After witnessing the murder of a famous psychic, a musician teams up with a feisty reporter to find the killer while evading attempts on their lives by the unseen assailant bent on keeping a dark secret buried.
A young man tries to help a teenage European girl whom escaped from a clinic hospital after witnessing the murder of her parents by a serial killer and they try to find the killer before the killer finds them.
A newspaper reporter and a retired, blind journalist try to solve a series of killings connected to a pharmaceutical company's experimental, top-secret research projects and in so doing, both become targets of the killer.
A Rome policewoman teams up with a British Interpol agent to find a crafty serial killer whom plays a taunting game of cat-and-mouse with the police by abducting and killing young women and showing it over an Internet web cam.
A young opera singer (Betty) gets her big chance when the previous star of a production of Verdi's Macbeth is run over by a car. Convinced the opera is bad luck she accepts, and becomes the target (in Argento's unmistakable style) of a psychopath - a man she has been dreaming of since childhood. Written by
David Carroll <email@example.com>
There has frequently been controversy about the film's aspect ratio since it was shot in the Super 35 process and released both in 2,35:1 and 1,85:1 on DVD with the general conclusion being that 2,35:1 was the ratio intended by Dario Argento since he had the film shown that way on various festivals and obviously chose to use Super 35 himself for this film. See more »
When in the wardrobe studio to repair the damaged dress, the wind is blowing on sheets of fabrics laying on the floor. While the camera is traveling forward, it pans to the right, and the camera crew is visible in a mirror's reflection. See more »
not Dario's best, but better than most of it's type.
Opera (the U.S. title is terror at the opera) is somewhat of a letdown after some of Dario's other movies like Phenomena, Tenebre, and Suspiria. (i still can't find Inferno anywhere.) it's one of those movies that has a great first half but midway through it's like someone started slowly letting the air out of the screenplay and logic.
the basic plot involves a beautiful opera singer who is being stalked by a deranged obsessed fan. this killer begins killing people close to her in a most unique fashion. he binds and gags her and tape tiny sharp pins under her eyelids so if she tries to close her eyes she'll gouge out her eyes. this forces her to watch while the killer murders her acquaintances in typically brutal and gory Argento fashion.
unfortunately, about midway through the film becomes sluggish and illogical. (this is especially directed towards the killer's motivations. i still haven't completely figured out why he's such a nut.) the ending especially come out of left field in the worst possible sense.
but, for about the first hour or so this is some of Dario's best filmmaking and the camera work is breathtaking. too bad it couldn't maintain it through to the end.
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