| Cast overview, first billed only: | |||
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Bernd Daktari Lorenz | ... |
Robert Schmadtke
(as Daktari Lorenz)
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Beatrice Manowski | ... |
Betty
(as Beatrice M.)
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Harald Lundt | ... |
Bruno
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Colloseo Schulzendorf | ... |
Joe
(as Collosseo)
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Henri Boeck | ... |
Joe's Streetcleaning Agency (J.S.A.) Employee
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Clemens Schwender | ... |
Joe's Streetcleaning Agency (J.S.A.) Employee
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Jörg Buttgereit | ... |
Joe's Streetcleaning Agency (J.S.A.) Employee
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Holger Suhr | ... |
Joe's Streetcleaning Agency (J.S.A.) Employee
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Volker Hauptvogel | ... |
Man with Gun
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Harald Weis | ... |
Dead in Garden
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Heike Surban | ... |
Prostitute
(as Heike S.)
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Patricia Leipold | ... |
Prostitute
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Elke Fuchs | ... |
Prostitute
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Margit Im Schlaa | ... |
Prostitute
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Suza Kohlstedt | ... |
Vera
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Graphic, low-budget gore-shocker about Rob and Betty, a couple of ordinary necrophiles who apparently don't mind if their dead sexual partners are not so fresh. Rob's job affords him the opportunity to bring home corpses and the odd body part; when he loses his job, he loses Betty, and Rob's life gets REALLY bizarre. Written by Jeff Hole <jeffhole@aol.com>
For the uninitiated, Nekromantik is one of the most notorious horror movies ever made. It may actually be reviled more than it is admired, even in horror circles, but it's one of those few movies that's provocative, in the truest sense of the word. Nekromantik is the story of a nice young couple with unusual sexual proclivities. Specifically, in order to get off, they require congress with a human corpse -- or at least a nice selection of pickled organs. Fortunately for these two, the fella (Daktari Lorenz) has a good job on the clean-up crew that tidies up automobile accidents, and eventually winds up with a real find, a half-rotten carcass dragged out of a swamp. He brings it home, where he and Betty (Beatrice M.) give it a warm welcome in a distended love scene involving a striking optical-printing technique that leaves motion trails on the screen as someone (presumably Lorenz, who doubled as composer of the score) pounds out the lyrical love theme on a piano. It's not all hugs and corpses, however, and when Betty abandons Rob after a tiff, the corpse goes with her.