| Hal Havins | ... | Stooge | |
| Allison Barron | ... | Helen | |
| Alvin Alexis | ... | Rodger | |
| Harold Ayer | ... | Old Man | |
| Billy Gallo | ... | Sal (as William Gallo) | |
| Cathy Podewell | ... | Judy | |
| Karen Ericson | ... | Judy's Mother | |
| Lance Fenton | ... | Jay | |
| Donnie Jeffcoat | ... | Billy (as Donnie Jeffcoat Jr.) | |
| Linnea Quigley | ... | Suzanne | |
| James W. Quinn | ... | Clerk #1 / Demon Voices | |
| Clark Jarrett | ... | Clerk #2 | |
| Amelia Kinkade | ... | Angela (as Mimi Kinkade) | |
| Jill Terashita | ... | Frannie | |
| Philip Tanzini | ... | Max | |
| Marie Denn | ... | Old Man's Wife |
Directed by | |||
| Kevin Tenney | (as Kevin S. Tenney) | ||
Writing credits | ||
| Joe Augustyn | (written by) | |
Produced by | |||
| Joe Augustyn | .... | producer | |
| Jeff Geoffray | .... | supervising producer | |
| Michael Josten | .... | associate producer | |
| Patricia Bando Josten | .... | associate producer | |
| Walter Josten | .... | executive producer | |
| Don Robinson | .... | line producer | |
| Rene Torres | .... | associate producer | |
| Doug Yerkes | .... | associate producer | |
Original Music by | |||
| Dennis Michael Tenney | |||
Cinematography by | |||
| David Lewis | (director of photography) | ||
Film Editing by | |||
| Daniel Duncan | |||
Casting by | |||
| Tedra Gabriel | |||
Art Direction by | |||
| Ken Aichele | |||
Set Decoration by | |||
| Sally Nicholaou Hamilton | (as Sally Nicolaou) | ||
Makeup Department | |||
| Kevin Brennan | .... | special makeup effects crew | |
| Eric Fiedler | .... | special makeup effects: first technician | |
| Mark Garbarino | .... | special makeup effects crew | |
| Emilio M. Gonzales | .... | special makeup effects crew (as Emilio Gonzales) | |
| Steve Johnson | .... | special makeup effects designer and creator | |
| Dave Matherly | .... | special makeup effects crew | |
| Lesa Nielsen | .... | special makeup effects crew (as Lesa Nielson) | |
| Antoinette Ponzo | .... | key makeup artist | |
| Nenette Saldana | .... | hair stylist | |
| Melanie Verkins | .... | assistant makeup artist | |
| Bill Forsche | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| Jackson Harvey | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| David Max | .... | second second assistant director (as David M. Max) | |
| Lee McConnell | .... | second assistant director (as L.A. McConnell) | |
| Kelly Schroeder | .... | first assistant director | |
Art Department | |||
| David Durand | .... | concept illustrator | |
| Pamela Hawthorne | .... | set dresser | |
| John Henry | .... | set carpenter | |
| Chris Jensen | .... | set carpenter | |
| John Krajewski | .... | scenic artist | |
| Robert Lucas | .... | property master | |
| Chad Mason | .... | set construction | |
| Michael Miller | .... | property assistant | |
| Karen Reynolds | .... | scenic artist | |
Sound Department | |||
| Rick Ash | .... | sound re-recording mixer | |
| Zane D. Bruce | .... | foley artist (as Zane Bruce) | |
| Brian Courcier | .... | dialogue editor | |
| Louis Creveling | .... | sound effects editor | |
| Robert Friedman | .... | foley artist | |
| Warren Grisham | .... | adr mixer | |
| Bo Harwood | .... | sound mixer | |
| Lee Haxall | .... | sound designer | |
| Bill Oliver | .... | sound re-recording mixer | |
| Robert Pollard | .... | boom operator | |
| Angela Robinson | .... | sound effects editor | |
| Bob Weitz | .... | stereo consultant | |
| Melissa Sherwood Hofmann | .... | sound re-recording mixer (uncredited) | |
Special Effects by | |||
| Roger George | .... | pyrotechnician | |
| Lise Romanoff | .... | pyrotechnics assistant | |
| Nick Benson | .... | special effects (uncredited) | |
Visual Effects by | |||
| John Higbie | .... | matte camera | |
| Robert Stromberg | .... | matte artist | |
Stunts | |||
| Bob Brown | .... | stunt player (as Robert F. Brown) | |
| Brian Davis | .... | stunt player | |
| Marian Green | .... | stunt player (as Marian E. Green) | |
| Suzanne Harvey | .... | stunt player | |
| Janet Lee Orcutt | .... | stunt player | |
| Jon Conrad Pochron | .... | stunt player (as Jon C. Pochron) | |
| Lynn Salvatori | .... | stunt player (as Lynn Ann Salvatori) | |
| Paul E. Short | .... | stunt player (as Paul Short) | |
| John Stewart | .... | stunt coordinator (as John Michael Stewart) | |
| John Stewart | .... | stunt player (as John Michael Stewart) | |
Camera and Electrical Department | |||
| Bob Craig | .... | electrician | |
| Giles Dunning | .... | second assistant camera | |
| Ed Giovanni | .... | first assistant camera (as Edward Giovanni) | |
| Jim Heath | .... | still photographer | |
| Tom Keefer | .... | best boy grip | |
| Azusa Ohno | .... | gaffer | |
| George Palmer | .... | key grip | |
| Steve Reinhardt | .... | best boy electrician | |
| Troy Steinmetz | .... | electrician | |
| Rich Sutherland | .... | grip (as Rick Sutherland) | |
| Kim Thomas | .... | still photographer | |
| Oliver Whipple III | .... | grip | |
Animation Department | |||
| Kevin Kutchaver | .... | photography: animated title | |
| Kathy Zielinski | .... | creator: animated title sequence | |
Costume and Wardrobe Department | |||
| Beverly Hong | .... | fashion consultant | |
| Sharon McGunigle | .... | wardrobe assistant | |
| Donna Reynolds | .... | costumer | |
| Jan Rowton | .... | assistant to costumer | |
| Cynthia Dale Scott | .... | wardrobe assistant | |
Editorial Department | |||
| Joan C. Morisaki | .... | associate editor | |
| Myron Murakami | .... | first assistant editor | |
Music Department | |||
| Tom Amelotte | .... | score engineer | |
| Rod Ellis | .... | score engineer | |
| Scott Stacy | .... | music engineer | |
Transportation Department | |||
| Victor Anderson | .... | transportation captain | |
| Humberto De La Torre | .... | driver | |
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| Night of the Demons 2 | The Prowler | Twitch of the Death Nerve | Idle Hands | Torso |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
This movie took me by surprise. The opening credit sequence features nicely done animation. After that, we're plunged into a semi-cheesy production, betraying its low budget. The characters, typical American teens, are introduced slowly, with more personal detail than is usually found in movies like this. By the time the shlitz hits the fan, we know each one of the characters, and either like or hate them according to their distinct personalities. It's a slow uphill set-up, kind of like the ride up a slope of a really tall roller coaster. Thankfully, once the action kicks in, it's full blown old school HORROR! Steve Johnson's make-up effects are awesome. Equal in quality to much bigger budgeted films. And the scares are jolting. Kevin Tenney delivers his best movie ever, with heart-stopping surprises and creepy suspenseful set-ups. The tongue-in-cheek, sometimes cheesy, humor marks this film as pure 80s horror, as opposed to the sullen tone of earlier genre fare like "Night of the Living Dead" or "Hills Have Eyes." But for true horror fans, this one is worth checking out. Play it as the first entry on a double bill with the 1999 remake of "House on the Haunted Hill." The set-up and character dynamics are so similar that you really have to wonder what film they were actually remaking?