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Directed by | |||
| Kathryn Bigelow | |||
Writing credits | ||
| Kathryn Bigelow | (written by) and | |
| Eric Red | (written by) | |
Original Music by | |||
| Tangerine Dream | |||
Cinematography by | |||
| Adam Greenberg | |||
Film Editing by | |||
| Howard E. Smith | |||
Casting by | |||
| Karen Rea | |||
Production Design by | |||
| Stephen Altman | |||
Art Direction by | |||
| Dian Perryman | |||
Costume Design by | |||
| Joseph A. Porro | |||
Makeup Department | |||
| Derek Howard | .... | sfx makeup artist | |
| Daniel Marc | .... | hair stylist | |
| Linda Nottestad | .... | hair stylist | |
| Davida Simon | .... | makeup artist | |
| Gordon J. Smith | .... | special makeup effects artist | |
Production Management | |||
| Mark Allan | .... | production manager | |
| Joe Dishner | .... | unit manager | |
| Brent Sellstrom | .... | post-production supervisor | |
Art Department | |||
| John Bucklin | .... | set dresser | |
| Findlay Bunting | .... | set dresser | |
| Jay Burkhart | .... | scenic artist | |
| Eduardo H. Esparza | .... | set construction | |
| James Monroe | .... | set dresser | |
| Alan Munro | .... | storyboard artist | |
| Brett Palmer | .... | set dresser | |
| Jennifer Pray | .... | set dresser | |
| Thomas P. Wilkins | .... | scenic designer (as Tom Wilkins) | |
| Eileen Winterkorn | .... | scenic artist | |
| Gregory R. Wolf | .... | property master (as Gregory Wolf) | |
Sound Department | |||
| Lee Chaloukian | .... | sound director (as Leo Chaloukian) | |
| Holly Davis | .... | sound effects editor | |
| Ted Goodspeed | .... | sound effects editor | |
| Grover B. Helsley | .... | sound re-recording mixer (as Grover Helsley) | |
| F. Hudson Miller | .... | foley editor | |
| R.J. Palmer | .... | supervising sound editor | |
| Steve Rice | .... | adr editor | |
| Steve Rice | .... | dialogue editor | |
| Richard D. Rogers | .... | sound re-recording mixer (as Richard Rogers) | |
| Joan Rowe | .... | foley artist | |
| Steve Sollars | .... | boom operator | |
| Don Summer | .... | sound mixer | |
| Kelly Tartan | .... | sound effects editor | |
| Jerry Trent | .... | foley artist | |
| John Wilkinson | .... | sound re-recording mixer (as John 'Doc' Wilkinson) | |
| David Lewis Yewdall | .... | sound designer | |
Special Effects by | |||
| Ray Beetz | .... | special effects assistant | |
| Al Broussard | .... | special effects assistant | |
| Edward J. Franklin | .... | special effects assistant | |
| Dale L. Martin | .... | special effects coordinator (as Dale Martin) | |
| Joseph C. Sasgen | .... | special effects assistant (as Joseph Sasgen) | |
Visual Effects by | |||
| Bruce A. Block | .... | matte cameraman | |
| Bret Mixon | .... | rotoscoping | |
Stunts | |||
| Mickey Alzola | .... | stunts | |
| Everett Creach | .... | stunt coordinator | |
| Bob Ivy | .... | stunts | |
| Mike Johnson | .... | stunts | |
| Paul M. Lane | .... | stunts (as Paul Michael Lane) | |
| William T. Lane | .... | stunts | |
| Mike H. McGaughy | .... | stunts (as Mike McGaughy) | |
| Eddie Mulder | .... | stunts | |
| Stevie Myers | .... | stunts | |
| Lee Poppie | .... | stunts | |
| Kristen Suzanne Raden | .... | stunts (as Kristen Suzanne) | |
| Michael Raden | .... | stunts (as Mike Raden) | |
| Bob Terhune | .... | stunts | |
| Jim Wilkey | .... | stunts | |
| Jerry Wills | .... | stunts | |
| William Yarbrough Jr. | .... | stunts | |
Camera and Electrical Department | |||
| Chuck Colwell | .... | director of photography: second unit | |
| Alicia Craft | .... | second assistant camera | |
| Richard Crompton | .... | grip | |
| Gary Farr | .... | still photographer | |
| Ben Felthouse | .... | electrician (as Ben Feldhouse) | |
| Robert Gray | .... | key grip | |
| Khan Griffith | .... | grip | |
| Scott Howell | .... | best boy grip | |
| Jono Kouzouyan | .... | lighting gaffer | |
| Kyle T. MacDowell | .... | best boy electric | |
| Hugh McCallum | .... | grip | |
| Michael Ohrling | .... | camera operator: second unit | |
| George Palmer | .... | electrician | |
| Ron Phillips | .... | still photographer | |
| John Pierce | .... | electrician | |
| Vance Piper | .... | first assistant camera | |
| Lou Weinert | .... | assistant camera | |
| Jack Yanekian | .... | best boy electric | |
Casting Department | |||
| Glenn F. Haines | .... | casting associate | |
Costume and Wardrobe Department | |||
| Michael Tereschuk | .... | wardrobe assistant | |
| Leslie Weir | .... | costume supervisor | |
Editorial Department | |||
| Sally Dixon | .... | negative cutter (as Sally Dodge) | |
| Vivian Hengsteler | .... | negative cutter | |
| Mary Ann Skweres | .... | second assistant editor | |
| Arthur Tostado | .... | color timer (as Art Tostado) | |
| Grace Valenti | .... | first assistant editor | |
Music Department | |||
| Jim Weidman | .... | music editor | |
Transportation Department | |||
| Jeri Kelley | .... | transportation captain | |
| Fred Robbins | .... | transportation coordinator | |
Other crew | |||
| Larry Bartels | .... | double | |
| Laura Cartwright | .... | assistant production coordinator | |
| Bundy Chanock | .... | set medic | |
| Kim Deen | .... | production auditor | |
| Lisa Etherington | .... | assistant production accountant | |
| George Herthel | .... | location manager | |
| Constance L. Hoy | .... | script supervisor: second unit | |
| Henry Humphreys | .... | set medic | |
| Carol Shapiro Janson | .... | publicist (as Carol Janson) | |
| Karen Altman Morgenstern | .... | production coordinator | |
| Connie Papineau | .... | script supervisor | |
| Wally Uchida | .... | location manager (as Wallace Uchida) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
One of the best modern vampire flicks around is this stylish, funny, and all around adventurous cult classic.
Young cowboy is literally bitten by a beautiful stranger and ends up joining a band of blood-suckers who roam the American heartland.
Although Near Dark is often over-shadowed by the ultra-hip vampire movie The Lost Boys (1987), Near Dark is a far more juicier treat for horror fans. Eric Red, who also wrote The Hitcher (1986), gives us a seemingly old-fashioned tale of struggle between human nature and savage lust with a nicely spun sense of modernism. Not to mention plenty of touches of dark humor. It's a story that does well with avoiding the obvious clichés of the vampire genre. Director Kathryn Bigelow gives this film terrific style, not only adding scenic beauty but sharply creating plenty of intense action sequences. Near Dark also packs some great makeup FX and occasional gore. The entire sequence in the bar has became a favorite among many. Adding even more to the film is the beautiful music score by Tangerine Dream.
The cast is quite good. Adrian Pasdar is believable as our formerly-human hero. Lance Henriksen is genuine in his role as the leader of the vamp' band. However it's young Bill Paxton who does most of the scene stealing (and the comic relief) as a scary, yet cheeky vampire thug.
A modern vamp classic that delivers on all levels, Near Dark firmly remains a favorite of the genre and one of the most entertaining horror films of the 80's.
**** out of ****