| Jeff Bridges | ... | Vernon Hightower | |
| Kim Basinger | ... | Nadine Hightower | |
| Rip Torn | ... | Buford Pope | |
| Gwen Verdon | ... | Vera | |
| Glenne Headly | ... | Renée Lomax | |
| Jerry Stiller | ... | Raymond Escobar | |
| Jay Patterson | ... | Dwight Estes | |
| William Youmans | ... | Boyd | |
| Gary Grubbs | ... | Cecil | |
| Mickey Jones | ... | Floyd | |
| Blue Deckert | ... | Mountain | |
| Harlan Jordan | ... | Sheriff Rusk | |
| Norman Bennett | ... | Reverend | |
| James N. Harrell | ... | Deacon (as James Harrell) | |
| John William Galt | ... | Officer Lloyd | |
| Joe Berryman | ... | Reporter | |
| Linwood P. Walker II | ... | Janitor | |
| Ray Walker | ... | T.V. Announcer | |
| Shelby Brammer | ... | Michelle | |
| Loyd Catlett | ... | Charley Draper | |
| Sidney Brammer | ... | Estes' Girlfriend | |
| rest of cast listed alphabetically: | |||
| Priscilla Cory | ... | Salesgirl (uncredited) | |
Directed by | |||
| Robert Benton | |||
Writing credits | ||
| Robert Benton | (written by) | |
Produced by | |||
| Arlene Donovan | .... | producer | |
| Wolfgang Glattes | .... | executive producer | |
Original Music by | |||
| Howard Shore | |||
Cinematography by | |||
| Néstor Almendros | (director of photography) (as Nestor Almendros) | ||
Film Editing by | |||
| Sam O'Steen | |||
Casting by | |||
| Howard Feuer | |||
Production Design by | |||
| Paul Sylbert | |||
Art Direction by | |||
| Peter Landsdown Smith | |||
| Cary White | |||
Set Decoration by | |||
| Lee Pall | |||
Costume Design by | |||
| Albert Wolsky | |||
Makeup Department | |||
| Rick Provenzano | .... | hair stylist: Kim Basinger | |
Production Management | |||
| Wolfgang Glattes | .... | unit production manager | |
| Ted Zachary | .... | executive in charge of production (uncredited) | |
Second Unit Director or Assistant Director | |||
| Ronald M. Bozman | .... | first assistant director (as Ron Bozman) | |
| Kyle McCarthy | .... | second assistant director | |
Art Department | |||
| Derek R. Hill | .... | lead man | |
| Mark Hite | .... | lead man | |
| Ronald W. Moore | .... | cars coordinnator | |
| Robert A. Sturtevant | .... | construction foreman | |
Sound Department | |||
| Stan Bochner | .... | supervising sound editor | |
| Marko A. Costanzo | .... | foley artist | |
| Adam Fredericks | .... | apprentice sound editor | |
| Lori Kornspun | .... | assistant sound editor | |
| Stephen Mackey | .... | boom operator | |
| Sanford Rackow | .... | sound editor | |
| David M. Ronne | .... | production sound mixer | |
| Ahmad Shirazi | .... | assistant sound editor | |
| Stan Ginsel | .... | sound transferer (uncredited) | |
Special Effects by | |||
| Roy L. Downey | .... | special effects supervisor | |
| Jack Monroe | .... | special effects | |
Visual Effects by | |||
| Mark Sullivan | .... | special visual effects | |
Stunts | |||
| Michael Adams | .... | stunts (as Mike Adams) | |
| Diamond Farnsworth | .... | stunt coordinator | |
| Diamond Farnsworth | .... | stunts | |
| Steve Geray | .... | stunts | |
| Diane Hetfield | .... | stunts | |
| Rex Rossi | .... | stunts | |
| Buddy Van Horn | .... | stunts | |
| Greg Walker | .... | stunts | |
| Rock A. Walker | .... | stunts (as Rock Walker) | |
| Loyd Catlett | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Brink Brydon | .... | lamp operator | |
| Russell Caldwell | .... | lamp operator | |
| Jerry DeBlau | .... | gaffer | |
| Richie Ford | .... | best boy | |
| Steve George | .... | second assistant camera | |
| Peter Girolami | .... | gaffer: reshoots | |
| Bob Hall | .... | first assistant camera: "a" camera | |
| Andy 'Eagle' Padilla | .... | grip (as Andy Padilla) | |
| Ron Phillips | .... | still photographer | |
| Robert T. Prate | .... | best boy grip | |
| Tom Prate | .... | key grip | |
| Don Reddy | .... | camera operator | |
Costume and Wardrobe Department | |||
| Darryl M. Athons | .... | costumer | |
| Harry Curtis | .... | assistant costume designer | |
Editorial Department | |||
| Kris Cole | .... | assistant film editor | |
| Richard Nord | .... | assistant film editor | |
Music Department | |||
| Suki Buchman | .... | assistant music editor | |
| Suzana Peric | .... | music editor | |
Transportation Department | |||
| Shane Greedy | .... | production driver | |
| Lonnie Nelson | .... | driver | |
| Phil Schriber | .... | driver: Ms. Basinger | |
| Bobby Sconci | .... | mechanic | |
Other crew | |||
| Sandra Lee | .... | consultant to Robert Benton | |
| Anne Rapp | .... | script supervisor | |
| Sjon Ueckert | .... | location manager | |
| Recent Posts (updated daily) | User |
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| How far along was Nadine? | nataliep325 |
| Very funny! | retibar |
| What's the song ? | candimoon101 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Let me begin by saying I am just astonished to see the low average of viewer comments for this splendid movie. I just have to figure the commenters are a bunch of Yankees who never set foot in the South and have no feel for the slow, quiet humor that this fine film represents.
But even that cultural adjustment doesn't explain the complete failure of these other reviewers to appreciate a really finely drawn comedy, from beginning to end. This is a wonderful work by the fine writer and director Robert Benton, who defies the axiom, Comedy is hard. He makes it look easy.
What he did was simple, looking back, but so very hard for most people to do: He set up a funny plot and kept it funny from one scene to another, by keeping it low key and letting the characters carry the humor lightly, one slightly ridiculous moment after the other, thus avoiding the great comedic danger: You can kill comedy by overworking it.
Benton takes a plausible story about some Texas corruption and discovered maps with some amusing twists to it and jacks it up with some great dialogue and some fine actors -- mostly Southern, as it happens: the fine actor Rip Torn (birth name, Ripley J. Torn, Jr., Texas) and Kim Basinger (Alabama). Robert Benton himself is from Waxahatchie, Texas, and wrote the screenplay with full knowledge and confidence of the plausibility of the plot and the reality of his characters.
Folks, I know lots of people like these characters. So do you. Good people, simple people, women who on the phone who soon ask, How's yer Mom 'n 'em? And Benton has given them a moment of great adventure and humor.
A few gems: Jeff Bridges: "I'm not in the Vernon Darlin' business anymore." Basinger naming her early fetus Doris Isabel and talking to her. Rip Torn: "Why is it you work your butt off all your life to get ahead and it takes two nitwits about ten minutes to screw the whole thing up." And in her most glorious beauty, Glenne Headley as the girlfriend, full of Texas spunk.
I truly pity the Yankees and Californians west of Bakersfield who cannot see the beauty of this film. But you know what? We don't need you. This movie is like Elvis. It will live forever.