| Jeff Bridges | ... | Vernon Hightower | |
| Kim Basinger | ... | Nadine Hightower | |
| Rip Torn | ... | Buford Pope | |
| Gwen Verdon | ... | Vera | |
| Glenne Headly | ... | Renée Lomax | |
| Jerry Stiller | ... | Raymond Escobar | |
| Jay Patterson | ... | Dwight Estes | |
| William Youmans | ... | Boyd | |
| Gary Grubbs | ... | Cecil | |
| Mickey Jones | ... | Floyd | |
| Blue Deckert | ... | Mountain | |
| Harlan Jordan | ... | Sheriff Rusk | |
| Norman Bennett | ... | Reverend | |
| James N. Harrell | ... | Deacon (as James Harrell) | |
| John William Galt | ... | Officer Lloyd | |
| Joe Berryman | ... | Reporter | |
| Linwood P. Walker II | ... | Janitor | |
| Ray Walker | ... | T.V. Announcer | |
| Shelby Brammer | ... | Michelle | |
| Loyd Catlett | ... | Charley Draper | |
| Sidney Brammer | ... | Estes' Girlfriend | |
| rest of cast listed alphabetically: | |||
| Priscilla Cory | ... | Salesgirl (uncredited) | |
Directed by | |||
| Robert Benton | |||
Writing credits | ||
| Robert Benton | (written by) | |
Produced by | |||
| Arlene Donovan | .... | producer | |
| Wolfgang Glattes | .... | executive producer | |
Original Music by | |||
| Howard Shore | |||
Cinematography by | |||
| Néstor Almendros | (director of photography) (as Nestor Almendros) | ||
Film Editing by | |||
| Sam O'Steen | |||
Casting by | |||
| Howard Feuer | |||
Production Design by | |||
| Paul Sylbert | |||
Art Direction by | |||
| Peter Landsdown Smith | |||
| Cary White | |||
Set Decoration by | |||
| Lee Pall | |||
Costume Design by | |||
| Albert Wolsky | |||
Makeup Department | |||
| Rick Provenzano | .... | hair stylist: Kim Basinger | |
Production Management | |||
| Wolfgang Glattes | .... | unit production manager | |
| Ted Zachary | .... | executive in charge of production (uncredited) | |
Second Unit Director or Assistant Director | |||
| Ronald M. Bozman | .... | first assistant director (as Ron Bozman) | |
| Kyle McCarthy | .... | second assistant director | |
Art Department | |||
| Derek R. Hill | .... | lead man | |
| Mark Hite | .... | lead man | |
| Ronald W. Moore | .... | cars coordinnator | |
| Robert A. Sturtevant | .... | construction foreman | |
Sound Department | |||
| Stan Bochner | .... | supervising sound editor | |
| Marko A. Costanzo | .... | foley artist | |
| Adam Fredericks | .... | apprentice sound editor | |
| Lori Kornspun | .... | assistant sound editor | |
| Stephen Mackey | .... | boom operator | |
| Sanford Rackow | .... | sound editor | |
| David M. Ronne | .... | production sound mixer | |
| Ahmad Shirazi | .... | assistant sound editor | |
| Stan Ginsel | .... | sound transferer (uncredited) | |
Special Effects by | |||
| Roy L. Downey | .... | special effects supervisor | |
| Jack Monroe | .... | special effects | |
Visual Effects by | |||
| Mark Sullivan | .... | special visual effects | |
Stunts | |||
| Michael Adams | .... | stunts (as Mike Adams) | |
| Diamond Farnsworth | .... | stunt coordinator | |
| Diamond Farnsworth | .... | stunts | |
| Steve Geray | .... | stunts | |
| Diane Hetfield | .... | stunts | |
| Rex Rossi | .... | stunts | |
| Buddy Van Horn | .... | stunts | |
| Greg Walker | .... | stunts | |
| Rock A. Walker | .... | stunts (as Rock Walker) | |
| Loyd Catlett | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Brink Brydon | .... | lamp operator | |
| Russell Caldwell | .... | lamp operator | |
| Jerry DeBlau | .... | gaffer | |
| Richie Ford | .... | best boy | |
| Steve George | .... | second assistant camera | |
| Peter Girolami | .... | gaffer: reshoots | |
| Bob Hall | .... | first assistant camera: "a" camera | |
| Andy 'Eagle' Padilla | .... | grip (as Andy Padilla) | |
| Ron Phillips | .... | still photographer | |
| Robert T. Prate | .... | best boy grip | |
| Tom Prate | .... | key grip | |
| Don Reddy | .... | camera operator | |
Costume and Wardrobe Department | |||
| Darryl M. Athons | .... | costumer | |
| Harry Curtis | .... | assistant costume designer | |
Editorial Department | |||
| Kris Cole | .... | assistant film editor | |
| Richard Nord | .... | assistant film editor | |
Music Department | |||
| Suki Buchman | .... | assistant music editor | |
| Suzana Peric | .... | music editor | |
Transportation Department | |||
| Shane Greedy | .... | production driver | |
| Lonnie Nelson | .... | driver | |
| Phil Schriber | .... | driver: Ms. Basinger | |
Other crew | |||
| Sandra Lee | .... | consultant to Robert Benton | |
| Anne Rapp | .... | script supervisor | |
| Sjon Ueckert | .... | location manager | |
| Recent Posts (updated daily) | User |
|---|---|
| Very funny! | retibar |
| How far along was Nadine? | nataliep325 |
| What's the song ? | candimoon101 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Okay, so this movie didn't do great when it came out in the late eighties. I think it was because it was set in another era. But I happen to think this is one of those movies that once you've seen it, it stays with you. The plot is predictable, the action is a little on the slow side, and it veers off funny a few times. However, that being said, Kim Basinger single handedly MAKES this movie. Don't get me wrong Jeff Bridges does a great job too, but it's Nadine that gives the movie it's spark and it's wittiest moments. Basinger is picture perfect because YES, she is beautiful, but she REALLy inhabits the dialogue and her character. She acts beautifully and really seems to be having a great time. My favorite two scenes are when Vernon and Nadine are driving to the photography studio and later when they are alone in his trailer. The scene in the car is all about dialogue and establishing who these two are to each other and it's done amazingly well in a short time. Basinger's dialect alone will make you laugh. "I don't know Vernon, she look a little on the chubby side to be Pecan Queen" and "You know me Vernon, they don't bother me, I don't bother them". She's referring to her spark plugs. I don't know why, but I LOVE her in this scene. It's just seems effortless. And the scene in his trailer, where they are too close for comfort and it starts rekindling that old flame. Chemistry is amazing in this scene, like they can barely exist near each other.
I highly recommend watching this some night, where you don't have to be up doing laundry or dusting your knick knacks. Pop some popcorn and give this one a chance.