swashbuckling fantasies in which many of us are apt to indulge) is the way it probably was. Indeed, the recollection of that awful, far-flung, yet confining world overrides and incapacitates every representation of the period I've seen since. It must be one of the most convincing views of a historical era ever put on film. The film itself is brutal; that was one reason I hated watching it; but in retrospect I believe there was no other way to tell the story fairly, and certainly it's the humanity of Beatrice, not the inhumanity of her surroundings, that the film leaves as its final impression. If this isn't a great film, it's a commanding and uncompromising one.
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