| Mariangela Melato | ... | Fulvia | |
| Michele Placido | ... | Beppe | |
| Roberto Herlitzka | ... | Turi | |
| Massimo Wertmüller | ... | Miki |
Directed by | |||
| Lina Wertmüller | |||
Writing credits(in alphabetical order) | ||
| Lina Wertmüller | ||
Produced by | |||
| Gianni Minervini | .... | producer | |
| Elio Scardamaglia | .... | associate producer | |
Original Music by | |||
| Pino D'Angiò | |||
| Greco | |||
Cinematography by | |||
| Camillo Bazzoni | |||
Film Editing by | |||
| Luigi Zitta | |||
Production Design by | |||
| Enrico Job | |||
Production Management | |||
| Gino Millozza | .... | production manager | |
Special Effects by | |||
| Franco Ragusa | .... | special effects | |
Visual Effects by | |||
| Christian Gazzi | .... | digital mastering colorist | |
Camera and Electrical Department | |||
| Maurizio Piano | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Benito Persico | .... | costume coordinator | |
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| Scherzo del destino in agguato dietro l'angolo come un brigante da strada | Swept Away | Mimì metallurgico ferito nell'onore | Ferdinando e Carolina | The Blue Collar Worker and the Hairdresser in a Whirl of Sex and Politics |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb Italy section |
The director of SWEPT AWAY, SEVEN BEAUTIES, LOVE AND ANARCHY, and SOTTO SOTTO has given us another of her offerings on the battle of the sexes, Italian style. Its full title translates as "Summer Night with Greek Profile, Almond Eyes and Scent of Basil". Mariangela Melato plays a tarantula-like Milanese industrialist, while Michele Placido is a brutish Sicilian bandit leader. In an update of the class warfare struggle and a reversal of the kidnapping roles, this super-rich dame abducts the handsome bandit/beast, has him bound in designer Enrico Coveri chains and transported to her plush villa where she provides him with some exquisitely vengeful torture and lovin'. It is a kinky and sometimes funny movie, but one hears the unsubtle voice of Wertmuller repeating itself ad nauseam from film to film and this ultimately has a tiresome effect. The most pleasing Wertmuller films of the past decade have not been sexual/political diatribes like this but the more human and humane charmers CIAO, PROFESSORE (IO, SPERIAMO CHE ME LA CAVO) and SATURDAY, SUNDAY, AND MONDAY with Sophia Loren.